Bernstein: The Best of All Possible Worlds
1
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| Artist | Leonard Bernstein |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Deutsche Grammophone |
| Erschienen | 2008 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Overture to Candide, for orchestra | 4:33 | ||
| 2 | Arias & Barcarolles (7 of 9 songs in this set are by Bernstein), for mezzo-soprano, baritone, strings & percussion (or piano duet) - Mr. and Mrs. Webb Say Goodnight | 8:32 | ||
| 3 | Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - Somewhere | 4:03 | ||
| 4 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble - Prelude (for the Brass): Fast and exact | 1:52 | ||
| 5 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble - Fugue (for the Saxes): Exactly the same beat | 1:50 | ||
| 6 | Prelude, Fugue & Riffs, for clarinet & jazz ensemble - Riffs (for Everyone) | 4:33 | ||
| 7 | Dance Episodes (3) from "On the Town", for orchestra - The Great Lover. Allegro pesante | 1:49 | ||
| 8 | Dance Episodes (3) from "On the Town", for orchestra - Lonely Town: Pas de deux. Andante - Sostenuto | 3:40 | ||
| 9 | Dance Episodes (3) from "On the Town", for orchestra - Times Square: 1944. Allegro | 4:55 | ||
| 10 | A Quiet Place, opera in 3 acts (Revised version) - You're Late | 4:52 | ||
| 11 | Meditations (3) from "Mass", for cello & orchestra; also for cello & piano - Lento assai, molto sostenuto | 4:34 | ||
| 12 | Meditations (3) from "Mass", for cello & orchestra; also for cello & piano - Andante sostenuto - Variations I - IV - Coda | 4:08 | ||
| 13 | Meditations (3) from "Mass", for cello & orchestra; also for cello & piano - Presto - Fast and primitive - Molto adagio | 8:16 | ||
| 14 | Candide, operetta in 2 acts (Chelsea version) - Make Our Garden Grow | 5:41 | ||
| 15 | Symphony No. 3 - Fanfare for the Common Man | 2:19 | ||
| 16 | Symphony No. 94 in G major ("Surprise"/"The Drumstroke"/"Mit dem Paukenschlag"), H. 1/94 - 2. Andante | 6:36 | ||
| 17 | Symphony No. 7 in A major, Op. 92 - 4. Allegro con brio | 7:08 | ||
| 18 | Symphony No. 1 in C minor, Op. 68 - 3. Un poco allegretto e grazioso | 5:42 | ||
| 19 | Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) | 22:42 | ||
| 20 | Symphony No. 3 in D minor - Third Movement. Comodo. Scherzando. Ohne Hast | 2:42 | ||
| 21 | Symphony No. 3 in D minor - Third Movement. Wieder sehr gemächlich, wie zu Anfang | 2:57 | ||
| 22 | Symphony No. 3 in D minor - Third Movement. Etwas zurückhaltend | 5:33 | ||
| 23 | Symphony No. 3 in D minor - Third Movement. Schnell und schmetternd wie eine Fanfare - Tempo 1. Mit geheimnisvoller Hast | 2:47 | ||
| 24 | Symphony No. 3 in D minor - Third Movement. Wieder sehr gemächlich, beinahe langsam | 4:35 | ||
| 25 | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 | 10:07 | ||
| 26 | Ave verum Corpus, motet for chorus, strings & organ, K. 618 | 3:55 |
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