Sätze in Semele, oratorio, HWV 58
| # | Satz | |
|---|---|---|
| 1 | Overture in C minor | |
| 2 | Behold! auspicious flashes rise | |
| 3 | Lucky omens, bless our rites | |
| 4 | Daughter, obey, hear and obey! (Recitative & Arioso) | |
| 5 | Ah me! What refuge | |
| 6 | Oh Jove! in pity | |
| 7 | The morning lark to mine accords his note | |
| 8 | See, she blushing turns her eyes | |
| 9 | Hymen, haste! Thy torch prepare! | |
| 10 | Alas! She yields and has undone me! | |
| 11 | Why dost thou thus untimely grieve | |
| 12 | Avert these omens, all ye pow'rs | |
| 13 | Again auspicious flashes rise | |
| 14 | Thy aid, pronubial Juno | |
| 15 | Cease your vow's, 'tis impious to proceed | |
| 16 | Oh Athamas; what torture has thou borne! | |
| 17 | Turn, hopeless lover, turn thy eyes | |
| 18 | She weeps! The gentle maid | |
| 19 | Your tuneful voice my tale would tell | |
| 20 | Too well I see, thou wilt not | |
| 21 | You've undone me, look not on me | |
| 22 | Ah, wretched prince, doom'd to disastrous love! | |
| 23 | Wing'd with our fears, and pious haste | |
| 24 | Oh prodigy, to me of dire portent! | |
| 25 | See! Jove's Priest and holy Augurs come | |
| 26 | Hail Cadmus hail | |
| 27 | Endless pleasure, endless love | |
| 28 | Endless pleasure, endless love | |
| 29 | Sinfonia in B flat major | |
| 30 | Iris, impatient of thy stay | |
| 31 | There, from mortal cares retiring | |
| 32 | No more! I'll hear no more! | |
| 33 | Awake, Saturnia, from thy lethargy! | |
| 34 | Hence, Iris hence away | |
| 35 | Oh sleep, why dost thou leave me? | |
| 36 | Let me not another moment | |
| 37 | Lay your doubts and fear aside | |
| 38 | You are motal and require | |
| 39 | With fond desiring, with bliss expiring | |
| 40 | How engaging, how endearing | |
| 41 | Ah me! Why sighs my Semele? | |
| 42 | I must with speed amuse her | |
| 43 | Now Love that everlasting boy | |
| 44 | By my command now at this instant | |
| 45 | Where'er your walk, cool gales shall fan the glade | |
| 46 | Dear sister, how was your passage hither? | |
| 47 | But hark! the heav'nly sphere turns round | |
| 48 | Prepare then, ye | |
| 49 | Bless the glad earth with heav'nly lays | |
| 50 | Sinfonia in D major | |
| 51 | Somnus, awake! | |
| 52 | Leave me, loath some light! | |
| 53 | Dull God, canst thou attend | |
| 54 | More sweet is that name than a soft purling cream | |
| 55 | My will obey | |
| 56 | Obey my will, thy rod resign | |
| 57 | My racking thoughts by no kind slumbers freed | |
| 58 | Thus shap'd like Ino | |
| 59 | O ecstasy of happiness | |
| 60 | Myself I shall adore | |
| 61 | Be wise, as you are beautiful | |
| 62 | Conjure him by his oath not to approach your bed | |
| 63 | Thus let my thanks be pay'd | |
| 64 | Rich odours fill the fragant air | |
| 65 | Come to my arms, sy lovely fair | |
| 66 | Oh Semele! Why art thou thus insensible? | |
| 67 | I ever am granting, you always complain | |
| 68 | Speak your desire | |
| 69 | By that tremendous fllood, I swear | |
| 70 | You'll grant what I require? | |
| 71 | Then cast off this human shape | |
| 72 | Ah! Take heed what you press! | |
| 73 | I'll be pleas'd with no less / No, I'll take no less | |
| 74 | Ah, wither is she gone! | |
| 75 | Above measure is the pleasure | |
| 76 | Ah me! Too late I now repent (Arioso) | |
| 77 | Of my illboding dream | |
| 78 | Oh terror and astonishment | |
| 79 | How I was hence remov'd | |
| 80 | Despair no more shall wound me | |
| 81 | See from above the bellying clouds descend | |
| 82 | Sinfonia in F major | |
| 83 | Apollo comes, to relieve your care | |
| 84 | Happy shall we be, and free from care | |
| 85 | Behold! Auspicious flahes rise (Supplemental) | |
| 86 | Daughter, obey (Supplemental) | |
| 87 | See, she blushing turns her eyes (Supplemental) | |
| 88 | Hymen, haste, thy torch prepare (Supplemental) | |
| 89 | Turn, hopeless lover (Supplemental) | |
| 90 | Come, Zephyrs, come while Cupid sings (Supplemental) | |
| 91 | Bless the glad earth with heav'nly lays (Supplemental) | |
| 92 | Behold in this mirror (Supplemental) | |
| 93 | Then Mortals be merry and scoen the blind Boy (Supplemental) |
Alben mit diesem Werk
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| Album | Besetzung | ||
|---|---|---|---|
| Handel: Die Grossen Oratorien (Box Set) Various Artists |
| ||
| Great Operatic Arias Elizabeth Futral
Sätze aus diesem Werk Aria. Oh sleep, why dost thou leave me?
Aufnahmeort und Datum Blackheath Halls, London, England [2002] |
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| In Opera: Prima Voce John McCormack
Sätze aus diesem Werk O sleep, why dost thou leave me? |
| ||
| George Frideric Handel: Semele Various Artists
Aufnahmeort und Datum Abbey Road Studio, London, England [1990] |
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| The Canadian Brass Go for Baroque! Canadian Brass
Sätze aus diesem Werk Where'er You Walk
Aufnahmeort und Datum St. Ann's Cathedral, Toronto, Ontario, Canada [1985] |
| ||
| The Art of Roland Hayes Roland Hayes
Sätze aus diesem Werk Act 2: Where'er You Walk |
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| The Age of Bel Canto Richard Bonynge
Sätze aus diesem Werk Iris, hence away
Aufnahmeort und Datum Decca Studio No. 3, West Hampstead, England [1963] |
| ||
| The Art of Serge Koussevitzky Sergey Koussevitzky
Sätze aus diesem Werk O Sleep, why dost thou leave me?
Aufnahmeort und Datum Symphony Hall, Boston, MA [1939] |
| ||
| The Handel Collection John Rutter
Sätze aus diesem Werk Where'er You Walk
Aufnahmeort und Datum Great Hall Of University College School, London/Fenton House, London, England [1989] |
| ||
| Emilio de Gogorza sings Opera, Oratorio, Operetta, Artsong & Encores Emilio de Gogorza
Sätze aus diesem Werk Where'er You Walk |
| ||
| Leontyne Price (The Prima Donna Collection) Leontyne Price
Sätze aus diesem Werk Act II: Where'er you walk |
| ||
| Recital Kathleen Ferrier
Sätze aus diesem Werk Where 'er you walk |
| ||
| If Music Be the Food of Love: Love Songs of the Renaissance & Baroque Various Artists
Sätze aus diesem Werk Where'er You Walk |
| ||
| Arias By Purcell, Handel, Mozart Xenia Meijer
Sätze aus diesem Werk Hence, Iris, hence away
Aufnahmeort und Datum Jesus-Christus-Kirche, Berlin-Dahlem [1996] |
| ||
| Bejun Bejun Mehta
Sätze aus diesem Werk Where'er You Walk
Aufnahmeort und Datum Shatto Chapel, First Congregational Church, Los Angeles, CA [1982] |
| ||
| Dorothy Maynor - Spriituals, Arias, Songs (1940-1943) Dorothy Maynor
Sätze aus diesem Werk O Sleep why does't thou leave me |
| ||
| George Frideric Handel: Semele John Eliot Gardiner
Aufnahmeort und Datum Rosslyn Hill Chapel, London, England [1981] |
| ||
| Anne Sofie von Otter with the Drottningholm Baroque Ensemble Anne Sofie von Otter
Sätze aus diesem Werk Act II, Scene 3: Where'er you walk
Aufnahmeort und Datum Gertrud Church, Stockholm, Sweden [1983] |
| ||
| Tito Schipa In Recital 1955-1964 Tito Schipa
Sätze aus diesem Werk Where'er you walk |
| ||
| Baroque For Brides To Be: A Musical Bouquet for Your Wedding Day Various Artists
Sätze aus diesem Werk Where'er You Walk |
| ||
| Handel: Greatest Arias Rudolph Palmer
Sätze aus diesem Werk Where'er You Walk |
| ||
| Great Operatic Arias [English] Bruce Ford
Sätze aus diesem Werk Jupiter: Where'er you walk...
Aufnahmeort und Datum Blackheath Concert Hall, London, England [1997] |
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| Alma Gluck Alma Gluck
Sätze aus diesem Werk O Sleep! Why Dost Thou Leave Me? |
| ||
| Handel: Semele Johannes Somary
Aufnahmeort und Datum Conway Hall, London, England [1973] |
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| John McCormack-Aris, Recitals And Songs John McCormack
Sätze aus diesem Werk Act II: O sleep, why dost thou leave me?
Aufnahmeort und Datum England [1920] |
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![Great Operatic Arias [English] von Bruce Ford](/images/ccover/cl200/l243/50x50xl24309l59bh.jpg.pagespeed.ic.H_9I6p1a36.jpg)


