André Previn: The Great Recordings
0
TickIt!
| Artist | André Previn |
| Bewertung | |
| Epoche | Post-Romatische Musik (1870-1909) |
| Label | EMI Classics |
| Erschienen | 2009 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 1. Introduction | 6:50 | ||
| 2 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 2. Chant d'amour 1 | 8:37 | ||
| 3 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 3. Turangalîla 1 | 5:34 | ||
| 4 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 4. Chant d'amour 2 | 11:32 | ||
| 5 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 5. Joie du sang des étoiles | 6:35 | ||
| 6 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 6. Jardin du sommeil d'amour | 12:29 | ||
| 7 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 7. Turangalîla 2 | 3:48 | ||
| 8 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 8. Développement de l'amour | 11:57 | ||
| 9 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 9. Turangalîla 3 | 5:18 | ||
| 10 | Turangalîla-symphonie, for piano, ondes martenot & orchestra, I/29 - 10. Final | 7:10 | ||
| 11 | Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 | 10:32 | ||
| 12 | Images (3), for orchestra, L. 122 - 1. Gigues | 7:17 | ||
| 13 | Images (3), for orchestra, L. 122 - 2. Ibéria. 1. Par les rues et par les chemins | 7:26 | ||
| 14 | Images (3), for orchestra, L. 122 - 2. Ibéria. 2. Les parfums de la nuit | 9:56 | ||
| 15 | Images (3), for orchestra, L. 122 - 2. Ibéria. 3. Le matin d'un jour de fëte | 5:00 | ||
| 16 | Images (3), for orchestra, L. 122 - 3. Rondes de printemps | 8:16 | ||
| 17 | Nocturnes, for female chorus & orchestra, L. 91 - 1. Nuages | 8:03 | ||
| 18 | Nocturnes, for female chorus & orchestra, L. 91 - 2. Fêtes | 6:42 | ||
| 19 | Nocturnes, for female chorus & orchestra, L. 91 - 3. Sirènes | 11:27 | ||
| 20 | Symphony No. 2 in E minor, Op. 27 - 1. Largo - Allegro moderato | 19:10 | ||
| 21 | Symphony No. 2 in E minor, Op. 27 - 2. Scherzo: Allegro molto | 10:09 | ||
| 22 | Symphony No. 2 in E minor, Op. 27 - 3. Adagio | 15:45 | ||
| 23 | Symphony No. 2 in E minor, Op. 27 - 4. Finale: Allegro vivace | 14:17 | ||
| 24 | Boléro, ballet for orchestra | 17:17 | ||
| 25 | Symphony No. 8 in C minor, Op. 65 (Stalingrad) - 1. Adagio - Allegro non troppo | 25:08 | ||
| 26 | Symphony No. 8 in C minor, Op. 65 (Stalingrad) - 2. Allegretto | 5:51 | ||
| 27 | Symphony No. 8 in C minor, Op. 65 (Stalingrad) - 3. Allegro non troppo | 5:33 | ||
| 28 | Symphony No. 8 in C minor, Op. 65 (Stalingrad) - 4. Largo | 11:16 | ||
| 29 | Symphony No. 8 in C minor, Op. 65 (Stalingrad) - 5. Allegretto | 13:32 | ||
| 30 | Symphony No. 1 in D major ("Classical"), Op. 25 - 1. Allegro | 4:09 | ||
| 31 | Symphony No. 1 in D major ("Classical"), Op. 25 - 2. Larghetto | 4:09 | ||
| 32 | Symphony No. 1 in D major ("Classical"), Op. 25 - 3. Gavotta: Non troppo allegro | 1:37 | ||
| 33 | Symphony No. 1 in D major ("Classical"), Op. 25 - 4. Finale: Molto vivace | 4:09 | ||
| 34 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 1. No. 1. Introduction: Andante assai | 2:51 | ||
| 35 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 1. No. 3. The street awakens: Allegretto | 1:36 | ||
| 36 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 1. No. 4. Morning Dance: Allegro | 2:08 | ||
| 37 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 2. No. 10. Juliet as a young girl: Vivace | 3:34 | ||
| 38 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 2. No. 12. Masks: Moderato marciale | 2:42 | ||
| 39 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 2. No. 13. Dance of the Knights: Allegro pesante | 5:36 | ||
| 40 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 2. No. 14. Juliet's Variation | 2:36 | ||
| 41 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 2. No. 19. Balcony Scene: Larghetto | 3:47 | ||
| 42 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 1. Scene 2. No. 20. Romeo's Variation: Allegretto amoroso | 1:27 | ||
| 18 | Romeo and Juliet, ballet in 4 acts, Op. 64 | 5:41 | ||
| 43 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 1. No. 23. Romeo and Mercutio | 2:27 | ||
| 44 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 1. No. 25. Dance with the mandolins: Vivace | 2:06 | ||
| 45 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 2. No. 28. Romeo with Friar Laurence: Andante espressivo | 3:20 | ||
| 46 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 2. No. 29. Juliet with Friar Laurence | 3:32 | ||
| 47 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 3. No. 30. The people continue to make merry: Vivo | 3:29 | ||
| 48 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 3. No. 33. Tybalt and Mercutio fight: Precipitato | 1:29 | ||
| 49 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 3. No. 35. Romeo resolves to avenge Mercutio's death (Death of Tybalt): Andante - Anim | 2:09 | ||
| 50 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 2. Scene 3. No. 36. Finale (Cortège with Tybalt's body): Adagio dramatico | 1:57 | ||
| 51 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 3. Scene 1. No. 37. Introduction: Andante | 1:43 | ||
| 52 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 3. Scene 1. No. 38. Romeo and Juliet (Juliet's bedroom): Lento | 1:26 | ||
| 53 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 3. Scene 1. No. 39. The last farewell: Andante - Adagio | 5:33 | ||
| 54 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 3. Scene 3. No. 48. Morning Serenade: Andante giocoso | 2:42 | ||
| 55 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Act 3. Scene 3. No. 49. Dance of the girls with the lilies | 2:45 | ||
| 56 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Epilogue. No. 51. Juliet's Funeral (and Romeo's death): Adagio funèbre | 7:03 | ||
| 57 | Romeo and Juliet, ballet in 4 acts, Op. 64 - Epilogue. No. 52. Death of Juliet: Adagio | 4:03 | ||
| 58 | The Swan Lake, ballet, Op. 20 - Act 2. No. 10. Scène | 2:50 | ||
| 59 | The Swan Lake, ballet, Op. 20 - Act 1. No. 2. Valse | 7:22 | ||
| 60 | The Swan Lake, ballet, Op. 20 - Act 2. No. 13. Danse des cynges. 4. Allegro moderato | 1:31 | ||
| 61 | The Swan Lake, ballet, Op. 20 - Act 2. No. 13. Danse des cynges. 5. Andante non troppo - Allegro | 6:03 | ||
| 62 | The Swan Lake, ballet, Op. 20 - Act 3. No. 20. Danse hongroise | 3:00 | ||
| 63 | The Swan Lake, ballet, Op. 20 - Act 3. No. 21. Danse espagnole | 2:34 | ||
| 64 | The Sleeping Beauty, ballet, Op. 66 - Act 1. No. 8. Pas d'action. (a). Adagio 'à la rose' | 6:14 | ||
| 65 | The Sleeping Beauty, ballet, Op. 66 - Act 3. No. 24. Pas de caractère (Le chat botté) | 2:01 | ||
| 66 | The Sleeping Beauty, ballet, Op. 66 - Act 2. No. 17. Panorama | 4:04 | ||
| 67 | The Sleeping Beauty, ballet, Op. 66 - Act 1. No. 6. Valse | 5:02 | ||
| 68 | The Sleeping Beauty, ballet, Op. 66 - Act 3. No. 28. Pas de deux. (e). Coda | 1:21 | ||
| 69 | The Sleeping Beauty, ballet, Op. 66 - Act 3. No. 30. Finale et Apothéose | 8:09 | ||
| 70 | Nutcracker, ballet, Op. 71 - Miniatur - Ouverture | 3:28 | ||
| 71 | Nutcracker, ballet, Op. 71 - Act 1. No. 2. Marche | 2:28 | ||
| 72 | Nutcracker, ballet, Op. 71 - Act 2. No. 12. Divertissement. 2. Café (danse arabe) | 3:13 | ||
| 73 | Nutcracker, ballet, Op. 71 - Act 2. No. 12. Divertissement. 3. Thé (danse chinoise) | 1:07 | ||
| 74 | Nutcracker, ballet, Op. 71 - Act 2. No. 12. Divertissement. 4. Trepak (danse russe) | 1:06 | ||
| 75 | Nutcracker, ballet, Op. 71 - Act 2. No. 12. Divertissement. 5. Dance of the reed pipes | 2:20 | ||
| 76 | Nutcracker, ballet, Op. 71 - Act 2. No. 14. Pas de deux | 4:58 | ||
| 77 | Nutcracker, ballet, Op. 71 - Act 2. No. 14. Pas de deux. (a). Variation 1 (Tarantella) | :40 | ||
| 78 | Nutcracker, ballet, Op. 71 - Act 2. No. 14. Pas de deux. (b). Variation 2 (Dance of the Sugar Plum Fairy) - Coda | 3:28 | ||
| 79 | Nutcracker, ballet, Op. 71 - No. 15. Final Waltz and Apotheosis | 4:57 | ||
| 80 | Belshazzar's Feast, for baritone, double chorus & orchestra - Thus spake Isaiah | 6:09 | ||
| 81 | Belshazzar's Feast, for baritone, double chorus & orchestra - If I forget thee, O Jerusalem | 2:47 | ||
| 82 | Belshazzar's Feast, for baritone, double chorus & orchestra - By the waters of Babylon | 3:42 | ||
| 83 | Belshazzar's Feast, for baritone, double chorus & orchestra - Babylon was a great city | 4:25 | ||
| 84 | Belshazzar's Feast, for baritone, double chorus & orchestra - Praise ye the God of Gold | 5:18 | ||
| 85 | Belshazzar's Feast, for baritone, double chorus & orchestra - Thus in Babylon the mighty city | 3:24 | ||
| 86 | Belshazzar's Feast, for baritone, double chorus & orchestra - And in that same hour, as they feasted | 2:18 | ||
| 87 | Belshazzar's Feast, for baritone, double chorus & orchestra - Then sing aloud to God our strength | 4:14 | ||
| 88 | Belshazzar's Feast, for baritone, double chorus & orchestra - The trumpeters and pipers are silent | 1:28 | ||
| 89 | Belshazzar's Feast, for baritone, double chorus & orchestra - Then sing aloud to God our strength | 3:54 | ||
| 90 | Enigma Variations, for orchestra, Op. 36 - Theme | 1:17 | ||
| 91 | Enigma Variations, for orchestra, Op. 36 - 1. C.A.E. (the composer's wife) | 1:54 | ||
| 92 | Enigma Variations, for orchestra, Op. 36 - 2. H.D.S-P. (Hew David Steuart-Powell) | :46 | ||
| 93 | Enigma Variations, for orchestra, Op. 36 - 3. R.B.T. (Richard Baxter Townshend) | 1:22 | ||
| 94 | Enigma Variations, for orchestra, Op. 36 - 4. W.M.B. (William Meath Baker) | :30 | ||
| 95 | Enigma Variations, for orchestra, Op. 36 - 5. R.P.A. (Richard Penrose Arnold) | 2:00 | ||
| 96 | Enigma Variations, for orchestra, Op. 36 - 6. Ysobel (Isabel Fitton) | 1:23 | ||
| 97 | Enigma Variations, for orchestra, Op. 36 - 7. Troyte (Troyte Griffith) | :58 | ||
| 98 | Enigma Variations, for orchestra, Op. 36 - 8. W.N. (Winifred Norbury) | 1:58 | ||
| 99 | Enigma Variations, for orchestra, Op. 36 - 9. Nimrod (A.J. Jaeger) | 4:35 | ||
| 100 | Enigma Variations, for orchestra, Op. 36 - 10. Intermezzo: Dorabella (Dora Penny) | 2:42 | ||
| 101 | Enigma Variations, for orchestra, Op. 36 - 11. G.R.S. (George Robertson Sinclair) | :58 | ||
| 102 | Enigma Variations, for orchestra, Op. 36 - 12. B.G.N. (Basil G. Nevinson) | 2:50 | ||
| 103 | Enigma Variations, for orchestra, Op. 36 - 13. Romanza: *** (Lady Mary Lygon) | 2:46 | ||
| 104 | Enigma Variations, for orchestra, Op. 36 - 14. Finale: E.D.U. (the composer) | 5:13 | ||
| 105 | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") | 4:38 | ||
| 106 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 1. Mars, the Bringer of War | 7:06 | ||
| 107 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 2. Venus, the Bringer of Peace | 8:44 | ||
| 108 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 3. Mercury, the Winged Messenger | 3:50 | ||
| 109 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 4. Jupiter, the Bringer of Jollity | 7:44 | ||
| 110 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 5. Saturn, the Bringer of Old Age | 9:53 | ||
| 111 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 6. Uranus, the Magician | 6:03 | ||
| 112 | The Planets, suite for orchestra & female chorus, Op. 32, H. 125 - 7. Neptune, the Mystic | 7:33 | ||
| 113 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - 1. Dawn (Lento e tranquillo) - | 3:44 | ||
| 114 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - 2. Sunday Morning (Allegro spiritoso) - | 3:47 | ||
| 115 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - 3. Moonlight (Andante comodo e rubato) - | 4:23 | ||
| 116 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a - 4. Storm (Presto con fuoco) | 4:35 | ||
| 117 | Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") | 7:28 | ||
| 118 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Fortuna Imperatrix Mundi. 1. O Fortuna | 2:48 | ||
| 119 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Fortuna Imperatrix Mundi. 2. Fortune plango vulnera | 2:49 | ||
| 120 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 1. Primo vere. 3. Veris leta facies | 4:17 | ||
| 121 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 1. Primo vere. 4. Omnia Sol temperat | 2:07 | ||
| 122 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 1. Primo vere. 5. Ecce gratum | 2:49 | ||
| 123 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Uf dem Anger. 6. Tanz | 1:40 | ||
| 124 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Uf dem Anger. 7. Floret silva | 3:26 | ||
| 125 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Uf dem Anger. 8. Chramer, gip die varwe mir | 3:18 | ||
| 126 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Uf dem Anger. 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe | 4:44 | ||
| 127 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Uf dem Anger. 10. Were diu werlt alle min | :59 | ||
| 128 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 2. In taberna. 11. Estuans interius | 2:25 | ||
| 129 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 2. In taberna. 12. Olim lacus colueram | 3:46 | ||
| 130 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 2. In taberna. 13. Ego sum abbas | 1:22 | ||
| 131 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 2. In taberna. 14. In taberna quando sumus | 3:24 | ||
| 132 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 15. Amor volat undique | 3:28 | ||
| 133 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 16. Dies, nox et omnia | 2:17 | ||
| 134 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 17. Stetit puella | 2:14 | ||
| 135 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 18. Circa mea pectora | 2:11 | ||
| 136 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 19. Si puer cum puellula | 1:05 | ||
| 137 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 20. Veni, veni, venias | 1:03 | ||
| 138 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 21. In trutina | 2:30 | ||
| 139 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 22. Tempus est iocundum | 2:22 | ||
| 140 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Part 3. Cours d'amour. 23. Dulcissime | :41 | ||
| 141 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Blanziflor et Helena. 24. Ave formosissima | 1:59 | ||
| 142 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Fortuna Imperatrix Mundi. 25. O Fortuna | 2:58 | ||
| 143 | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | 9:33 | ||
| 144 | Rhapsody in Blue, for piano & orchestra (orchestrated by F. Grofé) | 14:59 | ||
| 145 | An American in Paris, tone poem for orchestra | 18:17 | ||
| 146 | Concerto in F, for piano & orchestra - 1. Allegro | 12:52 | ||
| 147 | Concerto in F, for piano & orchestra - 2. Adagio - Andante con moto | 12:25 | ||
| 148 | Concerto in F, for piano & orchestra - 3. Allegro agitato | 6:45 | ||
| 149 | Cuban Overture | 10:41 |
Bewertungen zu André Previn: The Great Recordings
Es wurde noch kein Kommentar zu diesem Album abgegeben