The Very Best of Lucia Popp
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| Artist | Lucia Popp |
| Bewertung | |
| Epoche | Post-Romatische Musik (1870-1909) |
| Label | EMI |
| Erschienen | 2003 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Rusalka, opera, B. 203 (Op. 114) - Act 1. Song to the Moon | 5:57 | ||
| 1 | Rusalka, opera, B. 203 (Op. 114) - Act 1. Song to the Moon | 5:57 | ||
| 2 | Prodaná nevesta (The Bartered Bride), opera, JB 1:100 - Act 1. Should I ever learn (Kdybych se co takovéko) | 3:54 | ||
| 2 | Prodaná nevesta (The Bartered Bride), opera, JB 1:100 - Act 1. Should I ever learn (Kdybych se co takovéko) | 3:54 | ||
| 3 | Dalibor, opera, JB 1:101 - Act 2. How confused I feel (Jak je mi?) | 2:31 | ||
| 3 | Dalibor, opera, JB 1:101 - Act 2. How confused I feel (Jak je mi?) | 2:31 | ||
| 4 | Peer Gynt, incidental music, Op. 23 - Solveig's Song | 5:48 | ||
| 4 | Peer Gynt, incidental music, Op. 23 - Solveig's Song | 5:48 | ||
| 5 | Peer Gynt, incidental music, Op. 23 - Solveig's Cradle Song | 4:56 | ||
| 5 | Peer Gynt, incidental music, Op. 23 - Solveig's Cradle Song | 4:56 | ||
| 6 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Amor volat undique (Cours d'amour) | 3:21 | ||
| 6 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Amor volat undique (Cours d'amour) | 3:21 | ||
| 7 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Stetit puella (Cours d'amour) | 2:06 | ||
| 7 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - Stetit puella (Cours d'amour) | 2:06 | ||
| 8 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - In trutina (Cours d'amour) | 2:13 | ||
| 8 | Carmina Burana, scenic cantata for soloists, choruses & orchestra - In trutina (Cours d'amour) | 2:13 | ||
| 9 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - Frühling | 3:50 | ||
| 9 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - Frühling | 3:50 | ||
| 10 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - September | 5:16 | ||
| 10 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - September | 5:16 | ||
| 11 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - Beim Schlafengehen | 6:20 | ||
| 11 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - Beim Schlafengehen | 6:20 | ||
| 12 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - Im Abendrot | 8:25 | ||
| 12 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150) - Im Abendrot | 8:25 | ||
| 13 | Symphony No. 4 in G major - IV. Sehr behaglich | 9:12 | ||
| 13 | Symphony No. 4 in G major - IV. Sehr behaglich | 9:12 | ||
| 14 | Eugene Onegin, opera, Op. 24 - Act 1. Tatiana's Letter Scene | 12:05 | ||
| 14 | Eugene Onegin, opera, Op. 24 - Act 1. Tatiana's Letter Scene | 12:05 | ||
| 15 | Serse (Xerxes), opera, HWV 40 - Act 1. Un cenno leggiadretto | 3:50 | ||
| 15 | Serse (Xerxes), opera, HWV 40 - Act 1. Un cenno leggiadretto | 3:50 | ||
| 16 | Rodelinda, regina de' Langobardi, opera, HWV 19 - Act 1. Ho perduto il caro sposo | 4:58 | ||
| 16 | Rodelinda, regina de' Langobardi, opera, HWV 19 - Act 1. Ho perduto il caro sposo | 4:58 | ||
| 17 | Joshua, oratorio, HWV 64 - O had I Jubel's lyre | 2:53 | ||
| 17 | Joshua, oratorio, HWV 64 - O had I Jubel's lyre | 2:53 | ||
| 18 | Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339 - Laudate Dominum | 5:17 | ||
| 18 | Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339 - Laudate Dominum | 5:17 | ||
| 19 | Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 - Act 2. Welche Wonne, welche Lust | 2:34 | ||
| 19 | Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384 - Act 2. Welche Wonne, welche Lust | 2:34 | ||
| 20 | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 - Act 2. Porgi, amor | 3:50 | ||
| 20 | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 - Act 2. Porgi, amor | 3:50 | ||
| 21 | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 - Act 2. Voi che sapete | 2:49 | ||
| 21 | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 - Act 2. Voi che sapete | 2:49 | ||
| 22 | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 - Act 3. Giunse alfin il momento... Deh vieni, non tarder | 4:55 | ||
| 22 | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 - Act 3. Giunse alfin il momento... Deh vieni, non tarder | 4:55 | ||
| 23 | Don Giovanni, opera, K. 527 - Act 2. Crudele?... Non mi dir | 6:37 | ||
| 23 | Don Giovanni, opera, K. 527 - Act 2. Crudele?... Non mi dir | 6:37 | ||
| 24 | Così fan tutte, opera, K. 588 - Act 1. Come scoglio | 4:33 | ||
| 24 | Così fan tutte, opera, K. 588 - Act 1. Come scoglio | 4:33 | ||
| 25 | Così fan tutte, opera, K. 588 - Act 2. Una donna a quindici anni | 4:12 | ||
| 25 | Così fan tutte, opera, K. 588 - Act 2. Una donna a quindici anni | 4:12 | ||
| 26 | Die Zauberflöte (The Magic Flute), opera, K. 620 - Act 2. Der Hölle Rache | 3:15 | ||
| 26 | Die Zauberflöte (The Magic Flute), opera, K. 620 - Act 2. Der Hölle Rache | 3:15 | ||
| 27 | Die Zauberflöte (The Magic Flute), opera, K. 620 - Act 2. Ach, ich fühl's | 4:16 | ||
| 27 | Die Zauberflöte (The Magic Flute), opera, K. 620 - Act 2. Ach, ich fühl's | 4:16 | ||
| 28 | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Crucifixus | 3:06 | ||
| 28 | Petite messe solennelle, for soloists, 2 pianos, harmonium & choir - Crucifixus | 3:06 | ||
| 29 | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | 2:14 | ||
| 29 | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | 2:14 | ||
| 30 | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) | 3:43 | ||
| 30 | Gretchen am Spinnrade ("Meine Ruh'..."), song for voice & piano, D. 118 (Op. 2) | 3:43 | ||
| 31 | Gesang ("Was ist Sylvia,..."), song for voice & piano, ("An Sylvia"), D. 891 (Op. 106/4) | 2:54 | ||
| 31 | Gesang ("Was ist Sylvia,..."), song for voice & piano, ("An Sylvia"), D. 891 (Op. 106/4) | 2:54 | ||
| 32 | Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1) | 1:46 | ||
| 32 | Zueignung ("Ja, du weisst es, teur Seele"), song for voice & piano (or orchestra), Op. 10/1 (TrV 141/1) | 1:46 | ||
| 33 | Die lustige Witwe (The Merry Widow), operetta - Act 2. Es lebt' eine Vilja | 5:48 | ||
| 33 | Die lustige Witwe (The Merry Widow), operetta - Act 2. Es lebt' eine Vilja | 5:48 | ||
| 34 | Die Fledermaus (The Bat), operetta (RV 503) - Act 2. Klänge der Heimat | 4:30 | ||
| 34 | Die Fledermaus (The Bat), operetta (RV 503) - Act 2. Klänge der Heimat | 4:30 |
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