Armada: Music from the Courts of England and Spain
| Artist | Various Artists | 
| Bewertung |  | 
| Epoche | Renaissance (1450-1599) | 
| Label | Angel Records | 
| Erschienen | 2000 | 
Klassik-Werke auf diesem Album
| # |  | Werk/Besetzung |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Rejoice unto the Lord, sacred song for voice & 4 viols |  | 5:19 | 
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| 2 |  | Diferencia Sobre "El Canto la Dama le Demenda" for organ: La Dama le demanda |  | 3:01 | 
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| 3 |  | Fantasia |  | 1:27 | 
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| 4 |  | Morenica, dame un beso, for vihuela |  | 2:17 | 
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| 5 |  | Browning a 3 |  | 3:18 | 
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| 6 |  | The Carman's Whistle, air & variations for keyboard, MB 36 |  | 4:23 | 
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| 7 |  | Come to me, grief, for ever, consort song for voice & 4 viols |  | 6:05 | 
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| 8 |  | Recercada No. 2 |  | 1:37 | 
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| 9 |  | Susana un Jur |  | 3:40 | 
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| 10 |  | Fantasia de redobles, for vihuela |  | 2:05 | 
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| 11 |  | In angel's weed (also: "Is Sydney dead?"), consort song for voice & 4 viols |  | 3:32 | 
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| 12 |  | Dulce memoriae, for organ |  | 4:48 | 
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| 13 |  | Diferencia Sobre "La Gallarda Milanesa" for organ |  | 2:32 | 
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| 14 |  | Recercada No. 3 (in Trattato de Glosas) |  | 1:50 | 
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| 15 |  | Pour Down, You Pow'rs Divine for voice & 4 viols |  | 5:53 | 
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| 16 |  | Fantasia a 4 |  | 2:57 | 
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| 17 |  | Quiente Hizo |  | 4:01 | 
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| 18 |  | In Nomine |  | 2:42 | 
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| 19 |  | The Honie-Suckle, almain |  | 1:23 | 
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| 20 |  | Paradizo (pavan) |  | 3:03 | 
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| 21 |  | The Fairie-Round, coranto |  | 1:28 | 
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| 22 |  | Fantasia a 5, for instrumental consort in C major |  | 6:04 | 
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| 23 |  | Mr Bucton his Galliard, for lute |  | 1:30 | 
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| 24 |  | Captain Digorie Piper's Galliard, for lute, P 19 |  | 1:39 | 
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| 25 |  | Fantasy for 4 voices |  | 2:01 | 
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| 26 |  | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") |  | 4:13 | 
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| 27 |  | Mr Nicholas Gryffith his Galliard, for 5 viols/violins & lute (from "Lachrimae") |  | 2:03 | 
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| 28 |  | In Nomine a 5 |  | 2:23 | 
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| 29 |  | In Nomines a 5 (3), for consort (unidentified) |  | 3:51 | 
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| 30 |  | Fantasias a 3 (7) (Music for the Double Bass), MB16-22: Fantasy a 4 for the 'Great Dooble Base' |  | 4:40 | 
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| 31 |  | Aires for 2 division viols in C: Pavan of Alfonso |  | 5:08 | 
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| 32 |  | Aires for 2 division viols in C: Almaine of Alfonso |  | 3:49 | 
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| 33 |  | Work(s): A Fancie in C |  | 5:27 | 
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| 34 |  | Consort Sett a 5 in C minor (No. 3) |  | 10:23 | 
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Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Rejoice unto the Lord, sacred song for voice & 4 viols |  | 5:19 | 
| 1 |  | Rejoice unto the Lord, sacred song for voice & 4 viols |  | 5:19 | 
| 2 |  | Diferencia Sobre "El Canto la Dama le Demenda" for organ - La Dama le demanda |  | 3:01 | 
| 2 |  | Diferencia Sobre "El Canto la Dama le Demenda" for organ - La Dama le demanda |  | 3:01 | 
| 3 |  | Fantasia |  | 1:27 | 
| 3 |  | Fantasia |  | 1:27 | 
| 4 |  | Morenica, dame un beso, for vihuela |  | 2:17 | 
| 4 |  | Morenica, dame un beso, for vihuela |  | 2:17 | 
| 5 |  | Browning a 3 |  | 3:18 | 
| 5 |  | Browning a 3 |  | 3:18 | 
| 6 |  | The Carman's Whistle, air & variations for keyboard, MB 36 |  | 4:23 | 
| 6 |  | The Carman's Whistle, air & variations for keyboard, MB 36 |  | 4:23 | 
| 7 |  | Come to me, grief, for ever, consort song for voice & 4 viols |  | 6:05 | 
| 7 |  | Come to me, grief, for ever, consort song for voice & 4 viols |  | 6:05 | 
| 8 |  | Recercada No. 2 |  | 1:37 | 
| 8 |  | Recercada No. 2 |  | 1:37 | 
| 9 |  | Susana un Jur |  | 3:40 | 
| 9 |  | Susana un Jur |  | 3:40 | 
| 10 |  | Fantasia de redobles, for vihuela |  | 2:05 | 
| 10 |  | Fantasia de redobles, for vihuela |  | 2:05 | 
| 11 |  | In angel's weed (also: "Is Sydney dead?"), consort song for voice & 4 viols |  | 3:32 | 
| 11 |  | In angel's weed (also: "Is Sydney dead?"), consort song for voice & 4 viols |  | 3:32 | 
| 12 |  | Dulce memoriae, for organ |  | 4:48 | 
| 12 |  | Dulce memoriae, for organ |  | 4:48 | 
| 13 |  | Diferencia Sobre "La Gallarda Milanesa" for organ |  | 2:32 | 
| 13 |  | Diferencia Sobre "La Gallarda Milanesa" for organ |  | 2:32 | 
| 14 |  | Recercada No. 3 (in Trattato de Glosas) |  | 1:50 | 
| 14 |  | Recercada No. 3 (in Trattato de Glosas) |  | 1:50 | 
| 15 |  | Pour Down, You Pow'rs Divine for voice & 4 viols |  | 5:53 | 
| 15 |  | Pour Down, You Pow'rs Divine for voice & 4 viols |  | 5:53 | 
| 16 |  | Fantasia a 4 |  | 2:57 | 
| 16 |  | Fantasia a 4 |  | 2:57 | 
| 17 |  | Quiente Hizo |  | 4:01 | 
| 17 |  | Quiente Hizo |  | 4:01 | 
| 18 |  | In Nomine |  | 2:42 | 
| 18 |  | In Nomine |  | 2:42 | 
| 19 |  | The Honie-Suckle, almain |  | 1:23 | 
| 19 |  | The Honie-Suckle, almain |  | 1:23 | 
| 20 |  | Paradizo (pavan) |  | 3:03 | 
| 20 |  | Paradizo (pavan) |  | 3:03 | 
| 21 |  | The Fairie-Round, coranto |  | 1:28 | 
| 21 |  | The Fairie-Round, coranto |  | 1:28 | 
| 22 |  | Fantasia a 5, for instrumental consort in C major |  | 6:04 | 
| 22 |  | Fantasia a 5, for instrumental consort in C major |  | 6:04 | 
| 23 |  | Mr Bucton his Galliard, for lute |  | 1:30 | 
| 23 |  | Mr Bucton his Galliard, for lute |  | 1:30 | 
| 24 |  | Captain Digorie Piper's Galliard, for lute, P 19 |  | 1:39 | 
| 24 |  | Captain Digorie Piper's Galliard, for lute, P 19 |  | 1:39 | 
| 25 |  | Fantasy for 4 voices |  | 2:01 | 
| 25 |  | Fantasy for 4 voices |  | 2:01 | 
| 26 |  | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") |  | 4:13 | 
| 26 |  | Lachrimae antiquae, for 5 viols/violins & lute (from "Lachrimae") |  | 4:13 | 
| 27 |  | Mr Nicholas Gryffith his Galliard, for 5 viols/violins & lute (from "Lachrimae") |  | 2:03 | 
| 27 |  | Mr Nicholas Gryffith his Galliard, for 5 viols/violins & lute (from "Lachrimae") |  | 2:03 | 
| 28 |  | In Nomine a 5 |  | 2:23 | 
| 28 |  | In Nomine a 5 |  | 2:23 | 
| 29 |  | In Nomines a 5 (3), for consort (unidentified) |  | 3:51 | 
| 29 |  | In Nomines a 5 (3), for consort (unidentified) |  | 3:51 | 
| 30 |  | Fantasias a 3 (7) (Music for the Double Bass), MB16-22 - Fantasy a 4 for the 'Great Dooble Base' |  | 4:40 | 
| 30 |  | Fantasias a 3 (7) (Music for the Double Bass), MB16-22 - Fantasy a 4 for the 'Great Dooble Base' |  | 4:40 | 
| 31 |  | Aires for 2 division viols in C - Pavan of Alfonso |  | 5:08 | 
| 31 |  | Aires for 2 division viols in C - Pavan of Alfonso |  | 5:08 | 
| 32 |  | Aires for 2 division viols in C - Almaine of Alfonso |  | 3:49 | 
| 32 |  | Aires for 2 division viols in C - Almaine of Alfonso |  | 3:49 | 
| 33 |  | Work(s) - A Fancie in C |  | 5:27 | 
| 33 |  | Work(s) - A Fancie in C |  | 5:27 | 
| 34 |  | Consort Sett a 5 in C minor (No. 3) - Fantazy |  | 2:31 | 
| 34 |  | Consort Sett a 5 in C minor (No. 3) - Fantazy |  | 2:31 | 
| 35 |  | Consort Sett a 5 in C minor (No. 3) - Paven |  | 5:13 | 
| 35 |  | Consort Sett a 5 in C minor (No. 3) - Paven |  | 5:13 | 
| 36 |  | Consort Sett a 5 in C minor (No. 3) - Almaine |  | 2:39 | 
| 36 |  | Consort Sett a 5 in C minor (No. 3) - Almaine |  | 2:39 | 
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