Brava Berganza! A Birthday Tribute
1
TickIt!
| Artist | Teresa Berganza |
| Bewertung | |
| Epoche | () |
| Label | Deutsche Grammophon |
| Erschienen | 2005 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | El Sombrero de tres picos, ballet in 2 parts, G. 53 - Introducción | 1:26 | ||
| 1 | El Sombrero de tres picos, ballet in 2 parts, G. 53 - Introducción | 1:26 | ||
| 2 | El Sombrero de tres picos, ballet in 2 parts, G. 53 - Part 2. Danza del molinero. Por la noche | 1:21 | ||
| 2 | El Sombrero de tres picos, ballet in 2 parts, G. 53 - Part 2. Danza del molinero. Por la noche | 1:21 | ||
| 3 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Canción del amor dolido | 1:35 | ||
| 3 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Canción del amor dolido | 1:35 | ||
| 4 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Canción del fuego fatuo | 1:38 | ||
| 4 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Canción del fuego fatuo | 1:38 | ||
| 5 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Danza del juego de amor | 2:52 | ||
| 5 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Danza del juego de amor | 2:52 | ||
| 6 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Final. Las campanas del amanecer | 1:31 | ||
| 6 | El Amor brujo, ballet for mezzo-soprano & orchestra in 1 act, G. 68 (revised version) - Final. Las campanas del amanecer | 1:31 | ||
| 7 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Ande la tarea, que hay que trabajar! | 2:53 | ||
| 7 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Ande la tarea, que hay que trabajar! | 2:53 | ||
| 8 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. Mi querer es como el hierro | 5:17 | ||
| 8 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. Mi querer es como el hierro | 5:17 | ||
| 9 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. Abuela, !no viene! | 4:05 | ||
| 9 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. Abuela, !no viene! | 4:05 | ||
| 10 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Ah!...!Ah!... Ande la tarea... | 1:26 | ||
| 10 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Ah!...!Ah!... Ande la tarea... | 1:26 | ||
| 11 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Vivan los que rien! | 4:57 | ||
| 11 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Vivan los que rien! | 4:57 | ||
| 12 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Salud! - ?Qué? ?Qué pasa? | :52 | ||
| 12 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Salud! - ?Qué? ?Qué pasa? | :52 | ||
| 13 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Paco! !Paco! - !Mi Salud! | 3:10 | ||
| 13 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Paco! !Paco! - !Mi Salud! | 3:10 | ||
| 14 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Paco! !Paco! - !Siempre tuyo! - !Mi chavala! | 4:09 | ||
| 14 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. First Tableau. !Paco! !Paco! - !Siempre tuyo! - !Mi chavala! | 4:09 | ||
| 15 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. Second Tableau. Intermedio | 6:41 | ||
| 15 | La Vida breve, opera, G. 35/39 (2 versions) - Act 1. Second Tableau. Intermedio | 6:41 | ||
| 16 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. !Olé! !Olé ya! - !Ay! Yo canto por soleares! | 2:44 | ||
| 16 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. !Olé! !Olé ya! - !Ay! Yo canto por soleares! | 2:44 | ||
| 17 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. Danza | 3:19 | ||
| 17 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. Danza | 3:19 | ||
| 18 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. !Allí está! Riyendo, junto á esa mujer | 3:52 | ||
| 18 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. !Allí está! Riyendo, junto á esa mujer | 3:52 | ||
| 19 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. ?No te dije? ?La vés? | 4:36 | ||
| 19 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. ?No te dije? ?La vés? | 4:36 | ||
| 20 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. (Intermedio) | 2:45 | ||
| 20 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. First Tableau. (Intermedio) | 2:45 | ||
| 21 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. Second Tableau. Danza | 3:41 | ||
| 21 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. Second Tableau. Danza | 3:41 | ||
| 22 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. Second Tableau. !Carmela mia! | 1:43 | ||
| 22 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. Second Tableau. !Carmela mia! | 1:43 | ||
| 23 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. Second Tableau. !Qué gracia! Qué buscan ustedes aquí? | 4:05 | ||
| 23 | La Vida breve, opera, G. 35/39 (2 versions) - Act 2. Second Tableau. !Qué gracia! Qué buscan ustedes aquí? | 4:05 | ||
| 24 | El Gato Montés, zarzuela - Act 1. !Salú p'a la gente güena! | 7:28 | ||
| 24 | El Gato Montés, zarzuela - Act 1. !Salú p'a la gente güena! | 7:28 | ||
| 25 | Carmen, opera - Act 1. No. 4. Havanaise. L'amour est un oiseau rebelle | 4:25 | ||
| 25 | Carmen, opera - Act 1. No. 4. Havanaise. L'amour est un oiseau rebelle | 4:25 | ||
| 26 | Carmen, opera - Act 1. No. 9. Chanson (Séguedille) et Duo. Près des ramparts de Séville | 4:34 | ||
| 26 | Carmen, opera - Act 1. No. 9. Chanson (Séguedille) et Duo. Près des ramparts de Séville | 4:34 | ||
| 27 | Carmen, opera - Act 2. No. 11. Chanson. Les tringles des sistres tintaient | 5:12 | ||
| 27 | Carmen, opera - Act 2. No. 11. Chanson. Les tringles des sistres tintaient | 5:12 | ||
| 28 | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. No. 5. Cavatina. Una voce poco fa | 5:35 | ||
| 28 | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. No. 5. Cavatina. Una voce poco fa | 5:35 | ||
| 29 | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. No. 7. Duetto. Dunque io son... tu non m'inganni? | 4:55 | ||
| 29 | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. No. 7. Duetto. Dunque io son... tu non m'inganni? | 4:55 | ||
| 30 | Il barbiere di Siviglia (The Barber of Seville), opera - Act 2. No. 11. Aria. Contro un cor che accende amore | 4:42 | ||
| 30 | Il barbiere di Siviglia (The Barber of Seville), opera - Act 2. No. 11. Aria. Contro un cor che accende amore | 4:42 | ||
| 31 | La Clemenza di Tito, opera, K. 621 - Act 1. No. 9. Aria. Parto, ma tu ben mio | 6:47 | ||
| 31 | La Clemenza di Tito, opera, K. 621 - Act 1. No. 9. Aria. Parto, ma tu ben mio | 6:47 | ||
| 32 | La Clemenza di Tito, opera, K. 621 - Act 2. No. 19. Rondo. Deh per questo istante solo | 7:24 | ||
| 32 | La Clemenza di Tito, opera, K. 621 - Act 2. No. 19. Rondo. Deh per questo istante solo | 7:24 | ||
| 33 | La cenerentola (Cinderella), opera - Finale II. Rondo. Nacqui all'affanno e al pianto | 7:05 | ||
| 33 | La cenerentola (Cinderella), opera - Finale II. Rondo. Nacqui all'affanno e al pianto | 7:05 | ||
| 34 | Madama Butterfly (Madame Butterfly), opera - Act 2. Part 1. Duetto. Scuoti quella fronda di ciliegio | 4:38 | ||
| 34 | Madama Butterfly (Madame Butterfly), opera - Act 2. Part 1. Duetto. Scuoti quella fronda di ciliegio | 4:38 | ||
| 35 | Madama Butterfly (Madame Butterfly), opera - Act 2. Part 2. Chi sia? - Zitta! Non la destar! | 3:08 | ||
| 35 | Madama Butterfly (Madame Butterfly), opera - Act 2. Part 2. Chi sia? - Zitta! Non la destar! | 3:08 | ||
| 36 | Madama Butterfly (Madame Butterfly), opera - Act 2. Part 2. Io so che alle sue pene non ci sono conforti | 2:27 | ||
| 36 | Madama Butterfly (Madame Butterfly), opera - Act 2. Part 2. Io so che alle sue pene non ci sono conforti | 2:27 | ||
| 37 | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra - 7. Allegretto | 2:05 | ||
| 37 | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra - 7. Allegretto | 2:05 | ||
| 38 | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra - 10. Largo (Trio). Sento dire no' ncè pace. Allegro. Chi disse cà la femmena. Presto (Duetto) Ncè st | 4:55 | ||
| 38 | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra - 10. Largo (Trio). Sento dire no' ncè pace. Allegro. Chi disse cà la femmena. Presto (Duetto) Ncè st | 4:55 | ||
| 39 | Popular Spanish Songs (7), for voice & piano, G. 40 - El paño moruno | 1:12 | ||
| 39 | Popular Spanish Songs (7), for voice & piano, G. 40 - El paño moruno | 1:12 | ||
| 40 | Popular Spanish Songs (7), for voice & piano, G. 40 - Seguidilla murciana | 1:26 | ||
| 40 | Popular Spanish Songs (7), for voice & piano, G. 40 - Seguidilla murciana | 1:26 | ||
| 41 | Popular Spanish Songs (7), for voice & piano, G. 40 - Asturiana | 2:03 | ||
| 41 | Popular Spanish Songs (7), for voice & piano, G. 40 - Asturiana | 2:03 | ||
| 42 | Popular Spanish Songs (7), for voice & piano, G. 40 - Jota | 3:00 | ||
| 42 | Popular Spanish Songs (7), for voice & piano, G. 40 - Jota | 3:00 | ||
| 43 | Popular Spanish Songs (7), for voice & piano, G. 40 - Nana | 1:27 | ||
| 43 | Popular Spanish Songs (7), for voice & piano, G. 40 - Nana | 1:27 | ||
| 44 | Popular Spanish Songs (7), for voice & piano, G. 40 - Canción | 1:05 | ||
| 44 | Popular Spanish Songs (7), for voice & piano, G. 40 - Canción | 1:05 | ||
| 45 | Popular Spanish Songs (7), for voice & piano, G. 40 - Polo | 1:43 | ||
| 45 | Popular Spanish Songs (7), for voice & piano, G. 40 - Polo | 1:43 | ||
| 46 | La Didone, opera - Cassandra: L'alma fiacca svani | 5:48 | ||
| 46 | La Didone, opera - Cassandra: L'alma fiacca svani | 5:48 | ||
| 47 | Son ancor pargoletta, aria | 2:07 | ||
| 47 | Son ancor pargoletta, aria | 2:07 | ||
| 48 | No, no, non si speri!, cantata for alto & continuo | 3:49 | ||
| 48 | No, no, non si speri!, cantata for alto & continuo | 3:49 | ||
| 49 | Vittoria, mio core (Amante sciolto d'amore), cantata for soprano & continuo | 2:58 | ||
| 49 | Vittoria, mio core (Amante sciolto d'amore), cantata for soprano & continuo | 2:58 | ||
| 50 | La donna ancora è fedele, opera (with intermezzo "Filandra e Selvino") - Se Florindo è fedele | 2:04 | ||
| 50 | La donna ancora è fedele, opera (with intermezzo "Filandra e Selvino") - Se Florindo è fedele | 2:04 | ||
| 51 | Work(s) - Se delitto è l'adorarti: Qual mia colpa, o sventura | 3:20 | ||
| 51 | Work(s) - Se delitto è l'adorarti: Qual mia colpa, o sventura | 3:20 | ||
| 52 | Il Flavio, opera - Canzonetta: Chi vuole innamorarsi | 1:15 | ||
| 52 | Il Flavio, opera - Canzonetta: Chi vuole innamorarsi | 1:15 | ||
| 53 | Il Pirro e Demetrio, opera ("La forza della fedeltà") - Le violette: Rugiadose, odorose violette graziose | 2:16 | ||
| 53 | Il Pirro e Demetrio, opera ("La forza della fedeltà") - Le violette: Rugiadose, odorose violette graziose | 2:16 | ||
| 54 | Selve amiche | 2:32 | ||
| 54 | Selve amiche | 2:32 | ||
| 55 | Come raggio del sol, for voice & keyboard (or orchestra) | 2:32 | ||
| 55 | Come raggio del sol, for voice & keyboard (or orchestra) | 2:32 | ||
| 56 | L' Atenaide ossia Gli affetti generosi, opera in 3 acts, RV 702 - Un certo non so che | 2:59 | ||
| 56 | L' Atenaide ossia Gli affetti generosi, opera in 3 acts, RV 702 - Un certo non so che | 2:59 | ||
| 57 | Piango, gemo, sospiro, cantata for voice & continuo (authorship uncertain), RV 675 | 5:40 | ||
| 57 | Piango, gemo, sospiro, cantata for voice & continuo (authorship uncertain), RV 675 | 5:40 | ||
| 58 | Se tu m'ami, for voice & piano (spurious; by A. Parisotti) | 2:50 | ||
| 58 | Se tu m'ami, for voice & piano (spurious; by A. Parisotti) | 2:50 | ||
| 59 | Catone in Utica, opera - Aria di Martia: Confusa smarrita | 3:41 | ||
| 59 | Catone in Utica, opera - Aria di Martia: Confusa smarrita | 3:41 | ||
| 60 | Cantiga de Santa María 10, Rosa das rosas e Fror das frores | 2:44 | ||
| 60 | Cantiga de Santa María 10, Rosa das rosas e Fror das frores | 2:44 | ||
| 61 | De Antequera salio el moro, for vihuela | 2:51 | ||
| 61 | De Antequera salio el moro, for vihuela | 2:51 | ||
| 62 | Dindirín, dindirín, song | 1:37 | ||
| 62 | Dindirín, dindirín, song | 1:37 | ||
| 63 | Trieste estava el Rey David, song for voice & vihuela | 2:28 | ||
| 63 | Trieste estava el Rey David, song for voice & vihuela | 2:28 | ||
| 64 | Dime, triste coraçón | :51 | ||
| 64 | Dime, triste coraçón | :51 | ||
| 65 | De dònde venis, amore? | 1:13 | ||
| 65 | De dònde venis, amore? | 1:13 | ||
| 66 | Toda mi vida hos amé | 4:53 | ||
| 66 | Toda mi vida hos amé | 4:53 | ||
| 67 | Dinos madre del donsel | 2:19 | ||
| 67 | Dinos madre del donsel | 2:19 | ||
| 68 | Si me llaman a mí, for voice & vihuela | 2:16 | ||
| 68 | Si me llaman a mí, for voice & vihuela | 2:16 | ||
| 69 | Romerico, tu que vienes, for 3 voices | 3:36 | ||
| 69 | Romerico, tu que vienes, for 3 voices | 3:36 | ||
| 70 | Vos me matastes | 2:05 | ||
| 70 | Vos me matastes | 2:05 | ||
| 71 | Claros y frescos rios, for voice & vihuela | 2:17 | ||
| 71 | Claros y frescos rios, for voice & vihuela | 2:17 | ||
| 72 | Isabel, perdiste la tu faxa, for voice & vihuela | 2:03 | ||
| 72 | Isabel, perdiste la tu faxa, for voice & vihuela | 2:03 | ||
| 73 | Con que la lavare? | 2:21 | ||
| 73 | Con que la lavare? | 2:21 | ||
| 74 | En la fuente del Rosel, villancico for 4 voices | :56 | ||
| 74 | En la fuente del Rosel, villancico for 4 voices | :56 | ||
| 75 | Cantigas de Santa María - Santa María | 2:07 | ||
| 75 | Cantigas de Santa María - Santa María | 2:07 | ||
| 76 | Canciones Españolas Antiquas, for voice & piano - 1. Anda, jaleo | 2:15 | ||
| 76 | Canciones Españolas Antiquas, for voice & piano - 1. Anda, jaleo | 2:15 | ||
| 77 | Canciones Españolas Antiquas, for voice & piano - 2. Los cuatro muleros | 2:20 | ||
| 77 | Canciones Españolas Antiquas, for voice & piano - 2. Los cuatro muleros | 2:20 | ||
| 78 | Canciones Españolas Antiquas, for voice & piano - 3. Las tres hojas | 1:55 | ||
| 78 | Canciones Españolas Antiquas, for voice & piano - 3. Las tres hojas | 1:55 | ||
| 79 | Canciones Españolas Antiquas, for voice & piano - 4. Los mozos de Monleón | 5:26 | ||
| 79 | Canciones Españolas Antiquas, for voice & piano - 4. Los mozos de Monleón | 5:26 | ||
| 80 | Canciones Españolas Antiquas, for voice & piano - 5. Las morillas de Jaén | 2:46 | ||
| 80 | Canciones Españolas Antiquas, for voice & piano - 5. Las morillas de Jaén | 2:46 | ||
| 81 | Canciones Españolas Antiquas, for voice & piano - 6. Sevillanas del siglo XVIII | 2:53 | ||
| 81 | Canciones Españolas Antiquas, for voice & piano - 6. Sevillanas del siglo XVIII | 2:53 | ||
| 82 | Canciones Españolas Antiquas, for voice & piano - 7. El café de Chinitas | 2:46 | ||
| 82 | Canciones Españolas Antiquas, for voice & piano - 7. El café de Chinitas | 2:46 | ||
| 83 | Canciones Españolas Antiquas, for voice & piano - 8. Lana de Sevilla | 3:27 | ||
| 83 | Canciones Españolas Antiquas, for voice & piano - 8. Lana de Sevilla | 3:27 | ||
| 84 | Canciones Españolas Antiquas, for voice & piano - 9. Los pelegrinitos | 4:45 | ||
| 84 | Canciones Españolas Antiquas, for voice & piano - 9. Los pelegrinitos | 4:45 | ||
| 85 | Canciones Españolas Antiquas, for voice & piano - 10. Zorongo | 2:12 | ||
| 85 | Canciones Españolas Antiquas, for voice & piano - 10. Zorongo | 2:12 | ||
| 86 | Canciones Españolas Antiquas, for voice & piano - 11. Romance de Don Boyso | 4:17 | ||
| 86 | Canciones Españolas Antiquas, for voice & piano - 11. Romance de Don Boyso | 4:17 | ||
| 87 | Canciones Españolas Antiquas, for voice & piano - 12. Los reyes de la baraja | 1:08 | ||
| 87 | Canciones Españolas Antiquas, for voice & piano - 12. Los reyes de la baraja | 1:08 | ||
| 88 | Canciones Españolas Antiquas, for voice & piano - 13. La Tarara | 1:05 | ||
| 88 | Canciones Españolas Antiquas, for voice & piano - 13. La Tarara | 1:05 | ||
| 89 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): 1. !Oh, muerte cruel! | 3:04 | ||
| 89 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): 1. !Oh, muerte cruel! | 3:04 | ||
| 90 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): 2. !Ay, majo de mi vida! | 2:02 | ||
| 90 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): 2. !Ay, majo de mi vida! | 2:02 | ||
| 91 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): 3. De aquel majo amante | 3:07 | ||
| 91 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): 3. De aquel majo amante | 3:07 | ||
| 92 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): El majo discreto | 1:27 | ||
| 92 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): El majo discreto | 1:27 | ||
| 93 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): El tra la lá y el punteado | 1:10 | ||
| 93 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): El tra la lá y el punteado | 1:10 | ||
| 94 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): El majo tímido | 1:02 | ||
| 94 | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136 - La maja dolorosa (The Sorrowful Maja): El majo tímido | 1:02 | ||
| 95 | Saeta en forma de salve a la Virgen de la Esperanza, for voice & piano (or orchestra), Op. 60 | 3:10 | ||
| 95 | Saeta en forma de salve a la Virgen de la Esperanza, for voice & piano (or orchestra), Op. 60 | 3:10 | ||
| 96 | El Fantasma, for voice & piano (Canto a Sevilla No. 5), Op. 37/5 | 3:38 | ||
| 96 | El Fantasma, for voice & piano (Canto a Sevilla No. 5), Op. 37/5 | 3:38 | ||
| 97 | Cantares, poema en forma de canciones for voice & piano (or orchestra), Op. 19/3 | 1:57 | ||
| 97 | Cantares, poema en forma de canciones for voice & piano (or orchestra), Op. 19/3 | 1:57 | ||
| 98 | Canzones Castellanas (6) for voice & piano - 3. Llámale con el pañuelo | 2:01 | ||
| 98 | Canzones Castellanas (6) for voice & piano - 3. Llámale con el pañuelo | 2:01 | ||
| 99 | Canzones Castellanas (6) for voice & piano - 4. No quiero tus avellanas | 3:29 | ||
| 99 | Canzones Castellanas (6) for voice & piano - 4. No quiero tus avellanas | 3:29 | ||
| 100 | Canzones Castellanas (6) for voice & piano - 5. !Cómo quieres que adivine! | 2:34 | ||
| 100 | Canzones Castellanas (6) for voice & piano - 5. !Cómo quieres que adivine! | 2:34 | ||
| 101 | Canciones negras (5) for voice & piano (or orchestra) - Cuba dentro de un piano | 4:14 | ||
| 101 | Canciones negras (5) for voice & piano (or orchestra) - Cuba dentro de un piano | 4:14 | ||
| 102 | Canciones negras (5) for voice & piano (or orchestra) - Punto de Habanera | 1:47 | ||
| 102 | Canciones negras (5) for voice & piano (or orchestra) - Punto de Habanera | 1:47 | ||
| 103 | Canciones negras (5) for voice & piano (or orchestra) - Chévere | 2:05 | ||
| 103 | Canciones negras (5) for voice & piano (or orchestra) - Chévere | 2:05 | ||
| 104 | Canciones negras (5) for voice & piano (or orchestra) - Canción de cuna para dormir a un negrito | 2:42 | ||
| 104 | Canciones negras (5) for voice & piano (or orchestra) - Canción de cuna para dormir a un negrito | 2:42 | ||
| 105 | Canciones negras (5) for voice & piano (or orchestra) - Canto negro | 1:12 | ||
| 105 | Canciones negras (5) for voice & piano (or orchestra) - Canto negro | 1:12 |
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