The Instruments of the Orchestra [Box Set]
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| Artist | Jeremy Siepmann |
| Bewertung |  |
| Epoche | () |
| Label | Naxos |
| Erschienen | 2002 |
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Tracks auf diesem Album
| # |  | Titel | | Dauer |
|---|---|---|---|---|
| 1 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: "Oh! to be a conductor..." Includes excerpt from Wagner's Overture to Tannhäuser | | 2:06 |
| 2 | | Domna, pos vos ay chausida - Excerpt | | :28 |
| 3 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: We don't merely use instruments, we play on them. And they play on us. | | 1:19 |
| 4 | | Hungarian Dances (21) for orchestra, WoO 1 - Hungarian Dance No. 7 | | 1:39 |
| 5 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The violin is one of the most tender and beautiful instruments ever invented | | :45 |
| 6 | | Violin Concerto in D major, Op. 77 - Adagio (excerpt) | | 1:08 |
| 7 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: But for a long time it was seen as the instrument of the devil. | | :17 |
| 8 | | L'histoire du soldat (The Soldier's Tale), for 3 actors, dancer & 7 instruments - Triumphal March of the Devil (excerpt) | | :45 |
| 9 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The manipulative seductiveness of the gypsy violin | | :43 |
| 10 | | Csárdás, for violin & piano | | 3:33 |
| 11 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The violin and the imitation of nature | | :23 |
| 12 | | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - No. 1. (excerpt) | | :35 |
| 13 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Birds are again evoked in the second concerto, especially music's natural favourite | | :09 |
| 14 | | Violin Concerto, for violin, strings & continuo in G minor ("L'estate," The Four Seasons; "Il cimento" No. 2), Op. 8/2, RV 315 - No. 1. (excerpt) | | :41 |
| 15 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Like the devil, the violin is a master of disguise. | | :18 |
| 16 | | Schön Rosmarin, for violin & piano | | 1:55 |
| 17 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The menacing sensuality of Ravel's Tzigane; a very different side of the violin | | :15 |
| 18 | | Tzigane, rhapsodie de concert, for violin & piano (or orchestra) - Excerpt | | :51 |
| 19 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Do we now have the true measure of this instrument? Not just jet. | | :15 |
| 20 | | Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24 - Excerpt | | :48 |
| 21 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The many effects of the string tremolando. Includes excerpt from Bach's Brandenburg Concert | | 1:57 |
| 22 | | Variations on a Theme by Frank Bridge, for strings, Op. 10 - No. 7 | | 1:06 |
| 23 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime | | :22 |
| 24 | | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 4. (excerpt) | | :46 |
| 25 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Vivaldi uses it to illustrate the shivering of travellers crossing the ice | | :14 |
| 26 | | Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297 - No. 1 (excerpt) | | :57 |
| 27 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The violin muted | | :31 |
| 28 | | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 | | 1:41 |
| 29 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The gentleness of muted strings persists even when a whole orchestra plays | | :30 |
| 30 | | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - excerpt | | 1:26 |
| 31 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The pizzicato violin | | :38 |
| 32 | | Pizzicato Polka for orchestra, Op. 234 | | 2:29 |
| 33 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato | | :26 |
| 34 | | Violin Concerto No. 2 in G minor, Op. 63 - Excerpt | | 2:02 |
| 35 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Varieties of pizzicato. Includes excerpt from Kabalevsky's Colas Breugon; Warlock's Capriol | | 3:09 |
| 36 | | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - Mars - The bringer of War (excerpt) | | 1:27 |
| 37 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The technique of double-stopping enables the violin to play duets with itself. Includes exc | | 2:09 |
| 38 | | Hungarian Dances (21) for orchestra, WoO 1 - Hungarian Dance No. 4 | | 3:51 |
| 39 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Double-stopping is a standerd feature of a lot of folk music | | :14 |
| 40 | | Violin Concerto, for violin, strings & continuo in F major ("L'autunno," The Four Seasons; "Il cimento" No. 3), Op.8/3, RV 293 - Movement 1. (excerpt) | | :37 |
| 41 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Now the same technique, but the sound might have come from another world | | :30 |
| 42 | | Boléro, ballet for orchestra - Excerpt | | :49 |
| 43 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Double-stopping can only approximate the sound of a real violin duet. | | :20 |
| 44 | | Cadenza for Brahms Violin Concerto - Excerpt | | :44 |
| 45 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Now compare that with a real violin duet | | :12 |
| 46 | | Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104 - No. 1: Teasing Song | | :52 |
| 47 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Another Duo by Bartök, demonstrating the violin's rich lower register | | :10 |
| 48 | | Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104 - No. 2: Maypole Dance | | :40 |
| 49 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: And now what may be the most beautiful accompanied violin duet in history | | :17 |
| 50 | | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - Largo | | 6:43 |
| 51 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The soul of the violin is in song; but what about this wierd passage? | | :42 |
| 52 | | Violin Concerto No. 1 in D major, Op. 19 - Movement 2 (excerpt) | | :34 |
| 53 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The use of harmonics in the orchestra can be both magical and unsettling | | :29 |
| 54 | | Symphony No. 1 in D major ("Titan") - Movement 1. (opening) | | 1:33 |
| 55 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring | | :11 |
| 56 | | The Sleeping Beauty, ballet, Op. 66 - Act 2. No. 15. Entr'acte (excerpt) | | :33 |
| 57 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Ravel's harmonics in Mother Goose effect a magical transformation | | :29 |
| 58 | | Ma mère l'oye, for piano, 4 hands (or orchestra) - Beauty and the Beast (excerpt) | | :36 |
| 59 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Stravinsky's harmonies in The Firebirg transport us almost into another world. Includes exc | | :46 |
| 60 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: The Natural upper notes of the violins have a unique emotional "grab" | | :32 |
| 61 | | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176) - Of the Afterworldsmen (excerpt) | | :55 |
| 62 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Still in their upper register, the violins unleash the energy of a young colt | | :14 |
| 63 | | Variations on a Theme by Frank Bridge, for strings, Op. 10 - No. 4 | | 1:10 |
| 64 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: Elsewhere, Britten uses the same high register to create a very different mood | | :11 |
| 65 | | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - Dawn (excerpt) | | 1:08 |
| 66 | | The Instruments of the Orchestra, narration with musical excerpts - Violin: To end this outing with the violins, a charming little elfin dance | | :12 |
| 67 | | Elfenreigen, for salon orchestra - Excerpt | | 1:29 |
| 68 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Introduction to the viola | | :42 |
| 69 | | Concerto for viola, strings & continuo in G major, TWV 51:G9 - Movement 1 | | 2:46 |
| 70 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Khatchaturian gets a very different sound from it: fuller, fruitier, more exotic | | :14 |
| 71 | | Gayane Suite, for orchestra No. 1 - Armen's Solo (excerpt) | | 1:15 |
| 72 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Very nearly the whole of the violin's upper register is also available to the viola | | :39 |
| 73 | | Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") - excerpt | | 1:00 |
| 74 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The viola can bring a special, rich tranginess to pizzicato that the violins lack. I | | 1:03 |
| 75 | | Harold en Italie (Harold in Italy), symphony for viola & orchestra, H. 68 (Op. 16) - No. 4 (excerpt) | | 2:00 |
| 76 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The muted viola: intimate, gentle, poignant in Dvorák | | :34 |
| 77 | | Cypresses (Ohlas písní [Echoes of Songs]), for string quartet (arr. from Cypresses, B. 11), B. 152 - No. 9 | | 3:00 |
| 78 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The massed violas of the modern symphony orchestra in Mahler | | :40 |
| 79 | | Symphony No. 4 in G major - Movement 3 (excerpt) | | 1:13 |
| 80 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The "period" viola in Bach | | 1:05 |
| 81 | | Brandenburg Concerto No. 6 in B flat major, BWV 1051 - Allegro | | 5:18 |
| 82 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The cello: a voice of unique nobility | | :28 |
| 83 | | Suite for solo cello No. 1 in G major, BWV 1007 - Prelude | | 2:30 |
| 84 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Brahms and the "soul" of the cello | | :19 |
| 85 | | Piano Concerto No. 2 in B flat major, Op. 83 - Movement 3 (excerpt) | | 1:04 |
| 86 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Most orchestral composers tend to emphasise the cello's lower register | | :27 |
| 87 | | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Aria: Bereite dir, Jesu | | 3:03 |
| 88 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: In the time of Beethoven the cello remained as fundamental as ever | | :14 |
| 89 | | Symphony No. 3 in E flat major ("Eroica"), Op. 55 - Finale (excerpt) | | :46 |
| 90 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: But the cello is not condemned to spend its life in the basement | | :33 |
| 91 | | Elfentanz for cello & piano, Op 39 "Dance of the Elves" | | 2:55 |
| 92 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Not only in recital showpieces like that is the cello used in its highest register | | :10 |
| 93 | | The Protecting Veil, for cello & orchestra - Opening (excerpt) | | 2:54 |
| 94 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: A cello with an identity-crisis: the pizzicato Flamencan | | :15 |
| 95 | | Flamenco | | 2:48 |
| 96 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Double-stopping in the lower reaches of the cello's range | | :31 |
| 97 | | Suite for cello solo - Sardana (excerpt) | | 1:08 |
| 98 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: It's in its middle register that the cello really comes into its own | | :21 |
| 99 | | Pieces (2) for cello & piano, Op. 2 - No. 2, Oriental Dance (excerpt) | | 1:32 |
| 100 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: It was to the cellos that Beethoven gave two of his most famous themes. Includes exc | | :54 |
| 101 | | Symphony No. 9 in D minor ("Choral"), Op. 125 - Finale (excerpt) | | :54 |
| 102 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Introduction to the double-bass | | :43 |
| 103 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Elephant | | 1:32 |
| 104 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: but the double-bass can be intensely expressive and graceful | | :10 |
| 105 | | Elegy for double bass & piano No. 1 in D major - excerpt | | 2:37 |
| 106 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The range of the double-bass is the greatest of all the string instruments. Includes | | :47 |
| 107 | | Capriccio di Bravura for double bass & piano - Excerpt | | 4:42 |
| 108 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: Double-bass solos in orchestral scores are rare but often memorable. Includes excerp | | 1:33 |
| 109 | | The Instruments of the Orchestra, narration with musical excerpts - Lower Strings: The Double-bass muted in Prokofiev. Includes excerpt from Prokofiev's Lieutenant Kij | | 2:25 |
| 110 | | Symphony No. 5 in C minor ("Fate"), Op. 67 - Movement 3 (excerpt) | | 1:20 |
| 111 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The antiquity and magic of the flute | | :20 |
| 112 | | Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 - Excerpt | | 3:19 |
| 113 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The versatility and agility of the flute | | :21 |
| 114 | | Orchestral Suite No. 2 in B minor, BWV 1067 - Badinerie (excerpt) | | 1:18 |
| 115 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The flute in fifteenth-century Spain | | :24 |
| 116 | | Sa'dâwî - Excerpt | | :55 |
| 117 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Other flutes: the bass and alto | | :29 |
| 118 | | Chamber Music II, for alto flute &string orchestra, Op. 41 - excerpt | | 1:12 |
| 119 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The piccolo - aptly named | | :19 |
| 120 | | La Naissance d'Osiris ou La Fête Pamilie, acte de ballet - No. 6 (excerpt) | | :47 |
| 121 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: From a piccolo of the eighteenth century to one of its descendants in the twentieth | | :09 |
| 122 | | Suite No. 1, for chamber orchestra - Valse (excerpt) | | :54 |
| 123 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: A variety of techniques | | :19 |
| 124 | | Chamber Music II, for alto flute &string orchestra, Op. 41 - excerpt | | :31 |
| 125 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Flutter-tonguing. But Tchaikovsky got there eighty years before | | :28 |
| 126 | | Nutcracker, ballet, Op. 71 - Act 2. No. 2. Scène (excerpt) | | :44 |
| 127 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: From the transverse to the vertical: the Baroque recorder | | :40 |
| 128 | | Overture, suite for recorder (or flute), strings & continuo in A minor, TWV 55:a2 - Menuet II | | 2:12 |
| 129 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: An unfamiliar, early version of the instrument | | :23 |
| 130 | | Needles, needles | | 1:09 |
| 131 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The Bachian oboe | | :35 |
| 132 | | Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - No. 7. Duetto (excerpt) | | 3:34 |
| 133 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Introduction to the cor anglais or "English horn" | | :41 |
| 134 | | Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - Movement 2 (excerpt) | | 1:24 |
| 135 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The loneliness of the cor anglais | | :11 |
| 136 | | The Swan of Tuonela, tone poem for orchestra (Lemminkäinen Suite No. 3), Op. 22/3 - Excerpt | | 1:49 |
| 137 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The cor anglais joins the French horn in Haydn | | :17 |
| 138 | | Symphony No. 22 in E flat major ("Philosopher"), H. 1/22 - Opening (excerpt) | | 1:43 |
| 139 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Introduction to the oboe d'amore, beloved of Bach - but also of Ravel | | :22 |
| 140 | | Boléro, ballet for orchestra - Excerpt | | :50 |
| 141 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The Clarinet family: boxing the compass, from the depths of the bass clarinet... Include | | :37 |
| 142 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: ... to the shrill and complaining.... Includes excerpt from Stravinsky's Petrushka (No. | | 1:38 |
| 143 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: As the high clarinets tend to be loud, so the bass tends to be soft | | :18 |
| 144 | | Gayane Suite, for orchestra No. 1 - No. 5 (excerpt) | | :54 |
| 145 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The bass clarinet is used by most composers mainly as a colouring agent.... Includes exc | | 1:44 |
| 146 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The Range of the normal clarinet parts goes quite high | | :14 |
| 147 | | The Snow Maiden, incidental music, Op. 12 - Scene 5: Melodrama (excerpt) | | 1:17 |
| 148 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: ... and quite low | | :05 |
| 149 | | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67 - The Cat (excerpt) | | :45 |
| 150 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The clarinet as concerto soloist | | :19 |
| 151 | | Clarinet Concerto in A major, K. 622 - Rondo (excerpt) | | 2:48 |
| 152 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: but that's not the instrument Mozart wrote it for; this is: | | :16 |
| 153 | | Clarinet Concerto in A major, K. 622 - Rondo (excerpt) | | 2:47 |
| 154 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Introduction to the saxophone | | 1:06 |
| 155 | | Háry János, suite from the opera for orchestra - No. 4 (excerpt) | | 1:03 |
| 156 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The Soprano saxophone has quite a different feel to it | | :09 |
| 157 | | L' Arlésienne, suite for orchestra No. 1, from the incidental music - Minuet (excerpt) | | 1:17 |
| 158 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The little sopranino sax goes even higher | | :12 |
| 159 | | Boléro, ballet for orchestra - Excerpt | | :53 |
| 160 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The most famous use of the saxophone is in an orchestration by Ravel | | :16 |
| 161 | | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel - The Old Castle (excerpt) | | :55 |
| 162 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The saxophhone can be quite contagiously good-humored | | :11 |
| 163 | | Sax-O-Phun for saxophone & piano - Excerpt | | :22 |
| 164 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The puffa-puffa image of the bassoon | | :25 |
| 165 | | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67 - Grandfather (excerpt) | | :46 |
| 166 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: the Bachian bassoon, in accompanimental mode | | :20 |
| 167 | | Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Aria No. 1 (excerpt) | | 1:19 |
| 168 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Bizet leaves the puffa-puffa image out, allowing the bassoon to sing. Includes excerpt f | | :56 |
| 169 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: And Ravel, also in spanish mode, does likewise | | :16 |
| 170 | | Boléro, ballet for orchestra - Excerpt | | :59 |
| 171 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The Bassoon as a voice of high seriousness, indeed desolate loneliness | | :15 |
| 172 | | Symphony No. 3 - Opening (excerpt) | | 1:03 |
| 173 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The eerie bassoon in its highest register | | :15 |
| 174 | | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra - Opening (excerpt) | | :58 |
| 175 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Stravinsky now draws on its lowest register, lonely and melancholy | | :21 |
| 176 | | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Berceuse (excerpt) | | 1:01 |
| 177 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The bassoon as concerto soloist, avoiding all exaggeration | | :14 |
| 178 | | Bassoon Concerto in G minor - Finale (excerpt) | | 2:02 |
| 179 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: the deep-voiced contra-bassoon, as a fairy-tale beast | | :28 |
| 180 | | Ma mère l'oye, for piano, 4 hands (or orchestra) - Beauty and the Beast (excerpt) | | 1:30 |
| 181 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The French horn under its woodwind hat | | :25 |
| 182 | | Wind Quintet, FS 100 (Op. 43) - Last movement (excerpt) | | 1:42 |
| 183 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: Now a more prominent role, in a woodwind quintet from an earlier era | | :12 |
| 184 | | Woodwind Quintet in A minor, Op. 100/5 - No. 2 (excerpt) | | 1:32 |
| 185 | | The Instruments of the Orchestra, narration with musical excerpts - Woodwinds: The horn in harmonious blend with strings in another quintet | | :16 |
| 186 | | Quintet for horn, violin, 2 violas & cello in E flat major, K. 407 (K. 386c) - Finale | | 3:55 |
| 187 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet as virtuoso soloist | | 1:02 |
| 188 | | Brandenburg Concerto No. 2 in F major, BWV 1047 - Allegro assai | | 2:37 |
| 189 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The special brilliance of paired trumpets | | :19 |
| 190 | | Double Trumpet Concerto for 2 trumpets, strings & continuo in C major, RV 537 - No. 1 | | 2:54 |
| 191 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The ceremonial trumpet | | :36 |
| 192 | | Fanfare for the Common Man, for brass & percussion (from Symphony No. 3) - Excerpt | | 1:25 |
| 193 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: Trumpets and drums - an incomparable alliance | | :34 |
| 194 | | Messiah, oratorio, HWV 56 - The Trumpet Shall Sound | | 4:10 |
| 195 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The versatility of the trumpet, from the most public to the most lonely | | :38 |
| 196 | | Concerto in F, for piano & orchestra - Excerpt | | 1:14 |
| 197 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet as the voice of the city. Includes excerpt from Gershwin's An American in Paris; | | 2:05 |
| 198 | | Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard) - Habanera (excerpt) | | :55 |
| 199 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet as the voice of strength and courage | | :13 |
| 200 | | Carmen Suite for orchestra No. 2 (assembled by Ernest Guirard) - Toreador's Song (excerpt) | | 2:20 |
| 201 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet muted. Includes excerpt from Stravinsky's Petrushka (No. 4. The Blackamoor); Pro | | 1:41 |
| 202 | | Billy the Kid, ballet - Excerpt | | 1:16 |
| 203 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet as a character actor | | :31 |
| 204 | | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel - No. 6 | | 2:25 |
| 205 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet as the voice of God | | :15 |
| 206 | | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Et exspecto | | 4:35 |
| 207 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The birth of the trombone | | :38 |
| 208 | | Aenmerckt nu hier | | 1:36 |
| 209 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The birth of the brass as a family | | 1:24 |
| 210 | | Sacrae Symphoniae: No. 12: Canzon in echo duodecimi toni for 10 parts | | 3:18 |
| 211 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trombone in the eighteenth century | | :36 |
| 212 | | Trombone Concerto in B flat - Finale | | 3:06 |
| 213 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The tone of the tenor trombone. Includes excerpt from Höser's Romance for Trombone and Organ | | 2:18 |
| 214 | | Hosannah (Alleluja del Cantico del sol), for organ & trombone ad lib, S. 677 (LW F2) - Excerpt | | 1:20 |
| 215 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trombones become part of the orchestra | | :47 |
| 216 | | Symphony No. 5 in C minor ("Fate"), Op. 67 - Finale (excerpt) | | 2:46 |
| 217 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The Wagnerian trombone. Includes excerpt from Wagner's Overture to Tannhäuser | | 1:04 |
| 218 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trombone as a caricaturist | | :13 |
| 219 | | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra - No. 19: Vivo (excerpt) | | 1:37 |
| 220 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trombone as raspberry. Includes excerpt from Bartók's Conceto for Orchestra (Intermezzo) | | 1:46 |
| 221 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The horn and the hunt | | :40 |
| 222 | | Horn Concerto No. 4 in E flat major, K. 495 - Finale | | 3:39 |
| 223 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The challenging horn of the Baroque | | :42 |
| 224 | | Les Boréades (Abaris), tragédie en musique - Menuet | | 1:20 |
| 225 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The scarcity of first-rate players in Handel's time | | :24 |
| 226 | | Water Music Suite No.1 for orchestra in F major, HWV 348 - Minuet 1 | | 1:57 |
| 227 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The horn as magician. Includes excerpt fron Stravinsky's Firebird Suite (1919 version) (fina | | :59 |
| 228 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: horns and the sound of nobility | | :12 |
| 229 | | Tannhäuser, opera, WWV 70 - Overutre: Opening (excerpt) | | :56 |
| 230 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: the special sound of the horn in its higher register | | :11 |
| 231 | | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Quoniam tu solus sanctus | | 4:15 |
| 232 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The trumpet-like sound of massed horns | | :21 |
| 233 | | Symphony No. 3 in D minor - Movement 1 (opening) (excerpt) | | :38 |
| 234 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The tuba - Unfairly maligned? | | :49 |
| 235 | | Symphony No. 6 in E flat minor, Op. 111 - Movement 3 (excerpt) | | 1:07 |
| 236 | | The Instruments of the Orchestra, narration with musical excerpts - Brass: The tuba perfectly cast by Ravel | | :26 |
| 237 | | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel - Bydlo | | 3:00 |
| 238 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introduction. And we begin with a bang | | 1:02 |
| 239 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The bass drum on the battlefields. Includes excerpt from Copland's Fanfare for the Comm | | 1:03 |
| 240 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: At the opposite extreme is the triangle | | :26 |
| 241 | | Piano Concerto No. 1 in E flat major, S. 124 (LW H4) - Scherzo (excerpt) | | 1:21 |
| 242 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Categories of percussion: tuned and untuned. The side drum | | :36 |
| 243 | | La gazza ladra (The Thieving Magpie), opera - Overture: Opening (excerpt) | | :52 |
| 244 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The side drum in an effective but unexpected role. Includes excerpt from Nielsen's Clar | | 1:08 |
| 245 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The tambourine. One of the oldest instruments in the world | | :21 |
| 246 | | Den hoboecken dans | | 1:43 |
| 247 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Even older is the originally oriental gong | | :28 |
| 248 | | Ma mère l'oye, for piano, 4 hands (or orchestra) - Laideronette (excerpt) | | 1:00 |
| 249 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: No single instrument can match the gong in evoking the breaking of waves. Includes exce | | 1:00 |
| 250 | | Gymnopedie for piano No. 2 | | 1:02 |
| 251 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The cymbals are generally discovered early in life. Includes excerpt from Elgar's The S | | 1:28 |
| 252 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Other untuned percussion instruments include the whip. Includes excerpt from Ravel's Pi | | 1:05 |
| 253 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: More versatile than the whip are the wood blocks.... Includes studio example | | :31 |
| 254 | | Rodeo, ballet - Hoe-Down (excerpt) | | :44 |
| 255 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Related to the wood blocks, by sound, are the castanets. Includes excerpt from Glinka's | | 1:09 |
| 256 | | Damigella tutta bella, madrigal for 3 voices (from Scherzi musicali), SV 235 - Excerpt | | 1:50 |
| 257 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: A still earlier example from fifteenth-century Spain | | :30 |
| 258 | | Yo m'enamori d'un ayre, song | | 1:06 |
| 259 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The birth of the bongo | | :33 |
| 260 | | Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - Excerpt | | 1:39 |
| 261 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: From the streets of New York to the blacksmith's shop. Includes excerpt rom Verdi's Il | | 1:08 |
| 262 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Desert-island decibels. Includes excerpt from Grofé's Grand Canyon Suite (On the Trail) | | 1:27 |
| 263 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: From one vegetable to another: the humble squash, or marrow. Includes excerpt from Monc | | 1:20 |
| 264 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Onwards to the tuned percussion. First, the timpani | | :14 |
| 265 | | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176) - Introduction (excerpt) | | 1:48 |
| 266 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: But the drum roll can be more effectively frightening than the big band. Includes excer | | :29 |
| 267 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Not one drum roll, but many. Includes excerpt from Grofé's Grand Canyon Suite (Sunrise) | | :37 |
| 268 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Taking advantage of tunability | | :22 |
| 269 | | Music for Strings, Percussion & Celesta, Sz. 106, BB 114 - Movement 2 (excerpt) | | 2:25 |
| 270 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The Russian composer Rodion Shchedrin takes a downward turn. Includes excerpt from Shch | | 1:01 |
| 271 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introducing the glockenspiel. Includes excerpt from Shchedrin's Carmen Suite (Carmen's | | 1:15 |
| 272 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Saint-Saëns and the xylophone | | :16 |
| 273 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - Fossils | | 1:18 |
| 274 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Ravel and the xylophone | | :11 |
| 275 | | Ma mère l'oye, for piano, 4 hands (or orchestra) - Laideronette | | 2:37 |
| 276 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introducing the marimba. Includes excerpt from Shchedrin's Carmen Suite (First Intermez | | :38 |
| 277 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introducing the vibraphone | | :20 |
| 278 | | Treasure of the Sierra Madre, film score - Narange dolce | | 1:25 |
| 279 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The vibraphone goes Russian.... Includes excerpts from Shchedrin's Carmen Suite (Carmen | | :57 |
| 280 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introducing the Hungarian cimbalom | | :23 |
| 281 | | Work(s) - Folk Dances | | 3:00 |
| 282 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The cimbalom and the symphony orchestra | | :10 |
| 283 | | Háry János, suite from the opera for orchestra - No. 3 (excerpt) | | 1:30 |
| 284 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introducing the tubular bells | | :17 |
| 285 | | Háry János, suite from the opera for orchestra - Viennese Musical Clock | | 2:04 |
| 286 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: A more "up-front" approach from Rodion Shchedrin | | :06 |
| 287 | | Carmen-Suite (based on themes of Georges Bizet) - Introduction | | 1:08 |
| 288 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: But the bells can also make the sinister even more sinister. Includes excerpt from Vaug | | :38 |
| 289 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Introducing the celeste | | :14 |
| 290 | | Nutcracker, ballet, Op. 71 - Dance of the Sugar Plum Fairy | | 2:10 |
| 291 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Magic, in the use of collective percussion | | :19 |
| 292 | | Miroirs, for piano (or orchestra) - La Vallée des cloches | | 1:39 |
| 293 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: Plucked instruments: the 'undercover percussion'. Includes excerpt from Shchedrin's Car | | 1:25 |
| 294 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: A prime case in point is the harp, irresistible to the Romantics. Includes excerpt from | | 1:16 |
| 295 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The traditionally subservient role of the harpsichord in the Baroque orchestra | | :48 |
| 296 | | Brandenburg Concerto No. 2 in F major, BWV 1047 - Andante | | 3:11 |
| 297 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The piano: king of the tuned percussion. Includes excerpt from Saint-Saëns' Symphony No | | 1:28 |
| 298 | | Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version) - Russian Dance | | 4:28 |
| 299 | | The Instruments of the Orchestra, narration with musical excerpts - Percussion: The anti-Romantic piano as an integral part of the orchestra | | :23 |
| 300 | | Music for Strings, Percussion & Celesta, Sz. 106, BB 114 - Last mvt | | 5:06 |
| 301 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Keyboard instruments in the orchestra - the most powerful of them all | | :18 |
| 302 | | Symphony No. 3 in C minor ("Organ"), Op. 78 - Finale (excerpt) | | 1:49 |
| 303 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: But things in Handel's day were very different | | :15 |
| 304 | | Organ Concerto in G minor, Op.4/3, HWV 291 - Last movement | | 3:44 |
| 305 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The organ is difficult to classify | | :24 |
| 306 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: An unexpected, organ-related guest | | :14 |
| 307 | | Concerto in C "Zampogna" - last mvt | | 1:59 |
| 308 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Peasant-fancying... and a touch of the roaming cowboy | | :40 |
| 309 | | Les Miserables, musical - Drink with Me (excerpt) | | 1:02 |
| 310 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Outside artefacts and the power of association. Includes excerpt from Mozart's German | | 1:16 |
| 311 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Mahler's sleighbells. Includes excerpt from Mahler's Symphony No. 4 (opening) | | :47 |
| 312 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: In another symphony Mahler used cowbells. Includes excerpt from Mahler's Symphony No. | | :53 |
| 313 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: A roll-call of some unusual guests. Includes excerpt from Anderson's The Typewriter; S | | 2:46 |
| 314 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Chains, and more. Includes excerpt from Varèse's Intégrales; Gershwin's An American in | | 2:35 |
| 315 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Purpose-built oddities: wind machines. Includes excerpts from Vaughan Williams' Sympho | | 1:42 |
| 316 | | Don Quixote, fantastic variations for cello & orchestra, Op. 35 (TrV 184) - Variation VIII | | 1:13 |
| 317 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: National calling cards: the guitar for Spain. Includes excerpt from Rodrigo's Conciert | | :56 |
| 318 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: And the guitar's poor American relative, the banjo. Includes excerpt from Seeger's Was | | :19 |
| 319 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: And poorer still, the mouth organ. Includes excerpt from Steiner's The Treasure of the | | :18 |
| 320 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The Balalaika for Russia. Includes excerpt from Prokofiev's Romeo and Juliet (Act 2, N | | :13 |
| 321 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The maracas for Mexico. Includes excerpt from Sanchez's The Treasure of the Sierra Mad | | :18 |
| 322 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The bongos and the congas and a whole wealth of other drums for Africa and Central Ame | | :26 |
| 323 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The sitar for India. Includes excerpt from Evening Raga: Bhapoli | | :17 |
| 324 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The accordion for France (especially Paris). Includes excerpt from Ferré's Paris canai | | :20 |
| 325 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The zither for Vienna. Includes excerpt from Kárás's The Third Man (Theme) | | :25 |
| 326 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The cimbalom for Hungary. Includes excerpt from Traditional Hungarian Folk Dances | | :21 |
| 327 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The guitar as an integral part of the orchestra. Includes excerpt from Albéniz's Ronde | | 1:20 |
| 328 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: there are whole orchestras of balalaikas. Includes excerpt from Traditional Russian so | | 1:02 |
| 329 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The effect of the wordless human voice, used purely as an instrument. Includes excerpt | | 1:27 |
| 330 | | Sirènes, for female chorus & orchestra (Nocturne No. 3), L. 91/3 - Unspecified excerpt | | 4:15 |
| 331 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Instruments and the imitation of nature. The clarinet as cuckoo | | :42 |
| 332 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Cuckoo | | 1:46 |
| 333 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The flute as an all-purpose aviary | | :14 |
| 334 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Aviary | | 1:08 |
| 335 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The oboe as a duck | | :36 |
| 336 | | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67 - The Duck | | 1:55 |
| 337 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The recording of reality. Does it work as well? | | :12 |
| 338 | | Pini di Roma (The Pines of Rome), symphonic poem, P. 141 - The Pines of the Janiculum (excerpt) | | 1:17 |
| 339 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The recording of reality electronically reborn in new guises | | :32 |
| 340 | | Cantus Arcticus (Concerto for Birds & Orchestra), for orchestra & taped bird songs, Op. 61 - Excerpt (movement 2) | | 1:12 |
| 341 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Beethoven turns avian: cuckoo, nightingale, and quail | | :26 |
| 342 | | Symphony No. 6 in F major ("Pastoral"), Op. 68 - Andante molto mosso (excerpt) | | 1:12 |
| 343 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Some improbable casting: the violin as braying donkey | | :33 |
| 344 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - Persons with Long Ears | | :47 |
| 345 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: A truly orchestral hee-haw to be reckoned with | | :09 |
| 346 | | A Midsummer Night's Dream, overture, Op. 21 - Excerpt | | :29 |
| 347 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: A thunderstorm in a million | | :17 |
| 348 | | Symphony No. 6 in F major ("Pastoral"), Op. 68 - Allegro - Allegretto (excerpt) | | 3:57 |
| 349 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: The instrumental depiction of a silent world | | 2:07 |
| 350 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Aquarium | | 2:20 |
| 351 | | The Instruments of the Orchestra, narration with musical excerpts - Interlopers: Saint-Saëns' menagerie takes a curtain call | | :24 |
| 352 | | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - Finale | | 2:09 |
| 353 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The grouping of instrumental families. An additive approach. First, two violins | | 1:20 |
| 354 | | Duos (44) for 2 violins, Volumes 1-4, Sz. 98, BB 104 - No. 4 | | :47 |
| 355 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: A greater contrast, both pitch and character: violin and viola | | :27 |
| 356 | | Duo for violin & viola No. 2 in B flat major, K. 424 - Finale. Variations 1 & 2 | | 2:18 |
| 357 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Arrival at the standard string trio: violin, viola, and cello | | :12 |
| 358 | | String Trio in B flat major, D. 581 - Menuetto (excerpt) | | 1:09 |
| 359 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The string quartet: two violins, viola, and cello | | :20 |
| 360 | | String Quartet No. 1 in F major, Op. 18/1 - Excerpt (Movement 3) | | 1:53 |
| 361 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The string quintet - when the extra instrument is a second viola | | :30 |
| 362 | | Quintet for 2 violins, 2 violas & cello No. 5 in D major ("String Quintet No. 5"), K. 593 - Adagio (excerpt) | | 2:21 |
| 363 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The string quintet - when the extra instrument is a second cello | | :19 |
| 364 | | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163) - Movement 3 (excerpt) | | 2:12 |
| 365 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The string sextet: two violins, two violas, and two cellos | | :16 |
| 366 | | String Sextet No. 1 in B flat major, Op. 18 - Movement 2 (excerpt) | | 1:27 |
| 367 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The string octet: the standard string quartet times two | | :20 |
| 368 | | Octet for strings in E flat major, Op. 20 - Movement 1 (excerpt) | | 2:16 |
| 369 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Double the string octet: a fully fledged string orchestra | | :15 |
| 370 | | Symphony No. 2 in B flat major ("Lobgesang", "Hymn of Praise"), Op. 52 - Finale (excerpt) | | 2:12 |
| 371 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The massed strings of a symphony orchestra | | :37 |
| 372 | | Fantasia on a Theme by Thomas Tallis, for 2 string orchestras - Excerpt | | 2:58 |
| 373 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Contrasts of pitch and instrumental 'colour' in the woodwind section | | :44 |
| 374 | | Woodwind Quintet in A minor, Op. 100/5 - Theme | | 1:10 |
| 375 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: In the First Variation it's the horn that gets the lion's share | | :05 |
| 376 | | Woodwind Quintet in A minor, Op. 100/5 | | 1:28 |
| 377 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: In Variation Two the torch is handed to the bassoon | | :07 |
| 378 | | Woodwind Quintet in A minor, Op. 100/5 - Variation 2 | | 1:08 |
| 379 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: in Variation Three the oboe leads | | :13 |
| 380 | | Woodwind Quintet in A minor, Op. 100/5 - Variation 3 | | 1:12 |
| 381 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Variation Four: conversation before returning to a solo-dominated texture | | :07 |
| 382 | | Woodwind Quintet in A minor, Op. 100/5 - Variation 4 | | 1:17 |
| 383 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: And Variation Five is dominated by the clarinet | | :04 |
| 384 | | Woodwind Quintet in A minor, Op. 100/5 - Variation 5 | | 1:12 |
| 385 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The next to be featured is the virtuoso flute | | :07 |
| 386 | | Woodwind Quintet in A minor, Op. 100/5 - Variation 6 | | 1:22 |
| 387 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Individual farewells and a closing chorus | | :19 |
| 388 | | Woodwind Quintet in A minor, Op. 100/5 - Variation 7 | | :40 |
| 389 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: A mixed group: clarinet, bassoon, horn, string quartet, and double-bass | | :19 |
| 390 | | Octet for clarinet, horn, bassoon & strings in F major, D. 803 (Op. posth. 166) - Movement 3 (excerpt) | | 2:01 |
| 391 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The early classical symphony orchestra of Haydn and Mozart | | :34 |
| 392 | | Symphony No. 29 in A major, K. 201 (K. 186a) - Finale (excerpt) | | 3:32 |
| 393 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Strings, wind, but no brass. What Haydn and Mozart never knew | | :34 |
| 394 | | Canzon No. 28 ("Sol sol la sol fa mi"), for 8 parts | | 1:39 |
| 395 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Beethoven's Fifth: two horns, two trumpets, and three trombones join the team | | :58 |
| 396 | | Symphony No. 5 in C minor ("Fate"), Op. 67 - Finale (excerpt) | | 4:28 |
| 397 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: From Beethoven to the massive orchestras of Berlioz, Wagner, and Mahler | | :27 |
| 398 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Beethoven changed the face of the symphony and the orchestra forever. | | :47 |
| 399 | | Symphony No. 6 in A minor ("Tragic") - Movement 1 (excerpt) | | 1:44 |
| 400 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The cult of orchestral elephantiasis reaches its peak | | 1:04 |
| 401 | | Symphony No. 1 in D minor for soloists, chorus, brass bands & orchestra, "The Gothic" - VI: Te ergo quaesumus (excerpt) | | 1:43 |
| 402 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: When large doesn't necessarily mean loud: Debussy | | 1:10 |
| 403 | | Images (3), for orchestra, L. 122 - Gigues (excerpt) | | 1:50 |
| 404 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: A crisis of confidence; the orchestra's survival hangs in the balance, but it still | | 2:41 |
| 405 | | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - Chant d'amour 1 (excerpt) | | 1:14 |
| 406 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: The advent of the 'early music' movement brings a new vitality and freshness | | :57 |
| 407 | | Xerxès, ballet (for F. Cavalli's "Serse"), LWV 12 - Gavotte en rondeau (excerpt) | | :47 |
| 408 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: Computer and synthesiser: friends or foes? | | 1:35 |
| 409 | | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043 - Largo (excerpt) | | 2:13 |
| 410 | | The Instruments of the Orchestra, narration with musical excerpts - The Orchestra: A speculative look ahead. Includes excerpt from Bach's Mass in B minor | | 3:24 |
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© akuma.de - The Instruments of the Orchestra [Box Set] von Jeremy Siepmann
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