Beverly Sills & Friends
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 | Artist | Beverly Sills | 
| Bewertung |  | 
| Epoche | Romantische Musik (1820-1869) | 
| Label | Deutsche Grammophon | 
| Erschienen | 2006 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Manon, opera in 5 acts - Act 3. Scene 1. Je marche sur tous les chemins |  | 2:50 | 
| 1 |  | Manon, opera in 5 acts - Act 3. Scene 1. Je marche sur tous les chemins |  | 2:50 | 
| 2 |  | Manon, opera in 5 acts - Act 3. Scene 1. Gavotte. Obéissons, quand leur voix appelle |  | 3:58 | 
| 2 |  | Manon, opera in 5 acts - Act 3. Scene 1. Gavotte. Obéissons, quand leur voix appelle |  | 3:58 | 
| 3 |  | Manon, opera in 5 acts - Act 4. Un mot, s'il vous plaît, Chevalier |  | 3:33 | 
| 3 |  | Manon, opera in 5 acts - Act 4. Un mot, s'il vous plaît, Chevalier |  | 3:33 | 
| 4 |  | Lucia di Lammermoor, opera - Part 1. No. 4. Duet. Sulla tomba che rinserra |  | 10:57 | 
| 4 |  | Lucia di Lammermoor, opera - Part 1. No. 4. Duet. Sulla tomba che rinserra |  | 10:57 | 
| 5 |  | Lucia di Lammermoor, opera - Part 2. Act 1. Sextet with Chorus. Chi mi frena in tal momento? / Chi raffrena il mio furore? |  | 3:59 | 
| 5 |  | Lucia di Lammermoor, opera - Part 2. Act 1. Sextet with Chorus. Chi mi frena in tal momento? / Chi raffrena il mio furore? |  | 3:59 | 
| 6 |  | I Puritani, opera - Part 1. Scene 2. Scene and Duet. O amato zio - Sai com'arde |  | 6:09 | 
| 6 |  | I Puritani, opera - Part 1. Scene 2. Scene and Duet. O amato zio - Sai com'arde |  | 6:09 | 
| 7 |  | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Chi mosse a' miei desir il genitor? |  | 3:33 | 
| 7 |  | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Chi mosse a' miei desir il genitor? |  | 3:33 | 
| 8 |  | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Odi... Qual suon si desta? |  | 4:11 | 
| 8 |  | I Puritani, opera - Part 1. Scene 2. Scene and Duet. Odi... Qual suon si desta? |  | 4:11 | 
| 9 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dio, che mi vedi in core |  | 7:13 | 
| 9 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dio, che mi vedi in core |  | 7:13 | 
| 10 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Sul suo capo aggravi un Dio |  | 3:32 | 
| 10 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Sul suo capo aggravi un Dio |  | 3:32 | 
| 11 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dal mio cor punita io sono |  | 2:54 | 
| 11 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Dal mio cor punita io sono |  | 2:54 | 
| 12 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Va', infelice, e teco reca |  | 3:17 | 
| 12 |  | Anna Bolena, opera - Act 2. Scene 1. No. 11. Scene and Duet. Va', infelice, e teco reca |  | 3:17 | 
| 13 |  | Roberto Devereux (Il Conte di Essex), opera - Act 1. Scene 1. Nunzio son del Parlamento |  | 5:56 | 
| 13 |  | Roberto Devereux (Il Conte di Essex), opera - Act 1. Scene 1. Nunzio son del Parlamento |  | 5:56 | 
| 14 |  | Maria Stuarda, opera - Act 2. No. 6. Finale. Deh! l'accogli! |  | 8:04 | 
| 14 |  | Maria Stuarda, opera - Act 2. No. 6. Finale. Deh! l'accogli! |  | 8:04 | 
| 15 |  | Maria Stuarda, opera - Act 2. No. 6. Finale. Va', preparati, furente |  | 2:59 | 
| 15 |  | Maria Stuarda, opera - Act 2. No. 6. Finale. Va', preparati, furente |  | 2:59 | 
| 16 |  | Les contes d'Hoffmann, opera in 4 acts - Act 3. Barcarolle. Belle nuit, ô nuit d'amour |  | 4:15 | 
| 16 |  | Les contes d'Hoffmann, opera in 4 acts - Act 3. Barcarolle. Belle nuit, ô nuit d'amour |  | 4:15 | 
| 17 |  | Les contes d'Hoffmann, opera in 4 acts - Act 3. Scene. Cher ange! |  | 2:04 | 
| 17 |  | Les contes d'Hoffmann, opera in 4 acts - Act 3. Scene. Cher ange! |  | 2:04 | 
| 18 |  | Les contes d'Hoffmann, opera in 4 acts - Act 3. Duet. Malheureux, tu ne comprends donc pas |  | 6:01 | 
| 18 |  | Les contes d'Hoffmann, opera in 4 acts - Act 3. Duet. Malheureux, tu ne comprends donc pas |  | 6:01 | 
| 19 |  | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Willow, where we met together (Willow Song) |  | 3:01 | 
| 19 |  | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Willow, where we met together (Willow Song) |  | 3:01 | 
| 20 |  | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Oh, Mr. Tabor! |  | 1:14 | 
| 20 |  | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Oh, Mr. Tabor! |  | 1:14 | 
| 21 |  | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Warm as the autumn light |  | 4:08 | 
| 21 |  | The Ballad of Baby Doe, opera in 2 acts - Act 1. Scene 2. Warm as the autumn light |  | 4:08 | 
| 22 |  | Le Toreador, opera - Act 1. Aria. Ah! vous dirai-je, maman |  | 6:19 | 
| 22 |  | Le Toreador, opera - Act 1. Aria. Ah! vous dirai-je, maman |  | 6:19 | 
| 23 |  | Der Hirt auf dem Felsen ("Wenn auf dem höchsten Fels ich steh'"), for voice, clarinet (or cello) & piano, D. 965 (Op. posth. 129) |  | 11:45 | 
| 23 |  | Der Hirt auf dem Felsen ("Wenn auf dem höchsten Fels ich steh'"), for voice, clarinet (or cello) & piano, D. 965 (Op. posth. 129) |  | 11:45 | 
| 24 |  | Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207 |  | 7:04 | 
| 24 |  | Meine Seele hört im Sehen (German Aria No.6), hymn for soprano & continuo, HWV 207 |  | 7:04 | 
| 25 |  | Artaxerxes, opera in 3 acts - Act 3. Scena 3. Aria. The soldier tir'd of war's alarms |  | 3:30 | 
| 25 |  | Artaxerxes, opera in 3 acts - Act 3. Scena 3. Aria. The soldier tir'd of war's alarms |  | 3:30 | 
| 26 |  | La Costanza vince il rigore, cantata for 2 voices, violins & oboe |  | 7:15 | 
| 26 |  | La Costanza vince il rigore, cantata for 2 voices, violins & oboe |  | 7:15 | 
| 27 |  | Lo! Here the Gentle Lark |  | 5:17 | 
| 27 |  | Lo! Here the Gentle Lark |  | 5:17 | 
| 28 |  | Der Zarewitsch, operetta in 3 acts - Act 1. Aria. Einer wird kommen |  | 5:06 | 
| 28 |  | Der Zarewitsch, operetta in 3 acts - Act 1. Aria. Einer wird kommen |  | 5:06 | 
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