Kathleen Ferrier [Box Set]
0
TickIt!
| Artist | Kathleen Ferrier |
| Bewertung | |
| Epoche | Romantische Musik (1820-1869) |
| Label | Decca |
| Erschienen | 2004 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Ah! se intorno a quest'urna funesta | 5:58 | ||
| 1 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Ah! se intorno a quest'urna funesta | 5:58 | ||
| 2 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Euridice! Euridice! Ah! questo nome sanno le spiaggie | 1:18 | ||
| 2 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Euridice! Euridice! Ah! questo nome sanno le spiaggie | 1:18 | ||
| 3 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Piango il mio ben così | 2:12 | ||
| 3 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Piango il mio ben così | 2:12 | ||
| 4 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Dalla cetra tua a' dolci suoni | 1:42 | ||
| 4 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Dalla cetra tua a' dolci suoni | 1:42 | ||
| 5 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Gli sguardi trattieni | 1:01 | ||
| 5 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Gli sguardi trattieni | 1:01 | ||
| 6 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Che disse! ch'ascoltai! | 1:23 | ||
| 6 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 1. Che disse! ch'ascoltai! | 1:23 | ||
| 7 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Chi mai dell'Erebo | 3:33 | ||
| 7 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Chi mai dell'Erebo | 3:33 | ||
| 8 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Deh! placatevi con me | 2:36 | ||
| 8 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Deh! placatevi con me | 2:36 | ||
| 9 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Misero giovane! | 4:27 | ||
| 9 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 1. Misero giovane! | 4:27 | ||
| 10 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Che puro ciel! | 4:57 | ||
| 10 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Che puro ciel! | 4:57 | ||
| 11 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Vieni a' regni del riposo | 2:33 | ||
| 11 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 2. Scene 2. Vieni a' regni del riposo | 2:33 | ||
| 12 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! vieni o diletta | 2:35 | ||
| 12 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! vieni o diletta | 2:35 | ||
| 13 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Vieni, vieni con me, vieni, o cara | 3:46 | ||
| 13 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Vieni, vieni con me, vieni, o cara | 3:46 | ||
| 14 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! potess'io saper perché ei tace tanto! | 1:30 | ||
| 14 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! potess'io saper perché ei tace tanto! | 1:30 | ||
| 15 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che fiero momento! | 2:44 | ||
| 15 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che fiero momento! | 2:44 | ||
| 16 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! per me il duol ricomincia! | 1:23 | ||
| 16 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! per me il duol ricomincia! | 1:23 | ||
| 17 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che farò senza Euridice? | 3:16 | ||
| 17 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Che farò senza Euridice? | 3:16 | ||
| 18 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! finisca e per sempre | 2:24 | ||
| 18 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Ah! finisca e per sempre | 2:24 | ||
| 19 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Gaudio, gaudio son al core | 3:28 | ||
| 19 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 1. Gaudio, gaudio son al core | 3:28 | ||
| 20 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 2. Trionfi Amore, e il mondo intero | 1:07 | ||
| 20 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 3. Scene 2. Trionfi Amore, e il mondo intero | 1:07 | ||
| 21 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 1: Come, ye daughters | 10:07 | ||
| 21 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 1: Come, ye daughters | 10:07 | ||
| 22 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 9: My Master and my Lord / No. 10: Grief for sin | 4:52 | ||
| 22 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 9: My Master and my Lord / No. 10: Grief for sin | 4:52 | ||
| 23 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 33: Behold, my Saviour now is taken | 5:05 | ||
| 23 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 33: Behold, my Saviour now is taken | 5:05 | ||
| 24 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 36: Ah! Now is my Saviour gone | 5:15 | ||
| 24 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 36: Ah! Now is my Saviour gone | 5:15 | ||
| 25 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 47: Have mercy, Lord, on me / No. 48: Lamb of God, I fall before Thee | 8:41 | ||
| 25 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 47: Have mercy, Lord, on me / No. 48: Lamb of God, I fall before Thee | 8:41 | ||
| 26 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 60: O gracious God! / No. 61: If my tears be unavailing | 9:32 | ||
| 26 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 60: O gracious God! / No. 61: If my tears be unavailing | 9:32 | ||
| 27 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 63: O sacred head surrounded | 1:18 | ||
| 27 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 63: O sacred head surrounded | 1:18 | ||
| 28 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 69: Ah, Golgotha! / No. 70: See ye! See the Saviour's outstretched hands | 5:46 | ||
| 28 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 69: Ah, Golgotha! / No. 70: See ye! See the Saviour's outstretched hands | 5:46 | ||
| 29 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 72: Be near me, Lord, when dying | 1:56 | ||
| 29 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 72: Be near me, Lord, when dying | 1:56 | ||
| 30 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 77: And now the Lord to rest is laid / No. 78: In tears of grief | 9:32 | ||
| 30 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - No. 77: And now the Lord to rest is laid / No. 78: In tears of grief | 9:32 | ||
| 31 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - What is life to me without thee? | 4:32 | ||
| 31 | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - What is life to me without thee? | 4:32 | ||
| 32 | Rodelinda, regina de' Langobardi, opera, HWV 19 - Art thou troubled? | 4:44 | ||
| 32 | Rodelinda, regina de' Langobardi, opera, HWV 19 - Art thou troubled? | 4:44 | ||
| 33 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Have mercy, Lord, on me | 8:15 | ||
| 33 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Have mercy, Lord, on me | 8:15 | ||
| 34 | Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Ah, tarry yet, my dearest Saviour | 7:41 | ||
| 34 | Himmelfahrts-Oratorium, "Lobet Gott in seinen Reichen," (Ascension Oratorio), BWV 11 (BC D9) - Ah, tarry yet, my dearest Saviour | 7:41 | ||
| 35 | Serse (Xerxes), opera, HWV 40 - Frondi tenere ... Ombra mai fu | 4:43 | ||
| 35 | Serse (Xerxes), opera, HWV 40 - Frondi tenere ... Ombra mai fu | 4:43 | ||
| 36 | Elijah (Elias), oratorio, Op. 70 - Woe unto them | 3:15 | ||
| 36 | Elijah (Elias), oratorio, Op. 70 - Woe unto them | 3:15 | ||
| 37 | Elijah (Elias), oratorio, Op. 70 - O rest in the Lord | 3:50 | ||
| 37 | Elijah (Elias), oratorio, Op. 70 - O rest in the Lord | 3:50 | ||
| 38 | Stabat mater, for soprano, alto, strings & organ in F major - Stabat Mater dolorosa | 4:28 | ||
| 38 | Stabat mater, for soprano, alto, strings & organ in F major - Stabat Mater dolorosa | 4:28 | ||
| 39 | Stabat mater, for soprano, alto, strings & organ in F major - Cujus animam gementem | 2:16 | ||
| 39 | Stabat mater, for soprano, alto, strings & organ in F major - Cujus animam gementem | 2:16 | ||
| 40 | Stabat mater, for soprano, alto, strings & organ in F major - O quam tristis et afflicta | 2:06 | ||
| 40 | Stabat mater, for soprano, alto, strings & organ in F major - O quam tristis et afflicta | 2:06 | ||
| 41 | Stabat mater, for soprano, alto, strings & organ in F major - Quae moerabat et dolebat | 2:54 | ||
| 41 | Stabat mater, for soprano, alto, strings & organ in F major - Quae moerabat et dolebat | 2:54 | ||
| 42 | Stabat mater, for soprano, alto, strings & organ in F major - Quis est homo, qui non fleret | 2:44 | ||
| 42 | Stabat mater, for soprano, alto, strings & organ in F major - Quis est homo, qui non fleret | 2:44 | ||
| 43 | Stabat mater, for soprano, alto, strings & organ in F major - Vidit suum dulcem Natum | 3:39 | ||
| 43 | Stabat mater, for soprano, alto, strings & organ in F major - Vidit suum dulcem Natum | 3:39 | ||
| 44 | Stabat mater, for soprano, alto, strings & organ in F major - Eja Mater, fons amoris | 2:15 | ||
| 44 | Stabat mater, for soprano, alto, strings & organ in F major - Eja Mater, fons amoris | 2:15 | ||
| 45 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut ardeat cor meum | 2:11 | ||
| 45 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut ardeat cor meum | 2:11 | ||
| 46 | Stabat mater, for soprano, alto, strings & organ in F major - Sancta Mater istud agas | 5:44 | ||
| 46 | Stabat mater, for soprano, alto, strings & organ in F major - Sancta Mater istud agas | 5:44 | ||
| 47 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut portem Christi mortem | 2:55 | ||
| 47 | Stabat mater, for soprano, alto, strings & organ in F major - Fac ut portem Christi mortem | 2:55 | ||
| 48 | Stabat mater, for soprano, alto, strings & organ in F major - Inflammatus et accensus | 2:51 | ||
| 48 | Stabat mater, for soprano, alto, strings & organ in F major - Inflammatus et accensus | 2:51 | ||
| 49 | Stabat mater, for soprano, alto, strings & organ in F major - Quando corpus morietur | 4:14 | ||
| 49 | Stabat mater, for soprano, alto, strings & organ in F major - Quando corpus morietur | 4:14 | ||
| 50 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:40 | ||
| 50 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:40 | ||
| 51 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 3:18 | ||
| 51 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 3:18 | ||
| 52 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:57 | ||
| 52 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:57 | ||
| 53 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:58 | ||
| 53 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:58 | ||
| 54 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 2:04 | ||
| 54 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 2:04 | ||
| 55 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Süßer Freund, du blickest | 3:49 | ||
| 55 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Süßer Freund, du blickest | 3:49 | ||
| 56 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:21 | ||
| 56 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:21 | ||
| 57 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 3:56 | ||
| 57 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 3:56 | ||
| 58 | Volksliedchen ("Wenn ich früh in den Garten geh"), song for voice & piano, Op. 51/2 | 1:20 | ||
| 58 | Volksliedchen ("Wenn ich früh in den Garten geh"), song for voice & piano, Op. 51/2 | 1:20 | ||
| 59 | Widmung ("Du meine Seele, du mein Herz"), song for voice & piano (Myrthen), Op. 25/1 | 2:29 | ||
| 59 | Widmung ("Du meine Seele, du mein Herz"), song for voice & piano (Myrthen), Op. 25/1 | 2:29 | ||
| 60 | Sapphische Ode ("Rosen brach ich Nachts mir am dunklen Hage"), song for voice & piano, Op. 94/4 | 2:49 | ||
| 60 | Sapphische Ode ("Rosen brach ich Nachts mir am dunklen Hage"), song for voice & piano, Op. 94/4 | 2:49 | ||
| 61 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:11 | ||
| 61 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:11 | ||
| 62 | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) | 3:13 | ||
| 62 | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) | 3:13 | ||
| 63 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:49 | ||
| 63 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:49 | ||
| 64 | An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4) | 3:09 | ||
| 64 | An die Musik ("Du holde Kunst..."), song for voice & piano, D. 547 (Op. 88/4) | 3:09 | ||
| 65 | Der Musensohn ("Durch Feld und Wald zu schweifen"), song for voice & piano, D. 764 (Op. 92/1) | 2:18 | ||
| 65 | Der Musensohn ("Durch Feld und Wald zu schweifen"), song for voice & piano, D. 764 (Op. 92/1) | 2:18 | ||
| 66 | Ganymed ("Wie im Morgenglanze"), song for voice & piano, D. 544 (Op. 19/3) | 4:21 | ||
| 66 | Ganymed ("Wie im Morgenglanze"), song for voice & piano, D. 544 (Op. 19/3) | 4:21 | ||
| 67 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 2:52 | ||
| 67 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 2:52 | ||
| 68 | Lachen und Weinen, song for voice & piano, D. 777 (Op. 59/4) | 2:12 | ||
| 68 | Lachen und Weinen, song for voice & piano, D. 777 (Op. 59/4) | 2:12 | ||
| 69 | Stille Nacht, heilige Nacht (Silent Night) | 3:28 | ||
| 69 | Stille Nacht, heilige Nacht (Silent Night) | 3:28 | ||
| 70 | O Come, All Ye Faithful (Adeste fidelis) | 3:18 | ||
| 70 | O Come, All Ye Faithful (Adeste fidelis) | 3:18 | ||
| 71 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. One thing befalleth the beasts and the sons of men | 4:45 | ||
| 71 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. One thing befalleth the beasts and the sons of men | 4:45 | ||
| 72 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. So I returned and did consider | 4:03 | ||
| 72 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. So I returned and did consider | 4:03 | ||
| 73 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O death, how bitter art thou | 3:54 | ||
| 73 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O death, how bitter art thou | 3:54 | ||
| 74 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Though I speak with tongues of men | 6:06 | ||
| 74 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Though I speak with tongues of men | 6:06 | ||
| 75 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 1. La Fleur des eaux | 10:54 | ||
| 75 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 1. La Fleur des eaux | 10:54 | ||
| 76 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 2. Interlude | 2:42 | ||
| 76 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 2. Interlude | 2:42 | ||
| 77 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 3. La Mort de l'amour | 14:28 | ||
| 77 | Poème de l'amour et de la mer, for voice & orchestra, Op. 19 - 3. La Mort de l'amour | 14:28 | ||
| 78 | Discovery for voice & piano, Op 13 - The Freedom of the City / Babylon / Jane Allen / Discovery / Dreams Melting | 7:47 | ||
| 78 | Discovery for voice & piano, Op 13 - The Freedom of the City / Babylon / Jane Allen / Discovery / Dreams Melting | 7:47 | ||
| 79 | Songs (3) for voice & piano, Op. 5 - Red Skies | 2:01 | ||
| 79 | Songs (3) for voice & piano, Op. 5 - Red Skies | 2:01 | ||
| 80 | Songs (3) for voice & piano, Op. 5 - The Wind | 1:08 | ||
| 80 | Songs (3) for voice & piano, Op. 5 - The Wind | 1:08 | ||
| 81 | Songs (3) for voice & piano, Op. 5 - Clouds | 3:30 | ||
| 81 | Songs (3) for voice & piano, Op. 5 - Clouds | 3:30 | ||
| 82 | Psalms (3) for voice & piano, Op 61 - Psalm 6: O Lord, rebuke me not | 5:19 | ||
| 82 | Psalms (3) for voice & piano, Op 61 - Psalm 6: O Lord, rebuke me not | 5:19 | ||
| 83 | Psalms (3) for voice & piano, Op 61 - Psalm 23: The Lord is my shepherd | 3:39 | ||
| 83 | Psalms (3) for voice & piano, Op 61 - Psalm 23: The Lord is my shepherd | 3:39 | ||
| 84 | Psalms (3) for voice & piano, Op 61 - Psalm 150: Praise ye the Lord | 1:38 | ||
| 84 | Psalms (3) for voice & piano, Op 61 - Psalm 150: Praise ye the Lord | 1:38 | ||
| 85 | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ("The Fairy Lough") | 3:42 | ||
| 85 | An Irish Idyll in Six Miniatures for voice & piano, No 2, Op. 77/2 ("The Fairy Lough") | 3:42 | ||
| 86 | A Sheaf of Songs from Leinster, for voice & piano, No. 3, "A Soft Day" Op. 140/3 | 2:56 | ||
| 86 | A Sheaf of Songs from Leinster, for voice & piano, No. 3, "A Soft Day" Op. 140/3 | 2:56 | ||
| 87 | Love is a bable, song | 1:42 | ||
| 87 | Love is a bable, song | 1:42 | ||
| 88 | Silent Noon ("Your hands lie open in the long fresh grass"), song for voice & piano (The House of Life No. 2) | 5:00 | ||
| 88 | Silent Noon ("Your hands lie open in the long fresh grass"), song for voice & piano (The House of Life No. 2) | 5:00 | ||
| 89 | Go Not, Happy Day, for voice & piano, H 34 | 1:36 | ||
| 89 | Go Not, Happy Day, for voice & piano, H 34 | 1:36 | ||
| 90 | Sleep, for voice & piano | 2:49 | ||
| 90 | Sleep, for voice & piano | 2:49 | ||
| 91 | Pretty Ring Time, for voice & piano | 1:19 | ||
| 91 | Pretty Ring Time, for voice & piano | 1:19 | ||
| 92 | O Waly, Waly, folk song | 4:16 | ||
| 92 | O Waly, Waly, folk song | 4:16 | ||
| 93 | Come You Not From Newcastle? | 1:35 | ||
| 93 | Come You Not From Newcastle? | 1:35 | ||
| 94 | Kitty My Love, Will You Marry Me?, folk song | 1:27 | ||
| 94 | Kitty My Love, Will You Marry Me?, folk song | 1:27 | ||
| 95 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | 7:03 | ||
| 95 | From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 370 | 7:03 | ||
| 96 | Hark! now the echoing air (from "The Fairy Queen"), soprano aria and chorus, Z. 629/48 | 3:12 | ||
| 96 | Hark! now the echoing air (from "The Fairy Queen"), soprano aria and chorus, Z. 629/48 | 3:12 | ||
| 97 | Atalanta, opera, HWV 35 - Like as the love-lorn turtle | 7:12 | ||
| 97 | Atalanta, opera, HWV 35 - Like as the love-lorn turtle | 7:12 | ||
| 98 | Admeto, Rè di Tessaglia, opera, HWV 22 - How changed the vision | 4:58 | ||
| 98 | Admeto, Rè di Tessaglia, opera, HWV 22 - How changed the vision | 4:58 | ||
| 99 | Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Mörike Lieder) | 3:46 | ||
| 99 | Verborgenheit ("Lass, o Welt, o lass mich sein"), song for voice & piano (Mörike Lieder) | 3:46 | ||
| 100 | Der Gärtner ("Auf ihrem Leibrösslein"), song for voice & piano (Mörike Lieder) | 1:47 | ||
| 100 | Der Gärtner ("Auf ihrem Leibrösslein"), song for voice & piano (Mörike Lieder) | 1:47 | ||
| 101 | Auf ein altes Bild ("In grüner Landschaft Sommerflor"), song for voice & piano (Mörike Lieder) | 3:19 | ||
| 101 | Auf ein altes Bild ("In grüner Landschaft Sommerflor"), song for voice & piano (Mörike Lieder) | 3:19 | ||
| 102 | Auf einer Wanderung ("In ein freudliches Städtchen"), song for voice & piano (Mörike Lieder) | 3:41 | ||
| 102 | Auf einer Wanderung ("In ein freudliches Städtchen"), song for voice & piano (Mörike Lieder) | 3:41 | ||
| 103 | Altar for voice & piano | 4:16 | ||
| 103 | Altar for voice & piano | 4:16 | ||
| 104 | Vergiss mein nicht, sacred song for voice & continuo (Schemelli Gesangbuch No. 627), BWV 505 (BC F262) | 2:24 | ||
| 104 | Vergiss mein nicht, sacred song for voice & continuo (Schemelli Gesangbuch No. 627), BWV 505 (BC F262) | 2:24 | ||
| 105 | Ach, dass nicht die letzte Stunde, sacred song for voice & continuo (Schemelli Gesangbuch No. 831), BWV 439 (BC F274) | 2:01 | ||
| 105 | Ach, dass nicht die letzte Stunde, sacred song for voice & continuo (Schemelli Gesangbuch No. 831), BWV 439 (BC F274) | 2:01 | ||
| 106 | Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | 3:31 | ||
| 106 | Bist du bei mir, aria arranged for voice & continuo (after Gottfried Stölzel), BWV 508 | 3:31 | ||
| 107 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Qui sedes | 5:51 | ||
| 107 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Qui sedes | 5:51 | ||
| 108 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Grief for sin | 6:07 | ||
| 108 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - Grief for sin | 6:07 | ||
| 109 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei | 5:23 | ||
| 109 | Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1) - Agnus Dei | 5:23 | ||
| 110 | St. John Passion (Johannespassion), BWV 245 (BC D2) - All is fulfilled | 5:46 | ||
| 110 | St. John Passion (Johannespassion), BWV 245 (BC D2) - All is fulfilled | 5:46 | ||
| 111 | Samson, oratorio, HWV 57 - Return, O God of Hosts! | 4:32 | ||
| 111 | Samson, oratorio, HWV 57 - Return, O God of Hosts! | 4:32 | ||
| 112 | Messiah, oratorio, HWV 56 - O thou that tellest good tidings to Zion | 5:43 | ||
| 112 | Messiah, oratorio, HWV 56 - O thou that tellest good tidings to Zion | 5:43 | ||
| 113 | Judas Maccabaeus, oratorio, HWV 63 - Father of Heaven | 7:56 | ||
| 113 | Judas Maccabaeus, oratorio, HWV 63 - Father of Heaven | 7:56 | ||
| 114 | Messiah, oratorio, HWV 56 - He was despised | 6:43 | ||
| 114 | Messiah, oratorio, HWV 56 - He was despised | 6:43 | ||
| 115 | Ma Bonny Lad, folk song | 1:52 | ||
| 115 | Ma Bonny Lad, folk song | 1:52 | ||
| 116 | The Keel Row | 1:46 | ||
| 116 | The Keel Row | 1:46 | ||
| 117 | Blow the Wind Southerly (Northumbrian Folk Song) | 2:24 | ||
| 117 | Blow the Wind Southerly (Northumbrian Folk Song) | 2:24 | ||
| 118 | I Have A Bonnet Trimmed With Blue | 1:14 | ||
| 118 | I Have A Bonnet Trimmed With Blue | 1:14 | ||
| 119 | My Boy Willie for voice & piano | 1:46 | ||
| 119 | My Boy Willie for voice & piano | 1:46 | ||
| 120 | I Know Where I'm Goin', folk song | 2:24 | ||
| 120 | I Know Where I'm Goin', folk song | 2:24 | ||
| 121 | The Fidgety Bairn, folk song | 2:50 | ||
| 121 | The Fidgety Bairn, folk song | 2:50 | ||
| 122 | I Will Walk With My Love for voice & piano | 2:00 | ||
| 122 | I Will Walk With My Love for voice & piano | 2:00 | ||
| 123 | Ca' the yowes | 3:28 | ||
| 123 | Ca' the yowes | 3:28 | ||
| 124 | O Waly, Waly, folk song | 3:36 | ||
| 124 | O Waly, Waly, folk song | 3:36 | ||
| 125 | Willow, Willow for voice & piano | 3:33 | ||
| 125 | Willow, Willow for voice & piano | 3:33 | ||
| 126 | The Stuttering Lovers, folksong | 1:45 | ||
| 126 | The Stuttering Lovers, folksong | 1:45 | ||
| 127 | Now Sleeps the Crimson Petal for voice & piano, Op. 3/2 | 2:32 | ||
| 127 | Now Sleeps the Crimson Petal for voice & piano, Op. 3/2 | 2:32 | ||
| 128 | Fair house of joy, for voice & piano, Op. 12/7 | 2:40 | ||
| 128 | Fair house of joy, for voice & piano, Op. 12/7 | 2:40 | ||
| 129 | To Daises, for voice & piano, Op. 8/4 | 2:15 | ||
| 129 | To Daises, for voice & piano, Op. 8/4 | 2:15 | ||
| 130 | Over the Mountains | 2:17 | ||
| 130 | Over the Mountains | 2:17 | ||
| 131 | Have You Seen But A Whyte Lilie Grow?, folk song | 2:27 | ||
| 131 | Have You Seen But A Whyte Lilie Grow?, folk song | 2:27 | ||
| 132 | Ye Banks and Braes O' Bonnie Doon, folk song | 3:12 | ||
| 132 | Ye Banks and Braes O' Bonnie Doon, folk song | 3:12 | ||
| 133 | Drink to me only with thine eyes, folk song | 3:05 | ||
| 133 | Drink to me only with thine eyes, folk song | 3:05 | ||
| 134 | Down by the Salley Gardens, folk song | 3:09 | ||
| 134 | Down by the Salley Gardens, folk song | 3:09 | ||
| 135 | The Lover's Curse, for voice & piano | 3:04 | ||
| 135 | The Lover's Curse, for voice & piano | 3:04 | ||
| 136 | What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier | 2:55 | ||
| 136 | What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier | 2:55 | ||
| 137 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:32 | ||
| 137 | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) | 4:32 | ||
| 138 | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - No. 3b. Romance | 3:54 | ||
| 138 | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26) - No. 3b. Romance | 3:54 | ||
| 139 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 3:43 | ||
| 139 | Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1) | 3:43 | ||
| 140 | Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) | 2:39 | ||
| 140 | Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) | 2:39 | ||
| 141 | Suleika I ("Was bedeutet die Bewegung"), song for voice & piano, D. 720 (Op. 14/1) | 4:49 | ||
| 141 | Suleika I ("Was bedeutet die Bewegung"), song for voice & piano, D. 720 (Op. 14/1) | 4:49 | ||
| 142 | Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3) | 4:44 | ||
| 142 | Du bist die Ruh, song for voice & piano, D. 776 (Op. 59/3) | 4:44 | ||
| 143 | Immer leiser wird mein Schlummer, song for voice & piano, Op. 105/2 | 4:03 | ||
| 143 | Immer leiser wird mein Schlummer, song for voice & piano, Op. 105/2 | 4:03 | ||
| 144 | Der Tod, das ist die kühle Nacht, song for voice & piano, Op. 96/1 | 3:27 | ||
| 144 | Der Tod, das ist die kühle Nacht, song for voice & piano, Op. 96/1 | 3:27 | ||
| 145 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:13 | ||
| 145 | Botschaft ("Wehe, Lüftchen, lind und lieblich"), song for voice & piano, Op. 47/1 | 2:13 | ||
| 146 | Von ewiger Liebe ("Dunkel, wie dunkel in Wald und in Feld!"), song for voice & piano, Op. 43/1 | 5:17 | ||
| 146 | Von ewiger Liebe ("Dunkel, wie dunkel in Wald und in Feld!"), song for voice & piano, Op. 43/1 | 5:17 | ||
| 147 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:06 | ||
| 147 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 1. Seit ich ihn gesehen | 2:06 | ||
| 148 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 2:59 | ||
| 148 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 2. Er, der Herrlichste von allen | 2:59 | ||
| 149 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:42 | ||
| 149 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 3. Ich kann's nicht fassen, nicht glauben | 1:42 | ||
| 150 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:48 | ||
| 150 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 4. Du Ring an meinem Finger | 2:48 | ||
| 151 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 1:55 | ||
| 151 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 5. Helft mir, ihr Schwestern | 1:55 | ||
| 152 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Súßer Freund, du blickest mich verwundert an | 3:42 | ||
| 152 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 6. Súßer Freund, du blickest mich verwundert an | 3:42 | ||
| 153 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:24 | ||
| 153 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 7. An meinem Herzen, an meiner Brust | 1:24 | ||
| 154 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 4:06 | ||
| 154 | Frauenliebe und -leben, song cycle for voice & piano, Op. 42 - 8. Nun hast du mir den ersten Schmerz getan | 4:06 | ||
| 155 | Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (Rückert Lieder No. 3) | 5:37 | ||
| 155 | Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (Rückert Lieder No. 3) | 5:37 | ||
| 156 | Ich atmet' einen linden Duft, song for voice & piano (or orchestra) in D major (Rückert Lieder No. 2) | 2:50 | ||
| 156 | Ich atmet' einen linden Duft, song for voice & piano (or orchestra) in D major (Rückert Lieder No. 2) | 2:50 | ||
| 157 | Um Mitternacht, song for voice & piano (or orchestra) in B minor (Rückert Lieder No. 4) | 6:29 | ||
| 157 | Um Mitternacht, song for voice & piano (or orchestra) in B minor (Rückert Lieder No. 4) | 6:29 | ||
| 158 | Alto Rhapsody, for alto, male chorus & orchestra, Op. 53 | 16:08 | ||
| 158 | Alto Rhapsody, for alto, male chorus & orchestra, Op. 53 | 16:08 | ||
| 159 | Songs (2) for alto, viola & piano, Op. 91 - 1. Gestillte Sehnsucht | 5:11 | ||
| 159 | Songs (2) for alto, viola & piano, Op. 91 - 1. Gestillte Sehnsucht | 5:11 | ||
| 160 | Songs (2) for alto, viola & piano, Op. 91 - 2. Geistliches Wiegenlied | 5:13 | ||
| 160 | Songs (2) for alto, viola & piano, Op. 91 - 2. Geistliches Wiegenlied | 5:13 | ||
| 161 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. Denn es gehet dem Menschen wie dem Vieh | 4:57 | ||
| 161 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 1. Denn es gehet dem Menschen wie dem Vieh | 4:57 | ||
| 162 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. Ich wandte mich und sahe an alle | 4:20 | ||
| 162 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 2. Ich wandte mich und sahe an alle | 4:20 | ||
| 163 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O Tod, wie bitter bist du | 4:10 | ||
| 163 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 3. O Tod, wie bitter bist du | 4:10 | ||
| 164 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Wenn ich mit Menschen- und mit Engelszungen redete | 4:58 | ||
| 164 | Vier ernste Gesänge (4), for voice & piano (Four Serious Songs), Op. 121 - 4. Wenn ich mit Menschen- und mit Engelszungen redete | 4:58 |
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