Bach: Cantatas & Easter Oratorio (Box Set)

Artist	Felix Prohaska
Bewertung
Epoche	Barock (1600-1749)
Label	Bach Guild
Erschienen

Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183)		29:06
		Komponist: Johann Sebastian Bach Baß: Walter Berry Tenor, Tenorstimme: Kurt Equiluz Dirigent: Felix Prohaska Altstimme, Kontratenor: Hilde Rossel-Majdan Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild Sopranist: Maja Weis-Osborn
2		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166)		30:07
		Komponist: Johann Sebastian Bach Tenor, Tenorstimme: Alfred Uhl Bariton: Hans Braun Sopranist: Anny Felbermayer Dirigent: Felix Prohaska Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild
3		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41)		22:02
		Komponist: Johann Sebastian Bach Sopranist: Anny Felbermayer Orgel: Josef Nebois Cembalo: Josef Nebois Dirigent: Felix Prohaska Flöte: Hans Reznicek Trompete: Helmut Wobisch Violine, Geige: Wilhelm Hubner Violine, Geige: Rudolf Streng Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild
4		Cantata No. 209, "Non sa che sia dolore," BWV 209 (BC G50)		25:12
		Komponist: Johann Sebastian Bach Dirigent: Anton Heiller Orgel: Josef Nebois Cembalo: Josef Nebois Flöte: Hans Reznicek Sopranist: Teresa Stich-Randall Trompete: Helmut Wobisch Violine, Geige: Wilhelm Hubner Violine, Geige: Rudolf Streng Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild
5		Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134)		19:26
		Komponist: Johann Sebastian Bach Dirigent: Anton Heiller Orgel: Josef Nebois Cembalo: Josef Nebois Flöte: Hans Reznicek Sopranist: Teresa Stich-Randall Trompete: Helmut Wobisch Violine, Geige: Wilhelm Hubner Violine, Geige: Rudolf Streng Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild
6		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70)		42:02
		Komponist: Johann Sebastian Bach Sopran: Anny Felbermayer Baß: Norman Foster Dirigent: Felix Prohaska Tenor, Tenorstimme: Hugo Meyer Welfing Altstimme, Kontratenor: Erika Wien
7		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135)		20:24
		Komponist: Johann Sebastian Bach Sopranist: Anny Felbermayer Tenor, Tenorstimme: Waldemar Kmentt Dirigent: Felix Prohaska Orgel: Kurt Rapf Cembalo: Kurt Rapf Altstimme, Kontratenor: Hilde Rossel-Majdan Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild
8		Christ ist erstanden, chorale setting for 4 voices, BWV 276 (BC F25)		2:30
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
9		Christ lag in Todes Banden (I), chorale setting for 4 voices, BWV 277 (BC F26.1)		1:20
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
10		Erschienen ist der herrliche Tag, chorale prelude for organ (Orgel-Büchlein No. 31), BWV 629 (BC K59)		0:40
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
11		Erstanden ist der heil'ge Christ, chorale setting for 4 voices, BWV 306 (BC F58)		0:44
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
12		Heut triumphieret Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 32), BWV 630 (BC K60)		0:57
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
13		Jesus Christus, unser Heiland (I), chorale setting for 4 voices, BWV 363 (BC F121.1)		0:54
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
14		Jesus, Meine Zuversicht, chorale setting for 4 voices, BWV 365 (BC F123)		1:01
		Komponist: Johann Sebastian Bach Baß: Leo Heppe Orgel: Kurt Rapf Sopranist: Friedl Heising Altstimme, Kontratenor: Liesl Kimmel Tenor, Tenorstimme: Alfred Planyavsky
15		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8)		40:48
		Komponist: Johann Sebastian Bach Baß: Walter Berry Tenor, Tenorstimme: Kurt Equiluz Dirigent: Felix Prohaska Orgel: Kurt Rapf Cembalo, Kielflügel: Kurt Rapf Altstimme, Kontratenor: Hilde Rossel-Majdan Trompete: Helmut Wobisch Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild Sopranist: Maja Weis-Osborn
16		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54)		23:09
		Komponist: Johann Sebastian Bach Tenor, Tenorstimme: Alfred Uhl Bariton: Hans Braun Sopranist: Anny Felbermayer Dirigent: Felix Prohaska Chor: Choir of the Bach Guild Orchester: Orchestra of the Bach Guild

Tracks auf diesem Album

#		Titel		Dauer
1		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Chorale		7:00
2		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Aria for Soprano Chorus and Bass		4:16
3		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Bass Recitative		2:21
4		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Soprano Aria		3:38
5		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Chorus		4:08
6		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Tenor Recitative		1:37
7		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Duet for Alto and Tenor		4:18
8		Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80 (BC A183) - Chorale		1:48
9		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Chorus		8:04
10		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Tenor Recitative		1:04
11		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Duet for Soprano and Baritone		5:55
12		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Tenor Chorale		4:30
13		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Baritone Recitative		1:38
14		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Duet for Soprano and Baritone		6:35
15		Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166) - Chorale		2:21
16		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Aria		6:11
17		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Recitative		:31
18		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Aria		3:59
19		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Recitative		:45
20		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Aria		2:48
21		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Recitative		:52
22		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Aria		4:33
23		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Recitative		:30
24		Cantata No. 202, "Weichet nur, betrübte Schatten" ("Wedding Cantata"), BWV 202 (BC G41) - Gavotte		1:53
25		Cantata No. 209, "Non sa che sia dolore," BWV 209 (BC G50) - Sinfonia		7:02
26		Cantata No. 209, "Non sa che sia dolore," BWV 209 (BC G50) - Recitative		1:25
27		Cantata No. 209, "Non sa che sia dolore," BWV 209 (BC G50) - Aria		9:54
28		Cantata No. 209, "Non sa che sia dolore," BWV 209 (BC G50) - Recitative		:38
29		Cantata No. 209, "Non sa che sia dolore," BWV 209 (BC G50) - Aria		6:13
30		Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134) - Aria		5:09
31		Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134) - Recitative and andante		2:55
32		Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134) - Aria		5:10
33		Cantata No. 51, "Jauchzet Gott in allen Landen," BWV 51 (BC A134) - Chorale and Alleluja		6:12
34		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Overture		8:47
35		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Chorus		6:48
36		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Alto Aria		9:13
37		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Soprano Recitative		2:05
38		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Soprano Aria		6:13
39		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Tenor Recitative		1:33
40		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Tenor and Bass Duet		5:47
41		Cantata No. 146, "Wir müssen durch viel Trübsal," BWV 146 (BC A70) - Chorale		1:36
42		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135) - Alto Aria		4:47
43		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135) - Tenor Recitative		2:02
44		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135) - Tenor Aria		5:22
45		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135) - Alto Recitative		2:30
46		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135) - Chorus		4:02
47		Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135) - Chorale		1:41
48		Christ ist erstanden, chorale setting for 4 voices, BWV 276 (BC F25)		2:30
49		Christ lag in Todes Banden (I), chorale setting for 4 voices, BWV 277 (BC F26.1)		1:20
50		Erschienen ist der herrliche Tag, chorale prelude for organ (Orgel-Büchlein No. 31), BWV 629 (BC K59)		:40
51		Erstanden ist der heil'ge Christ, chorale setting for 4 voices, BWV 306 (BC F58)		:44
52		Heut triumphieret Gottes Sohn (I), chorale prelude for organ (Orgel-Büchlein No. 32), BWV 630 (BC K60)		:57
53		Jesus Christus, unser Heiland (I), chorale setting for 4 voices, BWV 363 (BC F121.1)		:54
54		Jesus, Meine Zuversicht, chorale setting for 4 voices, BWV 365 (BC F123)		1:01
55		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Sinfonia		4:13
56		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Adagio for Oboe and Strings		4:53
57		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Duet and Chorus		5:03
58		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Recitative		1:13
59		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Soprano Aria		7:26
60		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Recitative		1:11
61		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Tenor Aria		7:14
62		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Recitative		:58
63		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Alto Aria		4:40
64		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Baritone Recitative		:46
65		Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8) - Chorus		3:11
66		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Sinfonia		1:08
67		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Chorus		5:08
68		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Duet for Soprano and Alto		3:46
69		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Tenor Chorale		2:37
70		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Chorus		2:38
71		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Bass Chorale		3:57
72		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Duet for Soprano and Tenor Chorales		2:14
73		Cantata No. 4, "Christ lag in Todes Banden," BWV 4 (BCA 54) - Chorale		1:41

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