The Live Radio Recordings (Box Set)
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 | Artist | Eduard Van Beinum | 
| Bewertung |  | 
| Epoche | Romantische Musik (1820-1869) | 
| Label | Q Disc | 
| Erschienen | 2000 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Piano Concerto No. 2 in A major, S. 125 (LW H6) - I. Adagio sostenuto assai - Allegro agitato assai |  | - | 
| 2 |  | Piano Concerto No. 2 in A major, S. 125 (LW H6) - II. Allegro moderato |  | - | 
| 3 |  | Piano Concerto No. 2 in A major, S. 125 (LW H6) - III. Allegro deciso - Marziale un poco meno allegro |  | - | 
| 4 |  | Piano Concerto No. 2 in A major, S. 125 (LW H6) - IV. Allegro animato |  | - | 
| 5 |  | Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - "Ich will Kreuzstab gerne tragen", Aria for bass |  | - | 
| 6 |  | Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - "Mein Wandel auf der Welt", Recitative for bass |  | - | 
| 7 |  | Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - "Endlich, endlich wird mien Joch", Aria for bass |  | - | 
| 8 |  | Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - "Ich stehe fertig und bereit", Recitative for bass |  | - | 
| 9 |  | Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 (BC A146) - "Komm, o Tod, du Schlafes Bruder", Chorus |  | - | 
| 10 |  | Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) |  | - | 
| 11 |  | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060 - Allegro |  | - | 
| 12 |  | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060 - Adagio |  | - | 
| 13 |  | Concerto for 2 harpsichords, strings & continuo in C minor, BWV 1060 - Allegro |  | - | 
| 14 |  | Der Hirt auf dem Felsen ("Wenn auf dem höchsten Fels ich steh'"), for voice, clarinet (or cello) & piano, D. 965 (Op. posth. 129) |  | - | 
| 15 |  | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Entr'acte 3 |  | - | 
| 16 |  | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - Musique de ballet 2 |  | - | 
| 17 |  | Work(s) - Musik für Geige und Orchester |  | - | 
| 18 |  | Symphonic Variations, for piano & orchestra (also arr. for 2 pianos), M. 46 |  | - | 
| 19 |  | Salve Regina, for soprano & orchestra |  | - | 
| 20 |  | Psyché Suite, for orchestra - Sommeil de Psyché, symphonic excerpt |  | - | 
| 21 |  | Psyché Suite, for orchestra - Psyché enlevée par les Zéphirs, symphonic excerpt |  | - | 
| 22 |  | Psyché Suite, for orchestra - Les jardins d'Éros, symphonic excerpt |  | - | 
| 23 |  | Psyché Suite, for orchestra - Psyché et Éros, symphonic excerpt |  | - | 
| 24 |  | Piano Concerto in G major - I. Allegramente |  | - | 
| 25 |  | Piano Concerto in G major - II. Adagio assai |  | - | 
| 26 |  | Piano Concerto in G major - III. Presto |  | - | 
| 27 |  | La Mer, symphonic sketches (3) for orchestra, L. 109 - No. 1, "De l'aube a midi sur la mer" |  | - | 
| 28 |  | La Mer, symphonic sketches (3) for orchestra, L. 109 - No. 2, "Jeux de vagues" (Play of the waves) |  | - | 
| 29 |  | La Mer, symphonic sketches (3) for orchestra, L. 109 - No. 3, "Dialogue du vent et de la mer" |  | - | 
| 30 |  | Cello Concerto No. 2 - Allegro molto |  | - | 
| 31 |  | Cello Concerto No. 2 - Largo |  | - | 
| 32 |  | Cello Concerto No. 2 - Allegro |  | - | 
| 33 |  | Symphony No. 4 in F minor, Op. 36 - Andante sostenuto - Moderato con anima |  | - | 
| 34 |  | Symphony No. 4 in F minor, Op. 36 - Andantino in modo di canzona |  | - | 
| 35 |  | Symphony No. 4 in F minor, Op. 36 - Scherzo, Pizzacato ostinato - Allegro |  | - | 
| 36 |  | Symphony No. 4 in F minor, Op. 36 - Finale, Allegro con fuoco |  | - | 
| 37 |  | Printemps, symphonic suite for chorus, piano & orchestra, L. 61 - I. Très modéré |  | - | 
| 38 |  | Printemps, symphonic suite for chorus, piano & orchestra, L. 61 - II. Modéré |  | - | 
| 39 |  | Ballet Suite for orchestra in D major, Op. 130 - No. 1, Entree: Tempo di marcia |  | - | 
| 40 |  | Ballet Suite for orchestra in D major, Op. 130 - No. 2: Colombine: Adagietto (molto tranquillo) |  | - | 
| 41 |  | Ballet Suite for orchestra in D major, Op. 130 - No. 3, Harlequin: Vivace |  | - | 
| 42 |  | Ballet Suite for orchestra in D major, Op. 130 - No. 4, Pierrot und Pieretta: Larghetto |  | - | 
| 43 |  | Ballet Suite for orchestra in D major, Op. 130 - No. 5, Valse d'amour: Sostenuto... Tempo di Valse |  | - | 
| 44 |  | Ballet Suite for orchestra in D major, Op. 130 - No. 6, Finale: Presto |  | - | 
| 45 |  | Concerto for Orchestra, Sz. 116, BB 127 - I. Introduzione |  | - | 
| 46 |  | Concerto for Orchestra, Sz. 116, BB 127 - II. Giuoco delle coppie |  | - | 
| 47 |  | Concerto for Orchestra, Sz. 116, BB 127 - III. Elegia |  | - | 
| 48 |  | Concerto for Orchestra, Sz. 116, BB 127 - IV. Intermezzo interrotto |  | - | 
| 49 |  | Concerto for Orchestra, Sz. 116, BB 127 - V. Finale |  | - | 
| 50 |  | Images (3), for orchestra, L. 122 - Gigues |  | - | 
| 51 |  | Images (3), for orchestra, L. 122 - Ibéria, I: Par les rues et par les chemins |  | - | 
| 52 |  | Images (3), for orchestra, L. 122 - Ibéria, II: Les parfums de la nuit |  | - | 
| 53 |  | Images (3), for orchestra, L. 122 - Ibéria, III: Le matin d'un jour de fête |  | - | 
| 54 |  | Images (3), for orchestra, L. 122 - Rondes de printemps |  | - | 
| 55 |  | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Suite No. 2 |  | - | 
| 56 |  | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Suite No. 2 |  | - | 
| 57 |  | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Suite No. 2 |  | - | 
| 58 |  | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Suite No. 2 |  | - | 
| 59 |  | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Suite No. 2 |  | - | 
| 60 |  | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2 - Suite No. 2 |  | - | 
| 61 |  | Daphnis et Chloé, suite No. 2 for orchestra |  | - | 
| 62 |  | Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052 - Allegro |  | - | 
| 63 |  | Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052 - Adagio |  | - | 
| 64 |  | Concerto for harpsichord, strings & continuo No. 1 in D minor, BWV 1052 - Allegro |  | - | 
| 65 |  | Symphony No. 1 in C minor, Op. 68 - Un poco sostenuto... Allegro |  | - | 
| 66 |  | Symphony No. 1 in C minor, Op. 68 - Andante sostenuto |  | - | 
| 67 |  | Symphony No. 1 in C minor, Op. 68 - Un poco Allegretto e grazioso |  | - | 
| 68 |  | Symphony No. 1 in C minor, Op. 68 - Finale, Piu Andante... Allegro non troppo, ma con brio |  | - | 
| 69 |  | Fontane di Roma (The Fountains of Rome), symphonic poem, P. 106 - No. 1, "La fontana di Valle Giulia all'alba" |  | - | 
| 70 |  | Fontane di Roma (The Fountains of Rome), symphonic poem, P. 106 - No. 2, "La fontana del Tritone al mattino" |  | - | 
| 71 |  | Fontane di Roma (The Fountains of Rome), symphonic poem, P. 106 - No. 3, "La fontana di Trevi al meriggio" |  | - | 
| 72 |  | Fontane di Roma (The Fountains of Rome), symphonic poem, P. 106 - No. 4, "La fontana di Villa Medici al tramonto" |  | - | 
| 73 |  | Miroir de peine, for voice & piano - I. Agonie au jardin |  | - | 
| 74 |  | Miroir de peine, for voice & piano - II. Flagellation |  | - | 
| 75 |  | Miroir de peine, for voice & piano - III. Couronnement d'épines |  | - | 
| 76 |  | Miroir de peine, for voice & piano - IV. Portement de croix |  | - | 
| 77 |  | Miroir de peine, for voice & piano - V. Crucifixion |  | - | 
| 78 |  | Pieces (5) for orchestra, Op. 16 - No. 1, Premonitions |  | - | 
| 79 |  | Pieces (5) for orchestra, Op. 16 - No. 2, The Past |  | - | 
| 80 |  | Pieces (5) for orchestra, Op. 16 - No. 3, Chord-Colours |  | - | 
| 81 |  | Pieces (5) for orchestra, Op. 16 - No. 4, Peripetie (Turning point) |  | - | 
| 82 |  | Pieces (5) for orchestra, Op. 16 - No. 5, The Obbligato Recitative |  | - | 
| 83 |  | Piano Concerto No. 3 in C minor, Op. 37 - Allegro con brio |  | - | 
| 84 |  | Piano Concerto No. 3 in C minor, Op. 37 - Largo |  | - | 
| 85 |  | Piano Concerto No. 3 in C minor, Op. 37 - Rondo, Allegro |  | - | 
| 86 |  | Symphony No. 3, K. 71 |  | - | 
| 87 |  | Concerto for viola & orchestra - Movement 1 |  | - | 
| 88 |  | Concerto for viola & orchestra - Movement 2 |  | - | 
| 89 |  | Concerto for viola & orchestra - Movement 3 |  | - | 
| 90 |  | Symphony No. 4 - Movement 1 |  | - | 
| 91 |  | Symphony No. 4 - Movement 2 |  | - | 
| 92 |  | Symphony No. 4 - Movement 3 |  | - | 
| 93 |  | Musique pour l'esprit en deuil |  | - | 
| 94 |  | Egmont, incidental music, Op. 84 - Overture |  | - | 
| 95 |  | Don Carlo, opera - Ella giamai m'amò...Dormirò sol nel manto mio regal |  | - | 
| 96 |  | Violin Concerto in D major, Op. 61 - Allegro ma non troppo |  | - | 
| 97 |  | Violin Concerto in D major, Op. 61 - Larghetto |  | - | 
| 98 |  | Violin Concerto in D major, Op. 61 - Rondo, Allegro |  | - | 
| 99 |  | Violin Concerto No. 4 in D major, K. 218 - Allegro |  | - | 
| 100 |  | Violin Concerto No. 4 in D major, K. 218 - Andante cantabile |  | - | 
| 101 |  | Violin Concerto No. 4 in D major, K. 218 - Rondeau, Andante grazioso |  | - | 
| 102 |  | Symphony No. 40 in G minor, K. 550 - Molto allegro |  | - | 
| 103 |  | Symphony No. 40 in G minor, K. 550 - Andante |  | - | 
| 104 |  | Symphony No. 40 in G minor, K. 550 - Menuetto & Trio, Allegretto |  | - | 
| 105 |  | Symphony No. 40 in G minor, K. 550 - Allegro assai |  | - | 
| 106 |  | Te Deum, for soprano, contralto, tenor, bass (voices) & chorus |  | - | 
| 107 |  | Symphony No. 3 in E flat major ("Eroica"), Op. 55 |  | - | 
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