The Art of the Recorder
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| Artist | David Munrow |
| Bewertung | |
| Epoche | Mittelalter (1-1449) |
| Label | Testament |
| Erschienen | 2005 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | English Dance (13th century) | 1:40 | ||
| 1 | English Dance (13th century) | 1:40 | ||
| 2 | Saltarellos 1-4 (GB-LBl Add.29987) | 4:09 | ||
| 2 | Saltarellos 1-4 (GB-LBl Add.29987) | 4:09 | ||
| 3 | Een Vroylic Wesen for 3 voices | 2:44 | ||
| 3 | Een Vroylic Wesen for 3 voices | 2:44 | ||
| 4 | Voyant souffrir | 1:55 | ||
| 4 | Voyant souffrir | 1:55 | ||
| 5 | Troys jeunes bourgeoises | 1:14 | ||
| 5 | Troys jeunes bourgeoises | 1:14 | ||
| 6 | Alex souspirs | 1:27 | ||
| 6 | Alex souspirs | 1:27 | ||
| 7 | Amour me voyant | :56 | ||
| 7 | Amour me voyant | :56 | ||
| 8 | Browning a 5, for instrumental consort ("The Leaves Bee Greene") | 4:50 | ||
| 8 | Browning a 5, for instrumental consort ("The Leaves Bee Greene") | 4:50 | ||
| 9 | Sic semper soleo | 1:28 | ||
| 9 | Sic semper soleo | 1:28 | ||
| 10 | Work(s) - [Unspecified] Pavan | 3:17 | ||
| 10 | Work(s) - [Unspecified] Pavan | 3:17 | ||
| 11 | Work(s) - [Unspecified] Galliard | 1:13 | ||
| 11 | Work(s) - [Unspecified] Galliard | 1:13 | ||
| 12 | The Choise, almain | 2:00 | ||
| 12 | The Choise, almain | 2:00 | ||
| 13 | Muy Linda for viol consort | 1:20 | ||
| 13 | Muy Linda for viol consort | 1:20 | ||
| 14 | Sonata for 7 flutes | 3:29 | ||
| 14 | Sonata for 7 flutes | 3:29 | ||
| 15 | Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731 | 5:57 | ||
| 15 | Fantasia upon a ground, for 3 violins (or recorders) & continuo in D major /F major, Z. 731 | 5:57 | ||
| 16 | Concerto in tromba marina, for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C, RV 558 - Allegro | 2:59 | ||
| 16 | Concerto in tromba marina, for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C, RV 558 - Allegro | 2:59 | ||
| 17 | Concerto in tromba marina, for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C, RV 558 - Largo | 2:25 | ||
| 17 | Concerto in tromba marina, for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C, RV 558 - Largo | 2:25 | ||
| 18 | Concerto in tromba marina, for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C, RV 558 - Allegro | 2:39 | ||
| 18 | Concerto in tromba marina, for 2 violins, 2 recorders, 2 mandolins, 2 chalumeaux, 2 theorbos, cello, strings & continuo in C, RV 558 - Allegro | 2:39 | ||
| 19 | Concerto for flute/recorder, strings & continuo, No.2 in D major, "For Sixth Flute" - Allegro | 2:04 | ||
| 19 | Concerto for flute/recorder, strings & continuo, No.2 in D major, "For Sixth Flute" - Allegro | 2:04 | ||
| 20 | Concerto for flute/recorder, strings & continuo, No.2 in D major, "For Sixth Flute" - Adagio | 1:41 | ||
| 20 | Concerto for flute/recorder, strings & continuo, No.2 in D major, "For Sixth Flute" - Adagio | 1:41 | ||
| 21 | Concerto for flute/recorder, strings & continuo, No.2 in D major, "For Sixth Flute" - Presto | 2:14 | ||
| 21 | Concerto for flute/recorder, strings & continuo, No.2 in D major, "For Sixth Flute" - Presto | 2:14 | ||
| 22 | Acis and Galatea, oratorio, HWV 49 - O ruddier that the cherry | 3:07 | ||
| 22 | Acis and Galatea, oratorio, HWV 49 - O ruddier that the cherry | 3:07 | ||
| 23 | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Schafe können sicher weiden | 4:38 | ||
| 23 | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3) - Schafe können sicher weiden | 4:38 | ||
| 24 | Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18) - Sonatina | 2:33 | ||
| 24 | Cantata No. 106, "Gottes Zeit ist die allerbeste Zeit," ("Actus Tragicus"), BWV 106 (BC B18) - Sonatina | 2:33 | ||
| 25 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Esurientes | 3:16 | ||
| 25 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Esurientes | 3:16 | ||
| 26 | Under the Greenwood Tree | 2:14 | ||
| 26 | Under the Greenwood Tree | 2:14 | ||
| 27 | La Muséte de Choisi, for harpsichord (Pièces de clavecin, III, 15e ordre) | 3:05 | ||
| 27 | La Muséte de Choisi, for harpsichord (Pièces de clavecin, III, 15e ordre) | 3:05 | ||
| 28 | La Muséte de Taverni, for harpsichord (Pièces de clavecin, III, 15e ordre) | 2:17 | ||
| 28 | La Muséte de Taverni, for harpsichord (Pièces de clavecin, III, 15e ordre) | 2:17 | ||
| 29 | Scherzo, for recorder quartet | 2:05 | ||
| 29 | Scherzo, for recorder quartet | 2:05 | ||
| 30 | Trio for recorders - Lebhaft | 3:33 | ||
| 30 | Trio for recorders - Lebhaft | 3:33 | ||
| 31 | Trio for recorders - Fugato - Langsam | 2:42 | ||
| 31 | Trio for recorders - Fugato - Langsam | 2:42 | ||
| 32 | Trio for recorders - Lebhaft | 2:18 | ||
| 32 | Trio for recorders - Lebhaft | 2:18 | ||
| 33 | The White-Throated Warbler, for recorder & harpsichord | 2:32 | ||
| 33 | The White-Throated Warbler, for recorder & harpsichord | 2:32 | ||
| 34 | Recorder Music, for recorder & tape | 13:17 | ||
| 34 | Recorder Music, for recorder & tape | 13:17 | ||
| 35 | Saltarellos 1-4 (GB-LBl Add.29987) | 1:56 | ||
| 35 | Saltarellos 1-4 (GB-LBl Add.29987) | 1:56 | ||
| 36 | Shepherd's Tune | 1:01 | ||
| 36 | Shepherd's Tune | 1:01 | ||
| 37 | Saltarellos 1-4 (GB-LBl Add.29987) | 1:12 | ||
| 37 | Saltarellos 1-4 (GB-LBl Add.29987) | 1:12 | ||
| 38 | Dame, se vous m'estés lointeinne, ballade for voice | 2:01 | ||
| 38 | Dame, se vous m'estés lointeinne, ballade for voice | 2:01 | ||
| 39 | Au tans d'aost, pastourelle (from Chansonnier Cangé) | 1:07 | ||
| 39 | Au tans d'aost, pastourelle (from Chansonnier Cangé) | 1:07 | ||
| 40 | A prisai qu'en chantant plour, chanson (from the Chansonnier Cangé) | 1:13 | ||
| 40 | A prisai qu'en chantant plour, chanson (from the Chansonnier Cangé) | 1:13 | ||
| 41 | Owe daz nach liebe ergat | 1:33 | ||
| 41 | Owe daz nach liebe ergat | 1:33 | ||
| 42 | Du tres douz non a la Virge Marie (chanson Mariale) | 1:56 | ||
| 42 | Du tres douz non a la Virge Marie (chanson Mariale) | 1:56 | ||
| 43 | Gracïeusette, virelai | 1:21 | ||
| 43 | Gracïeusette, virelai | 1:21 | ||
| 44 | Ben volgra, s'esser poges, dansa | 1:13 | ||
| 44 | Ben volgra, s'esser poges, dansa | 1:13 | ||
| 45 | English Te Deum | 1:55 | ||
| 45 | English Te Deum | 1:55 | ||
| 46 | Quant je voi yver | 1:33 | ||
| 46 | Quant je voi yver | 1:33 | ||
| 47 | Ay schonsolata ed moroso, madrigal | 1:43 | ||
| 47 | Ay schonsolata ed moroso, madrigal | 1:43 | ||
| 48 | Estampie from the Robertsbridge fragment | 2:23 | ||
| 48 | Estampie from the Robertsbridge fragment | 2:23 | ||
| 49 | Jolivité et bone amor, chanson | 1:40 | ||
| 49 | Jolivité et bone amor, chanson | 1:40 | ||
| 50 | Ellend du hast umbfangen mich, chorale prelude for organ | 2:18 | ||
| 50 | Ellend du hast umbfangen mich, chorale prelude for organ | 2:18 | ||
| 51 | Untarn slaf tut den sumer wol, fanfare | 1:02 | ||
| 51 | Untarn slaf tut den sumer wol, fanfare | 1:02 | ||
| 52 | Gloria ad modum tubae, for 4 voices | 1:19 | ||
| 52 | Gloria ad modum tubae, for 4 voices | 1:19 | ||
| 53 | De moi doleros vos chant | :37 | ||
| 53 | De moi doleros vos chant | :37 | ||
| 54 | Das Nachthorn | :56 | ||
| 54 | Das Nachthorn | :56 | ||
| 55 | Maria muoter reinû maît, geisslerlied | :55 | ||
| 55 | Maria muoter reinû maît, geisslerlied | :55 | ||
| 56 | Dy trumpet, D15 | 1:07 | ||
| 56 | Dy trumpet, D15 | 1:07 | ||
| 57 | Qui porroit un guierredon, lai (from Chansonnier Cangé) | 1:12 | ||
| 57 | Qui porroit un guierredon, lai (from Chansonnier Cangé) | 1:12 | ||
| 58 | Dance tune (attrib.) | 1:02 | ||
| 58 | Dance tune (attrib.) | 1:02 | ||
| 59 | O Roma nobilis, goliard melody | :50 | ||
| 59 | O Roma nobilis, goliard melody | :50 | ||
| 60 | Nobilis humilis, hym to St. Magnus (Orkney Isles) | 1:01 | ||
| 60 | Nobilis humilis, hym to St. Magnus (Orkney Isles) | 1:01 | ||
| 61 | Tanto soavemente, madrigal for 2 voices | 1:57 | ||
| 61 | Tanto soavemente, madrigal for 2 voices | 1:57 | ||
| 62 | Di novo è giunto un chavalier errante, madrigal for 2 voices | 2:14 | ||
| 62 | Di novo è giunto un chavalier errante, madrigal for 2 voices | 2:14 | ||
| 63 | Amours que porra, chanson | 1:23 | ||
| 63 | Amours que porra, chanson | 1:23 | ||
| 64 | Cantiga de Santa María 249, Aquel que de voontade Santa María servir | 1:16 | ||
| 64 | Cantiga de Santa María 249, Aquel que de voontade Santa María servir | 1:16 | ||
| 65 | Quant je sui mis su retour, virelai for voice | 1:01 | ||
| 65 | Quant je sui mis su retour, virelai for voice | 1:01 | ||
| 66 | English Dance (13th century) | 1:46 | ||
| 66 | English Dance (13th century) | 1:46 | ||
| 67 | La Septime Estampie Real | 1:07 | ||
| 67 | La Septime Estampie Real | 1:07 | ||
| 68 | Po' che da te mi convien, ballata for 2 voices, S. 16 | 1:25 | ||
| 68 | Po' che da te mi convien, ballata for 2 voices, S. 16 | 1:25 | ||
| 69 | Comment qu'a moy lonteinne, virelai for voice | 1:35 | ||
| 69 | Comment qu'a moy lonteinne, virelai for voice | 1:35 | ||
| 70 | Quant ie le voi / Bon vin doit / cis chans veult boire, motet | 1:03 | ||
| 70 | Quant ie le voi / Bon vin doit / cis chans veult boire, motet | 1:03 |
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