Julian Bream Edition, Volume 1: The Golden Age of English Lute Music
0
TickIt!
| Artist | Julian Bream |
| Bewertung | |
| Epoche | () |
| Label | BMG |
| Erschienen | 1993 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Two Almaines | 2:17 | ||
| 2 | Work(s) | 4:15 | ||
| 3 | Walsingham for lute | 3:28 | ||
| 4 | Mr Henry Noell his Galliard (Mignarda), for lute, P 34 | 4:15 | ||
| 5 | Almaine | 1:17 | ||
| 6 | Work(s) | 3:18 | ||
| 7 | Variations on Greensleeves for lute | 2:56 | ||
| 8 | Galliard (on a galliard by Daniel Bacheler), for lute in C minor, P 28 | 3:00 | ||
| 9 | Work(s) | 2:58 | ||
| 10 | Carman's Whistle | 2:38 | ||
| 11 | Pavan | 4:06 | ||
| 12 | Almaine for lute | 2:22 | ||
| 13 | Pavan | 3:22 | ||
| 14 | Round Battle Galliard, for lute, P 39 | 2:39 | ||
| 15 | Galliard for viol consort | 2:40 | ||
| 16 | Pavan & Galliard ("Bray"), for keyboard in F major No. 1, MB 59 | 2:22 | ||
| 17 | Work(s) | 1:24 | ||
| 18 | Work(s) | 2:28 | ||
| 19 | Rowland (or "Lord Willoughby's Welcome home"), variations for keyboard, MB 7 | 1:43 | ||
| 20 | Captain Digorie Piper's Galliard, for lute, P 19 | 2:09 | ||
| 21 | Queene Elizabeth, her Galliard (The Queen's Galliard), for lute, P 97 | 1:06 | ||
| 22 | Sir John Langton's Pavan, for lute | 5:14 | ||
| 23 | Tarleton's Resurrection, for lute, P 59 | 1:53 | ||
| 24 | The Right Honorable Lady Cliftons Spirit, for lute, P 45 | 1:34 | ||
| 25 | Saltarello, for lute | 1:11 | ||
| 26 | Ballo detto il Conte Orlando, for lute | 2:13 | ||
| 27 | Saltarello, for lute | 1:09 | ||
| 28 | Fantasia for lute No 9 | 2:59 | ||
| 29 | Pavan | 4:26 | ||
| 30 | Work(s) | 2:21 | ||
| 31 | Work(s) | 2:36 | ||
| 32 | Queene Elizabeth, her Galliard (The Queen's Galliard), for lute, P 97 | 1:24 | ||
| 33 | Fantasia | 4:52 | ||
| 34 | Fantasia | 2:14 | ||
| 35 | Finale | 1:05 | ||
| 36 | Villanella No 1 | 1:09 | ||
| 37 | Villanella No 2 | 2:26 | ||
| 38 | Finale 2 | 0:32 | ||
| 39 | Pavane | 4:03 | ||
| 40 | Mein Herz hat sich mit Lieb' verpflicht | 2:25 | ||
| 41 | Hie' folget ein welscher Tanz | 0:53 | ||
| 42 | Ich klag' den Tag | 1:20 | ||
| 43 | Juden-tanz from the Lautenbüchlein, for lute | 1:09 | ||
| 44 | Airs de Court for lute | 1:56 | ||
| 45 | Bransles de Villages | 1:10 | ||
| 46 | Guillemette | 1:19 | ||
| 47 | Guillemette | 1:19 | ||
| 48 | Volte | 1:07 | ||
| 49 | Forlorn Hope, fantasie for lute, P 2 | 4:01 | ||
| 50 | My Lord Willoughby's Welcome Home, for lute, P 66 | 1:21 | ||
| 51 | Earl of Essex, his Galliard, for lute, P 89 | 1:54 | ||
| 52 | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") | 5:49 | ||
| 53 | Galliard to Lachrimae, for lute, P 46 (A Pilgrimes Solace) | 4:00 | ||
| 54 | Lady Hunsdon's Almain (Lady Hunsdon's Puffe), for lute, P 54 | 1:28 | ||
| 55 | The Right Honourable Lord Viscount Lisle (Sir Robert Sidney, his galliard), for lute, P 38 (A Musical Banquet) | 3:07 | ||
| 56 | The Frog Galliard, for lute, P 23 | 1:49 | ||
| 57 | Lachrimae verae, for 5 viols/violins & lute (from "Lachrimae") | 3:07 | ||
| 58 | The Shoemaker's Wife, a Toy, for lute, P 58 | 1:15 | ||
| 59 | The Right Honourable the Lady Rich, her Gaillard (Dowland's Bells), for lute, P 43 | 1:57 | ||
| 60 | Work(s) | 1:14 | ||
| 61 | Sir John Smith, his Almain, for lute, P 47 | 2:17 | ||
| 62 | Mellancoly Galliard, for lute, P 25 | 4:16 | ||
| 63 | Sir Henry Guilford his Almain, for lute (probably authentic) | 1:47 | ||
| 64 | Dowland's First Galliard, for lute, P 22 | 3:07 | ||
| 65 | Mrs Vaux's Jig, for lute, P 57 | 1:16 | ||
| 66 | The Earl of Derby's Galliard, for lute, P 44 | 2:57 | ||
| 67 | Semper Dowland semper dolens, pavan for lute, P 9 | 4:16 | ||
| 68 | Captain Digorie Piper's Galliard, for lute, P 19 | 3:12 | ||
| 69 | My Lord Chamberlain his Galliard, for 2 to play on 1 lute, P 37 | 3:18 | ||
| 70 | Mr Langton's Galliard, for lute, P 33 | 3:10 | ||
| 71 | Sir John Souch his Galliard, for lute, P 26 | 2:43 | ||
| 72 | Piper's Pavan, for lute, P 8 | 5:05 | ||
| 73 | Resolution, pavan for lute, P 13 | 5:04 | ||
| 74 | The woods so wild, variations for keyboard, MB 85 | 2:07 | ||
| 75 | Fantasias for lute | 3:26 | ||
| 76 | Packington's Pound | 2:29 | ||
| 77 | Fantasias for lute | 1:35 | ||
| 78 | Walsingham, song arranged for lute, P 67 | 4:50 | ||
| 79 | Fantasias for lute | 2:24 | ||
| 80 | Fairy Rownde for lute | 1:43 | ||
| 81 | Heigh Ho Holiday | 1:19 | ||
| 82 | Fantasias for lute | 3:05 | ||
| 83 | Go from my window, song arranged for lute, P 64 | 4:29 | ||
| 84 | Fantasias for lute | 1:46 | ||
| 85 | Variations on Greensleeves for lute | 3:47 | ||
| 86 | Fantasias for lute | 1:26 | ||
| 87 | Robin (Bonny Sweet Robin), ballad arranged for lute, P 70 | 3:47 | ||
| 88 | Fantasias for lute | 1:48 | ||
| 89 | Heart's Ease | 2:30 | ||
| 90 | Fantasias for lute | 1:24 | ||
| 91 | Loth to depart, song arranged for lute, P 69 | 5:36 | ||
| 92 | Fantasia, for lute in D minor, P 5 | 2:19 | ||
| 93 | Fantasia, for lute in D minor, P 5 | 3:14 | ||
| 94 | Farewell (on "In Nomine"), fantasia for lute, P 4 | 6:28 | ||
| 95 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93 | - | ||
| 96 | Concerto for Lute and strings in F | - | ||
| 97 | Harp Concerto in B flat major, Op.4/6, HWV 294 | - | ||
| 98 | Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532 | - | ||
| 99 | Trio Sonata for violin, lute & continuo in C major, RV 82 | - | ||
| 100 | Trio Sonata for violin, lute & continuo in G minor, RV 85 | - | ||
| 101 | Alman (Monsieur's Alman), for keyboard in C major, MB 44 | 2:13 | ||
| 102 | Work(s) | 2:52 | ||
| 103 | Work(s) | 2:52 | ||
| 104 | My Lord of Oxenford's Mask (From Thomas Morley's "The First Booke of Consort Lessons") | 0:52 | ||
| 105 | Flat Pavan for 2 lutes | 2:14 | ||
| 106 | Batchelar's Delight | 3:24 | ||
| 107 | Kemps Jig | 1:06 | ||
| 108 | Phillips Pavan | 3:34 | ||
| 109 | Mistresse mine, well may you fare (O Mistress Mine), song for voice with lute & bass viol | 2:55 | ||
| 110 | La rondinella, fantasia for instrumental consort | 1:29 | ||
| 111 | Joyne Hands, for consort of instruments (from "The First Booke of Consort Lessons") | 1:20 | ||
| 112 | Lachrimae Pavan, for keyboard or lute (from "Lachrimae") | 5:42 | ||
| 113 | Work(s) | 3:44 | ||
| 114 | De la Tromba Pavan for consort | 2:43 | ||
| 115 | It Fell on a Sommers Daie for voice, lute & bass viol | 2:23 | ||
| 116 | Dowlands Adew for Master Cromwell, for viol & lute, P 13 | 3:00 | ||
| 117 | The Frog Galliard, for lute, P 23 | 1:28 | ||
| 118 | La Rosignol | 1:43 | ||
| 119 | Tarleton's Resurrection, for lute, P 59 | 1:36 | ||
| 120 | Can she excuse (The Right Honourable Robert, Earl of Essex, his Galliard), galliard for lute, P 42 | 1:09 | ||
| 121 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | - | ||
| 122 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | 1:06 | ||
| 123 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | 2:40 | ||
| 124 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | 0:53 | ||
| 125 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | 2:36 | ||
| 126 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | 1:21 | ||
| 127 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a | 0:44 | ||
| 128 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93 | - | ||
| 129 | Joyne Hands, for consort of instruments (from "The First Booke of Consort Lessons") | 2:09 | ||
| 130 | Phillips Pavan | 3:28 | ||
| 131 | The Frog Galliard, for lute, P 23 | 1:39 | ||
| 132 | The Jew's Dance, for lute & recorder (from Thomas Morley's "The First Booke of Consort Lessons") | 1:32 | ||
| 133 | Work(s) | 2:32 | ||
| 134 | Batchelar's Delight | 3:08 | ||
| 135 | Sacred End Pavan, for lute | 3:59 | ||
| 136 | Sacred End Galliard, for lute (poss. spurious) | 1:50 | ||
| 137 | De la Tromba Pavan for consort | 2:51 | ||
| 138 | Thirsis and Milla, song in 2 sections for voice with lute & bass viol | 3:07 | ||
| 139 | Alison's Knell | 5:34 | ||
| 140 | Grimstock | 1:39 | ||
| 141 | Goe from My Window for consort | 3:43 | ||
| 142 | Go, nightly cares, the enemy to rest, for voice, trumpet, bass viols & lute (A Pilgrimes Solace) | 4:12 | ||
| 143 | Daniells Almayne for consort | 1:46 | ||
| 144 | In Nomine, pavan, for treble viol, flute, bass viol, cittern, pandora & lute | 4:25 | ||
| 145 | Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs) | 3:43 | ||
| 146 | Lachrimae Pavan, for keyboard or lute (from "Lachrimae") | 5:16 | ||
| 147 | Can she excuse my wrongs, for 4 voices & lute (First Book of Songs) | 3:35 | ||
| 148 | Chôros No. 1, for guitar, "Tipico brasileiro", A. 161 | 4:50 | ||
| 149 | Estudios (12), etudes for guitar, A. 235 | 4:06 | ||
| 150 | Estudios (12), etudes for guitar, A. 235 | 3:18 | ||
| 151 | Prelúdios (5), for guitar, A. 419 | 3:08 | ||
| 152 | Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020 | 3:25 | ||
| 153 | Madroños for guitar | 2:58 | ||
| 154 | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 | 3:33 | ||
| 155 | El Sombrero de tres picos, Suite No. 2, for orchestra (scenes and dances from Part II), G. 59 | 2:15 | ||
| 156 | Fandanguillo, for guitar, Op. 36 | 5:12 | ||
| 157 | El testament de Amèlia, folk song | 2:07 | ||
| 158 | Instrucción de Música Sobre la Guitarra Española, Book 1 | 1:03 | ||
| 159 | Sonata for piano in D major, Op.13 | - | ||
| 160 | En los trigales, for guitar (Por los campos de España No. 1) | 3:32 | ||
| 161 | Divertimento for 3 basset horns in B flat major, K. Anh. 229/2 (K. 439b/2) | 4:39 | ||
| 162 | Work(s) | 2:13 | ||
| 163 | Sonata for guitar in C major, Op. 15 | 5:54 | ||
| 164 | Rossiniana No. 1, for guitar, Op. 119 | 15:13 | ||
| 165 | Instrucción de Música Sobre la Guitarra Española, Book 1 | 3:55 | ||
| 166 | Instrucción de Música Sobre la Guitarra Española, Book 1 | 1:23 | ||
| 167 | Instrucción de Música Sobre la Guitarra Española, Book 1 | 2:55 | ||
| 168 | Instrucción de Música Sobre la Guitarra Española, Book 1 | 1:18 | ||
| 169 | Villano for guitar | 1:34 | ||
| 170 | Canario for guitar | 1:15 | ||
| 171 | Prelude for lute in C minor, BWV 999 (BC L171) | 1:34 | ||
| 172 | Fugue for lute in G minor, BWV 1000 | 5:30 | ||
| 173 | Sonata for lute in D major (London MS No. 13), SC 18 | 4:16 | ||
| 174 | Work(s) | 1:59 | ||
| 175 | Tombeau sur la mort de Monsieur Comte de Logy, for lute in B flat minor (London MS), Smith 210 | 6:01 | ||
| 176 | Suite for guitar in D | - | ||
| 177 | Il secondo libro de toccate, canzone...di cimbalo et organo, No.32, Aria detta 'la Frescobalda' | 5:19 | ||
| 178 | Sonata for keyboard in C minor, K. 11 (L. 352) | 3:53 | ||
| 179 | Sonata for keyboard in B minor, K. 87 (L. 33) | 2:19 | ||
| 180 | Keyboard Sonata in C sharp minor | 2:57 | ||
| 181 | Keyboard Sonata in A minor (Andantino), C. 2 | 1:46 | ||
| 182 | Grande Overture, for guitar in A major, Op. 61 | 7:28 | ||
| 183 | Grand Solo for guitar, Op. 14 | 8:44 | ||
| 184 | Sonata for guitar in A major | - | ||
| 185 | Rossiniana No. 3, for guitar, Op. 121 | 14:20 | ||
| 186 | Sonata for guitar in C Minor, Op. 25 | - | ||
| 187 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3 | 9:08 | ||
| 188 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3 | 4:26 | ||
| 189 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3 | 7:48 | ||
| 190 | Piano Sonata No. 18 in G major ("Fantasy"), D. 894 (Op. 78) | 5:16 | ||
| 191 | Song Without Words for piano No. 6 in G minor ("Venetianisches Gondellied"), Op. 19b/6 | 2:36 | ||
| 192 | String Quartet No. 1 in E flat major, Op. 12 | 4:33 | ||
| 193 | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 | 4:10 | ||
| 194 | Pavane pour une infante défunte, for piano (or orchestra) | 6:45 | ||
| 195 | Suite española No. 1, for piano, Op. 47, B. 7 | 5:16 | ||
| 196 | Suite española No. 1, for piano, Op. 47, B. 7 | 5:54 | ||
| 197 | Prelude for guitar No. 8 in A minor "Lágrima" | 2:01 | ||
| 198 | Mazurkas (3) for guitar | 1:34 | ||
| 199 | Mazurkas (3) for guitar | 2:40 | ||
| 200 | Mazurkas (3) for guitar | 2:46 | ||
| 201 | Sonatina for guitar, Op. 52/1 | - | ||
| 202 | Ségovia for guitar, Op. 29 | 2:19 | ||
| 203 | Fragments (4) for guitar | 1:15 | ||
| 204 | Fragments (4) for guitar | 1:57 | ||
| 205 | Fragments (4) for guitar | 1:52 | ||
| 206 | Fragments (4) for guitar | 1:30 | ||
| 207 | Short Pieces (4) for guitar | 2:54 | ||
| 208 | Short Pieces (4) for guitar | 1:40 | ||
| 209 | Short Pieces (4) for guitar | 3:09 | ||
| 210 | Short Pieces (4) for guitar | 2:17 | ||
| 211 | Tientos (3), for guitar (from "Kammermusik 1958") | 2:20 | ||
| 212 | Tientos (3), for guitar (from "Kammermusik 1958") | 1:30 | ||
| 213 | Tientos (3), for guitar (from "Kammermusik 1958") | 2:15 | ||
| 214 | Elegy for guitar (completed by Julian Bream) | 7:45 | ||
| 215 | Bagatelles (5) for guitar | 3:35 | ||
| 216 | Bagatelles (5) for guitar | 3:16 | ||
| 217 | Bagatelles (5) for guitar | 1:51 | ||
| 218 | Bagatelles (5) for guitar | 2:14 | ||
| 219 | Bagatelles (5) for guitar | 2:25 | ||
| 220 | Theme and Variations for guitar, Op. 77 | 6:41 | ||
| 221 | Suite compostelana, for guitar | - | ||
| 222 | Suite compostelana, for guitar | 3:06 | ||
| 223 | Suite compostelana, for guitar | 3:04 | ||
| 224 | Suite compostelana, for guitar | 3:51 | ||
| 225 | Suite compostelana, for guitar | 2:48 | ||
| 226 | Suite compostelana, for guitar | 2:51 | ||
| 227 | Tiento, for guitar | 4:54 | ||
| 228 | Sonatina for guitar in A major | - | ||
| 229 | Fantasia for guitar | 4:12 | ||
| 230 | Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020 | 4:14 | ||
| 231 | Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020 | 3:41 | ||
| 232 | Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020 | 4:35 | ||
| 233 | Suite populaire brésilienne (5), for guitar (Brazilian Folk Suite), A. 020 | 5:26 | ||
| 234 | Estudios (12), etudes for guitar, A. 235 | 2:08 | ||
| 235 | Estudios (12), etudes for guitar, A. 235 | 3:45 | ||
| 236 | Impromptus (5) for guitar | 1:30 | ||
| 237 | Impromptus (5) for guitar | 0:24 | ||
| 238 | Impromptus (5) for guitar | 3:08 | ||
| 239 | Impromptus (5) for guitar | 1:12 | ||
| 240 | Impromptus (5) for guitar | 2:06 | ||
| 241 | Bagatelles (5) for guitar | - | ||
| 242 | Bagatelles (5) for guitar | 3:41 | ||
| 243 | Bagatelles (5) for guitar | 2:13 | ||
| 244 | Bagatelles (5) for guitar | 2:20 | ||
| 245 | Hill Runes, for guitar solo, J. 175 | 8:36 | ||
| 246 | Royal Winter Music (Sonata No.1), for guitar | 6:16 | ||
| 247 | Royal Winter Music (Sonata No.1), for guitar | 3:05 | ||
| 248 | Royal Winter Music (Sonata No.1), for guitar | 6:57 | ||
| 249 | Royal Winter Music (Sonata No.1), for guitar | 3:05 | ||
| 250 | Royal Winter Music (Sonata No.1), for guitar | 3:22 | ||
| 251 | Royal Winter Music (Sonata No.1), for guitar | 7:57 | ||
| 252 | Guitar Concerto, for guitar & chamber orchestra, Op. 67 | 21:47 | ||
| 253 | Concerto for guitar & chamber ensemble | 19:40 | ||
| 254 | Concierto de Aranjuez, for guitar & orchestra | - | ||
| 255 | Quintet for guitar & strings in E minor, G. 451 (arrangement Piano Quintet, G. 407) | - | ||
| 256 | Introduction and Fandango, arrangement (after the Quintet for Guitar & strings, G. 448) | 5:59 | ||
| 257 | String Quartet No. 8 in E major, Op. 2/2, H. 3/8 | - | ||
| 258 | Guitar Concerto No. 1 in A major, Op. 30 (versions for guitar & orch; gt. & string quartet) | - | ||
| 259 | Lady Hunsdon's Almain (Lady Hunsdon's Puffe), for lute, P 54 | 1:50 | ||
| 260 | Work(s) | 0:53 | ||
| 261 | The King of Denmark, his Galliard, for lute, P 40 | 1:29 | ||
| 262 | Work(s) | 0:45 | ||
| 263 | Mr Henry Noell his Galliard (Mignarda), for lute, P 34 | 2:32 | ||
| 264 | Behold, O God Our Defender for soloists, chorus & orchestra | 2:14 | ||
| 265 | Queene Elizabeth, her Galliard (The Queen's Galliard), for lute, P 97 | 1:30 | ||
| 266 | Loth to depart, song arranged for lute, P 69 | 1:49 | ||
| 267 | Venus and Adonis, masque | 2:46 | ||
| 268 | The Earl of Derby's Galliard, for lute, P 44 | 3:12 | ||
| 269 | Work(s) | 0:36 | ||
| 270 | Lachrimae Pavan, for keyboard or lute (from "Lachrimae") | 6:07 | ||
| 271 | Work(s) | 1:05 | ||
| 272 | Work(s) | - | ||
| 273 | Work(s) | 1:01 | ||
| 274 | Tarleton's Resurrection, for lute, P 59 | 1:51 | ||
| 275 | Work(s) | 2:59 | ||
| 276 | Tarleton's Resurrection, for lute, P 59 | 1:51 | ||
| 277 | Work(s) | 0:59 | ||
| 278 | Fantasia, for lute in D minor, P 5 | 2:39 | ||
| 279 | Work(s) | 1:03 | ||
| 280 | Work(s) | 1:10 | ||
| 281 | Mellancoly Galliard, for lute, P 25 | 3:46 | ||
| 282 | Work(s) | 1:28 | ||
| 283 | Work(s) | 1:01 | ||
| 284 | Semper Dowland semper dolens, pavan for lute, P 9 | 3:57 | ||
| 285 | Work(s) | 1:05 | ||
| 286 | Work(s) | 1:02 | ||
| 287 | Orlando Sleepeth, arrangement for lute, P 61 | 1:36 | ||
| 288 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58 | 1:55 | ||
| 289 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58 | 2:41 | ||
| 290 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58 | 1:12 | ||
| 291 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58 | 1:18 | ||
| 292 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58 | 1:35 | ||
| 293 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58 | 0:56 | ||
| 294 | Folksong Arrangements, Vol. VI "England", for soprano or tenor & guitar | 1:35 | ||
| 295 | Folksong Arrangements, Vol. VI "England", for soprano or tenor & guitar | 2:44 | ||
| 296 | Folksong Arrangements, Vol. VI "England", for soprano or tenor & guitar | 1:21 | ||
| 297 | Folksong Arrangements, Vol. VI "England", for soprano or tenor & guitar | 1:50 | ||
| 298 | Folksong Arrangements, Vol. VI "England", for soprano or tenor & guitar | 1:33 | ||
| 299 | Gloriana, opera, Op. 53 | 4:40 | ||
| 300 | Anon in Love, song cycle for tenor & guitar or orchestra | 2:43 | ||
| 301 | Anon in Love, song cycle for tenor & guitar or orchestra | 1:33 | ||
| 302 | Anon in Love, song cycle for tenor & guitar or orchestra | 1:49 | ||
| 303 | Anon in Love, song cycle for tenor & guitar or orchestra | 0:39 | ||
| 304 | Anon in Love, song cycle for tenor & guitar or orchestra | 1:23 | ||
| 305 | Anon in Love, song cycle for tenor & guitar or orchestra | 1:18 | ||
| 306 | French Folk Songs (4) for voice & guitar | 2:40 | ||
| 307 | French Folk Songs (4) for voice & guitar | 1:55 | ||
| 308 | French Folk Songs (4) for voice & guitar | 3:10 | ||
| 309 | French Folk Songs (4) for voice & guitar | 0:54 | ||
| 310 | O Mistress Mine | 1:45 | ||
| 311 | Nocturnal after John Dowland, for guitar, Op. 70 | 18:33 | ||
| 312 | Absence, hear thou my protestation, song for voice with lute & bass viol | 2:30 | ||
| 313 | What Then Is Love but Mourning | 2:21 | ||
| 314 | I saw my lady weep, for 2 voices & lute (Second Book of Song) | 4:33 | ||
| 315 | If She Forsake Me | 1:43 | ||
| 316 | Dear, if you change, I'll never choose again, for 4 voices & lute (First Book of Songs) | 4:06 | ||
| 317 | Come, Phyllis | 1:47 | ||
| 318 | Stay, Time, awhile thy flying, for 4 voices & lute (A Pilgrimes Solace) | 2:39 | ||
| 319 | It was a lover and his lass, song for voice with lute & bass viol | 2:25 | ||
| 320 | Weep you no more, sad fountains, for 4 voices & lute (Third Book of Songs) | 3:35 | ||
| 321 | When Laura Smiles | 1:31 | ||
| 322 | Faire Sweet Cruell for 4 voices & instruments | 1:57 | ||
| 323 | Shall I sue, shall I seek for grace?, for 4 voices & lute (Second Book of Songs) | 1:57 | ||
| 324 | Sweet stay awhile, why will you rise?, for 4 voices & lute (A Pilgrimes Solace) | 3:27 | ||
| 325 | Who is it that this darke night, song for voice with lute & bass viol | 2:57 | ||
| 326 | Can she excuse my wrongs, for 4 voices & lute (First Book of Songs) | 1:37 | ||
| 327 | Come, heavy sleep, for 4 voices & lute (First Book of Songs) | 3:44 | ||
| 328 | Wilt thou unkind thus reave me of my heart, for 4 voices & lute (First Book of Songs) | 2:04 | ||
| 329 | Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs) | 3:56 | ||
| 330 | The lowest trees have tops, for 4 voices & lute (Third Book of Songs) | 2:12 | ||
| 331 | Time's eldest son, Old Age, song in 3 sections for 2 voices & lute (Second Book of Songs) | 4:53 | ||
| 332 | In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet) | 4:36 | ||
| 333 | Say, Love if ever thou didst find, for 4 voices & lute (Third Book of Songs) | 1:20 | ||
| 334 | Suite for lute in G minor, BWV 995 | 18:57 | ||
| 335 | Suite for lute in E minor, BWV 996 (BC L166) | 19:57 | ||
| 336 | Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1) | 10:39 | ||
| 337 | Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5) | 13:20 | ||
| 338 | Guitar Concerto, A. 501 | 18:14 | ||
| 339 | Prelúdios (5), for guitar, A. 419 | 4:03 | ||
| 340 | Prelúdios (5), for guitar, A. 419 | 3:53 | ||
| 341 | Prelúdios (5), for guitar, A. 419 | 5:26 | ||
| 342 | Prelúdios (5), for guitar, A. 419 | 3:00 | ||
| 343 | Prelúdios (5), for guitar, A. 419 | 2:36 | ||
| 344 | Estudios (12), etudes for guitar, A. 235 | 2:01 | ||
| 345 | Estudios (12), etudes for guitar, A. 235 | 1:44 | ||
| 346 | Estudios (12), etudes for guitar, A. 235 | 2:18 | ||
| 347 | Estudios (12), etudes for guitar, A. 235 | 2:46 | ||
| 348 | Estudios (12), etudes for guitar, A. 235 | 2:08 | ||
| 349 | Estudios (12), etudes for guitar, A. 235 | 1:43 | ||
| 350 | Estudios (12), etudes for guitar, A. 235 | 2:26 | ||
| 351 | Estudios (12), etudes for guitar, A. 235 | 3:40 | ||
| 352 | Estudios (12), etudes for guitar, A. 235 | 2:39 | ||
| 353 | Estudios (12), etudes for guitar, A. 235 | 2:25 | ||
| 354 | Estudios (12), etudes for guitar, A. 235 | 3:48 | ||
| 355 | Estudios (12), etudes for guitar, A. 235 | 2:36 | ||
| 356 | Concierto de Aranjuez, for guitar & orchestra | 21:22 | ||
| 357 | Guitar Concerto, Op. 88 | 21:52 | ||
| 358 | Guitar Concerto No. 3 ("Concierto elegiaco") | 22:01 | ||
| 359 | Pavan for vihuela No 1 | 1:40 | ||
| 360 | Pavan for vihuela No 5 | 1:25 | ||
| 361 | Pavan for vihuela No 6 | 2:14 | ||
| 362 | Fantasía for vihuela No 12 | 2:41 | ||
| 363 | Fantasía for vihuela No 8 | 3:05 | ||
| 364 | Fantasía for vihuela No 9 | 2:04 | ||
| 365 | Tento I | 7:25 | ||
| 366 | Pavan for vihuela No 4 | 1:48 | ||
| 367 | Fantasia, No 16 | 3:07 | ||
| 368 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 2:14 | ||
| 369 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 1:11 | ||
| 370 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 3:24 | ||
| 371 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 0:59 | ||
| 372 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 1:18 | ||
| 373 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 1:57 | ||
| 374 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 7:18 | ||
| 375 | Diferencias on "Conde Claros" for guitar | 2:35 | ||
| 376 | Diferencias on "Conde Claros" for guitar | 2:35 | ||
| 377 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 2:49 | ||
| 378 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 2:27 | ||
| 379 | Los Seis libros des delfín de música de cifra para tañer vihuela (unspecified selections) | 1:15 | ||
| 380 | Romance del Conde Clara ("Media Noche era por filo...") | 2:01 | ||
| 381 | Fantasie for guitar, No 2, Op. 30 | 13:40 | ||
| 382 | Fantasie for guitar, No 1 in C, Op. 7 | 19:57 | ||
| 383 | Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9 | 9:35 | ||
| 384 | Rondo Brillant for guitar No. 1 in E major, Op. 2/1 | 6:11 | ||
| 385 | Rondo Brillant for guitar No. 1 in E major, Op. 2/1 | 5:04 | ||
| 386 | Rondo Brillant for guitar No. 3 in D major, Op. 2/3 | 9:45 | ||
| 387 | Cuentos de la juventud (Scenes of Childhood), pieces (10) for piano, Op. 1, H. 39, DLR 4:2 | 1:41 | ||
| 388 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 | 4:42 | ||
| 389 | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2 | 6:27 | ||
| 390 | Valses poéticos (7), for piano, H. 147, DLR 7:8 | 12:26 | ||
| 391 | Andaluza (Playera), for guitar or other instrument (arrangement of No. 5 of 12 Spanish Dances) | 4:14 | ||
| 392 | Mallorca, barcarola for piano in F sharp minor, Op. 202, B. 41 | 7:16 | ||
| 393 | Suite española No. 1, for piano, Op. 47, B. 7 | 17:44 | ||
| 394 | Cantos de España, pieces (5) for piano, Op. 232, B. 44 | 7:16 | ||
| 395 | Mazurkas (3) for guitar | 2:48 | ||
| 396 | Etude for guitar in A | 1:57 | ||
| 397 | Mazurkas (3) for guitar | 2:28 | ||
| 398 | Capricho árabe, for guitar | 5:22 | ||
| 399 | Preludes (14) for guitar | 1:42 | ||
| 400 | Recuerdos de la Alhambra, for guitar | 3:49 | ||
| 401 | Serenata española for piano in F major | 3:51 | ||
| 402 | Piece No 3 for guitar, "Tango Espagnol" | 3:45 | ||
| 403 | Piece No 2 for guitar, "Guajira" or "Evocacion Cubana" | 4:23 | ||
| 404 | La Nit de Nadal, Catalan folk song | 1:24 | ||
| 405 | Lo Rossinyol, Catalan folk song | 1:01 | ||
| 406 | El Mestre, folk song | 3:22 | ||
| 407 | La Filadora, folk song | 1:30 | ||
| 408 | El testament de Amèlia, folk song | 2:04 | ||
| 409 | Cançó del lladre, folk song | 1:58 | ||
| 410 | Plany, Catalan folk song | 2:12 | ||
| 411 | El Noi de la Mare, carol (Catalan) | 2:12 | ||
| 412 | L' Hereu Riera, Catalan folk song | 0:59 | ||
| 413 | Fandanguillo, for guitar, Op. 36 | 4:50 | ||
| 414 | Sevillana, fantasia for guitar, Op. 29 | 5:17 | ||
| 415 | Homenaje a Tárrega, for guitar, Op. 69 | 2:07 | ||
| 416 | Homenaje a Tárrega, for guitar, Op. 69 | 1:56 | ||
| 417 | Fantasia for guitar (or lute) | 1:56 | ||
| 418 | Fantasia No 22 (El maestro) | 2:27 | ||
| 419 | Cancion del emperador, for vihuela | 3:22 | ||
| 420 | Diferencias on "Conde Claros" for guitar | 2:39 | ||
| 421 | Fantasia for guitar (or lute) | 1:50 | ||
| 422 | Prelude and Allegro, for guitar | 2:16 | ||
| 423 | Introduction and Fandango, arrangement (after the Quintet for Guitar & strings, G. 448) | 4:22 | ||
| 424 | Grand Solo for guitar, Op. 14 | 10:10 | ||
| 425 | Rondo Brillant for guitar No. 3 in D major, Op. 2/3 | 6:11 | ||
| 426 | Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9 | 8:47 | ||
| 427 | Etude for guitar in A | 1:57 | ||
| 428 | Preludes (14) for guitar | 1:40 | ||
| 429 | Recuerdos de la Alhambra, for guitar | 3:50 | ||
| 430 | Fantasie for guitar, No 1 in C, Op. 7 | 6:51 | ||
| 431 | Sonata for guitar in C Minor, Op. 25 | 2:53 | ||
| 432 | Concierto de Aranjuez, for guitar & orchestra | 21:29 | ||
| 433 | Piezas (3) españolas, for guitar | 23:43 | ||
| 434 | Invocación y danza, for guitar ("Homenaje a Manuel de Falla") | 8:56 | ||
| 435 | Fantasía para un gentilhombre, for guitar & orchestra | 2:44 | ||
| 436 | Fantasía para un gentilhombre, for guitar & orchestra | 2:27 | ||
| 437 | Fantasía para un gentilhombre, for guitar & orchestra | 5:04 | ||
| 438 | Fantasía para un gentilhombre, for guitar & orchestra | 5:30 | ||
| 439 | Fantasía para un gentilhombre, for guitar & orchestra | 2:01 | ||
| 440 | Fantasía para un gentilhombre, for guitar & orchestra | 5:33 |
Bewertungen zu Julian Bream Edition, Volume 1: The Golden Age...
Es wurde noch kein Kommentar zu diesem Album abgegeben