Heifetz: It Ain't Necessarily So
0
 
					TickIt!
				
 | Artist | Jascha Heifetz | 
| Bewertung |  | 
| Epoche | Modern (1910-1949) | 
| Label | Deutsche Grammophon | 
| Erschienen | 2006 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | From the Canebrake, for violin & piano, Op. 5 |  | 1:35 | 
| 1 |  | From the Canebrake, for violin & piano, Op. 5 |  | 1:35 | 
| 2 |  | Jamaican Rumba for 2 pianos or orchestra |  | 1:38 | 
| 2 |  | Jamaican Rumba for 2 pianos or orchestra |  | 1:38 | 
| 3 |  | Beau Soir, arrangement for violin & piano (after Debussy) |  | 2:09 | 
| 3 |  | Beau Soir, arrangement for violin & piano (after Debussy) |  | 2:09 | 
| 4 |  | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard |  | 2:39 | 
| 4 |  | Pièce en forme de Habanera, arrangement(s) for solo instrument & keyboard |  | 2:39 | 
| 5 |  | Levee Dance for violin & piano, No 2, Op 27 |  | 3:07 | 
| 5 |  | Levee Dance for violin & piano, No 2, Op 27 |  | 3:07 | 
| 6 |  | Il barbiere di Siviglia (The Barber of Seville), opera - Figaro (paraphrase on "Largo al factotum) |  | 5:22 | 
| 6 |  | Il barbiere di Siviglia (The Barber of Seville), opera - Figaro (paraphrase on "Largo al factotum) |  | 5:22 | 
| 7 |  | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) |  | 2:58 | 
| 7 |  | Jeanie with the Light Brown Hair, arrangement for violin & piano (after Foster) |  | 2:58 | 
| 8 |  | A la valse, for violin & piano |  | 1:38 | 
| 8 |  | A la valse, for violin & piano |  | 1:38 | 
| 9 |  | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) |  | 3:34 | 
| 9 |  | Humoresque No. 7 for piano in G flat major, B. 187/7 (Op. 101/7) |  | 3:34 | 
| 10 |  | Gweedore Brae for voice & piano |  | 3:12 | 
| 10 |  | Gweedore Brae for voice & piano |  | 3:12 | 
| 11 |  | Old Folks at Home, for voice & piano |  | 3:20 | 
| 11 |  | Old Folks at Home, for voice & piano |  | 3:20 | 
| 12 |  | Deep River, arrangement of spiritual for violin & piano |  | 2:24 | 
| 12 |  | Deep River, arrangement of spiritual for violin & piano |  | 2:24 | 
| 13 |  | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) |  | 3:47 | 
| 13 |  | Impressions (12) for violin & piano: No. 11, Viennese (Wienerisch) |  | 3:47 | 
| 14 |  | White Christmas, song (from "Holiday Inn") |  | 3:22 | 
| 14 |  | White Christmas, song (from "Holiday Inn") |  | 3:22 | 
| 15 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Summertime |  | 1:43 | 
| 15 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Summertime |  | 1:43 | 
| 16 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - A Woman is a Sometime Thing |  | 1:50 | 
| 16 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - A Woman is a Sometime Thing |  | 1:50 | 
| 17 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - My Man's Gone Now |  | 3:54 | 
| 17 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - My Man's Gone Now |  | 3:54 | 
| 18 |  | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) |  | 2:32 | 
| 18 |  | It Ain't Necessarily So, arrangement for violin & piano (after Gershwin's Porgy & Bess) |  | 2:32 | 
| 19 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Tempo di Blues (There's A Boat That's Leavin' Soon for New York) |  | 2:54 | 
| 19 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Tempo di Blues (There's A Boat That's Leavin' Soon for New York) |  | 2:54 | 
| 20 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Bess, You is My Woman Now |  | 3:07 | 
| 20 |  | Selections (5) from Gershwin's Porgy and Bess, arrangement for violin & piano - Bess, You is My Woman Now |  | 3:07 | 
| 21 |  | Three Preludes, arrangement for violin & piano (after Gershwin) - 1. Allegro ben ritmato e deciso |  | 1:32 | 
| 21 |  | Three Preludes, arrangement for violin & piano (after Gershwin) - 1. Allegro ben ritmato e deciso |  | 1:32 | 
| 22 |  | Three Preludes, arrangement for violin & piano (after Gershwin) - 2. Andante con moto e poco rubato |  | 2:53 | 
| 22 |  | Three Preludes, arrangement for violin & piano (after Gershwin) - 2. Andante con moto e poco rubato |  | 2:53 | 
| 23 |  | Three Preludes, arrangement for violin & piano (after Gershwin) - 3. Allegro be ritmato e deciso |  | 1:26 | 
| 23 |  | Three Preludes, arrangement for violin & piano (after Gershwin) - 3. Allegro be ritmato e deciso |  | 1:26 | 
| 24 |  | An Outlandish Suite for violin & piano ("Florida Night Song") - 2. Florida Night Song |  | 3:00 | 
| 24 |  | An Outlandish Suite for violin & piano ("Florida Night Song") - 2. Florida Night Song |  | 3:00 | 
| 25 |  | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) |  | 2:34 | 
| 25 |  | Golliwog's Cake-Walk, arrangement for violin & piano (after Debussy) |  | 2:34 | 
| 26 |  | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 |  | 3:44 | 
| 26 |  | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 |  | 3:44 | 
| 27 |  | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) |  | 1:14 | 
| 27 |  | Ao pé da fogueira (By the bonfire), arrangement for violin & piano (after F. Valle's Preludio 15) |  | 1:14 | 
| 28 |  | Huella, canción argentina for piano, Op. 49 |  | 2:30 | 
| 28 |  | Huella, canción argentina for piano, Op. 49 |  | 2:30 | 
| 29 |  | Prelude for piano, in C sharp minor, Op. 34/10 |  | 2:01 | 
| 29 |  | Prelude for piano, in C sharp minor, Op. 34/10 |  | 2:01 | 
| 30 |  | Prelude for piano, in D flat major, Op. 34/15 |  | :59 | 
| 30 |  | Prelude for piano, in D flat major, Op. 34/15 |  | :59 | 
| 31 |  | Waves at Play (Wellenspiel), for violin & piano |  | 1:42 | 
| 31 |  | Waves at Play (Wellenspiel), for violin & piano |  | 1:42 | 
| 32 |  | March, arrangement for violin & piano (after Prokofiev's "The Love for Three Oranges") |  | 1:29 | 
| 32 |  | March, arrangement for violin & piano (after Prokofiev's "The Love for Three Oranges") |  | 1:29 | 
| 33 |  | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) |  | 2:05 | 
| 33 |  | Masks, arrangement for violin & piano (after Prokofiev's Romeo and Juliet) |  | 2:05 | 
| 34 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Gut-Bucket Gus |  | 2:00 | 
| 34 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Gut-Bucket Gus |  | 2:00 | 
| 35 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Jane Shakes Her Hair |  | 1:05 | 
| 35 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Jane Shakes Her Hair |  | 1:05 | 
| 36 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Betty and Harold Close Their Eyes |  | 1:43 | 
| 36 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Betty and Harold Close Their Eyes |  | 1:43 | 
| 37 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Jim Jives |  | 1:00 | 
| 37 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - Jim Jives |  | 1:00 | 
| 38 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - ... Till Dawn Sunday |  | 1:51 | 
| 38 |  | Hexapoda, 5 studies in jitteroptera for violin & piano - ... Till Dawn Sunday |  | 1:51 | 
| 39 |  | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper") |  | 2:22 | 
| 39 |  | Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper") |  | 2:22 | 
| 40 |  | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 - 3. Mélodie in E flat major |  | 3:49 | 
| 40 |  | Souvenir d'un lieu cher, for violin & piano (or orchestra), Op. 42 - 3. Mélodie in E flat major |  | 3:49 | 
| 41 |  | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) |  | 3:56 | 
| 41 |  | Nocturne, arrangement for violin & piano (after Chopin's Op. 55/2) |  | 3:56 | 
| 42 |  | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") |  | 2:54 | 
| 42 |  | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") |  | 2:54 | 
| 43 |  | Waldszenen No. 7 ("Vogel als Prophet"), for piano, Op. 82/7 |  | 2:35 | 
| 43 |  | Waldszenen No. 7 ("Vogel als Prophet"), for piano, Op. 82/7 |  | 2:35 | 
| 44 |  | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue - Hymn to the Sun |  | 3:07 | 
| 44 |  | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok), opera in 3 acts with a prologue & epilogue - Hymn to the Sun |  | 3:07 | 
| 45 |  | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) |  | 1:36 | 
| 45 |  | Dance No.4, arrangement for violin & piano (after Krien's Dance Suite, Op. 44) |  | 1:36 | 
| 46 |  | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 |  | 2:03 | 
| 46 |  | Hungarian Dance for piano, 4 hands, in A major, WoO 1/7 |  | 2:03 | 
| 47 |  | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) |  | 2:39 | 
| 47 |  | The Swan, arrangement for violin & piano (after Saint-Saëns' Carnival of the Animals) |  | 2:39 | 
| 48 |  | Pictures (6), for violin & piano, Op. 30 - No. 4. Hills |  | 1:35 | 
| 48 |  | Pictures (6), for violin & piano, Op. 30 - No. 4. Hills |  | 1:35 | 
| 49 |  | Geister Tanz (Ghost Dance), Op. 21/3 |  | 1:17 | 
| 49 |  | Geister Tanz (Ghost Dance), Op. 21/3 |  | 1:17 | 
| 50 |  | Berceuse de Jocelyn ("Angels Guard Thee") |  | 3:15 | 
| 50 |  | Berceuse de Jocelyn ("Angels Guard Thee") |  | 3:15 | 
| 51 |  | Where My Caravan Has Rested |  | 2:56 | 
| 51 |  | Where My Caravan Has Rested |  | 2:56 | 
| 52 |  | When You Make Love to Me (Don't Make Believe), for piano |  | 1:40 | 
| 52 |  | When You Make Love to Me (Don't Make Believe), for piano |  | 1:40 | 
Bewertungen zu Heifetz: It Ain't Necessarily So
			Es wurde noch kein Kommentar zu diesem Album abgegeben
		
  
 