Songs to Shakespeare
0
TickIt!
| Artist | Anthony Rolfe Johnson |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Hyperion |
| Erschienen | 1991 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | You spotted snakes, song | 3:22 | ||
| 1 | You spotted snakes, song | 3:22 | ||
| 2 | No more dams I'll make for fish | 1:43 | ||
| 2 | No more dams I'll make for fish | 1:43 | ||
| 3 | On a day, alack the day | 3:26 | ||
| 3 | On a day, alack the day | 3:26 | ||
| 4 | She Never Told Her Love, song for voice & keyboard, H. 26a/34 (from English Canzonettas II) | 3:44 | ||
| 4 | She Never Told Her Love, song for voice & keyboard, H. 26a/34 (from English Canzonettas II) | 3:44 | ||
| 5 | O mistress mine | 2:39 | ||
| 5 | O mistress mine | 2:39 | ||
| 6 | Lawn as white as driven snow, from "A Winter's Tale" | 1:10 | ||
| 6 | Lawn as white as driven snow, from "A Winter's Tale" | 1:10 | ||
| 7 | If Love Make Me Forsworn (from Love's Labour's Lost, Act 4, Scene 2) | 2:42 | ||
| 7 | If Love Make Me Forsworn (from Love's Labour's Lost, Act 4, Scene 2) | 2:42 | ||
| 8 | O happy fair! | 3:51 | ||
| 8 | O happy fair! | 3:51 | ||
| 9 | If music be the food of love | 3:44 | ||
| 9 | If music be the food of love | 3:44 | ||
| 10 | Farewell, thou art too dear for my possessing (Sonnet 87) | 3:27 | ||
| 10 | Farewell, thou art too dear for my possessing (Sonnet 87) | 3:27 | ||
| 11 | When in disgrace with fortune and men's eyes (Sonnet 29) | 1:59 | ||
| 11 | When in disgrace with fortune and men's eyes (Sonnet 29) | 1:59 | ||
| 12 | Shall I compare thee to a summer's day? (Sonnet 18) | 3:28 | ||
| 12 | Shall I compare thee to a summer's day? (Sonnet 18) | 3:28 | ||
| 13 | The rain it raineth every day, for voice & piano, Op. 65/3 | 1:55 | ||
| 13 | The rain it raineth every day, for voice & piano, Op. 65/3 | 1:55 | ||
| 14 | Orpheus with his Lute, song for voice & piano | 2:43 | ||
| 14 | Orpheus with his Lute, song for voice & piano | 2:43 | ||
| 15 | Come away death, for voice & piano, Op. 6/1 | 3:04 | ||
| 15 | Come away death, for voice & piano, Op. 6/1 | 3:04 | ||
| 16 | Fear no more the heat of the sun, for voice & piano, Op. 23/1 | 3:33 | ||
| 16 | Fear no more the heat of the sun, for voice & piano, Op. 23/1 | 3:33 | ||
| 17 | Take, o take those lips away, song for voice & piano, Op. 23/4 | 1:21 | ||
| 17 | Take, o take those lips away, song for voice & piano, Op. 23/4 | 1:21 | ||
| 18 | It was a lover and his lass, for voice & piano, Op. 23/3 | 2:29 | ||
| 18 | It was a lover and his lass, for voice & piano, Op. 23/3 | 2:29 | ||
| 19 | Winter | 1:46 | ||
| 19 | Winter | 1:46 | ||
| 20 | When daffodils begin to peer, for voice & piano (from "Songs of a Wayfarer") | 2:17 | ||
| 20 | When daffodils begin to peer, for voice & piano (from "Songs of a Wayfarer") | 2:17 | ||
| 21 | Under the Greenwood Tree (from As You Like It, Act 2, Scene 5) | 2:12 | ||
| 21 | Under the Greenwood Tree (from As You Like It, Act 2, Scene 5) | 2:12 | ||
| 22 | Songs for Ariel, for voice & piano (or harpsichord) - I. Come unto these yellow sands | 2:03 | ||
| 22 | Songs for Ariel, for voice & piano (or harpsichord) - I. Come unto these yellow sands | 2:03 | ||
| 23 | Songs for Ariel, for voice & piano (or harpsichord) - II. Full fathom five | 1:44 | ||
| 23 | Songs for Ariel, for voice & piano (or harpsichord) - II. Full fathom five | 1:44 | ||
| 24 | Songs for Ariel, for voice & piano (or harpsichord) - III. Where the bee sucks | 1:03 | ||
| 24 | Songs for Ariel, for voice & piano (or harpsichord) - III. Where the bee sucks | 1:03 | ||
| 25 | Who is Sylvia? (The Two Gentlemen of Verona, Act 4, Scene 2) | 1:59 | ||
| 25 | Who is Sylvia? (The Two Gentlemen of Verona, Act 4, Scene 2) | 1:59 | ||
| 26 | Fancie: Tell me where is fancy bred, for unison chorus & piano | :55 | ||
| 26 | Fancie: Tell me where is fancy bred, for unison chorus & piano | :55 | ||
| 27 | Sigh No More, Ladies for voice & piano (from Eight Songs for High Voice) | 2:07 | ||
| 27 | Sigh No More, Ladies for voice & piano (from Eight Songs for High Voice) | 2:07 |
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