| 1 |  | Imperiale Seconda, trumpet fanfare & drums (from Fantini's Modo per imprare a sonare di tromba, 1638) |  | 1:23 | 
  | 2 |  | Work(s) - Gloria a 16 |  | 4:50 | 
  | 3 |  | Intonatione del settimo tono, for organ |  | 1:11 | 
  | 4 |  | Sanctus-Benedictus, for 12 voices (1615) |  | 3:54 | 
  | 5 |  | Canzon primi toni a 10 (Sacrae Symphoniae) |  | 3:59 | 
  | 6 |  | Lieto godea, madrigal for 8 voices |  | 4:37 | 
  | 7 |  | Altri canti d'amor, dramatic madrigal for 6 voices, 2 violins & 4 violas (from Book 8), SV 146 |  | 8:23 | 
  | 8 |  | Second Vespers for the Feast of Santa Barbara (as reconstructed by Graham Dixon) - Laetatus sum in his |  | 7:15 | 
  | 9 |  | Nigra sum sed formosa, antiphon for tenor (from Vespers), SV 206/3 |  | 4:15 | 
  | 10 |  | Nisi Dominus aedificaverit domum, for 10 voices (from Vespers), SV 206/8 |  | 4:47 | 
  | 11 |  | Sonata for treble instrument & continuo (i) (attrib.) |  | 1:14 | 
  | 12 |  | Crucifixus |  | 3:46 | 
  | 13 |  | Domine ad adjuvandum me festina (Psalm 69), for soprano, double chorus, 2 oboes, double strings & continuo in G major, RV 593 - I. Domine ad adiuvandum |  | 2:26 | 
  | 14 |  | Domine ad adjuvandum me festina (Psalm 69), for soprano, double chorus, 2 oboes, double strings & continuo in G major, RV 593 - II. Gloria Patri, et Filio |  | 2:46 | 
  | 15 |  | Domine ad adjuvandum me festina (Psalm 69), for soprano, double chorus, 2 oboes, double strings & continuo in G major, RV 593 - III. Sicut erat in principio |  | 2:00 | 
  | 16 |  | Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644 - Overture: Allegro |  | 3:55 | 
  | 17 |  | Juditha triumphans devicta Holofernes barbarie, oratorio in 2 parts, RV 644 - Veni, veni, me sequere fida |  | 7:09 |