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Digital Test

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Artist Various Tests (Various Artists)
Bewertung von 5
Genre Soundtrack, Tonstreifen
Label Pierre Verany Records
Erschienen 1988




Tracks

# Song Künstler Komponist Dauer
2   Music Tests and Demonstrations Tracks: Feux d'Artifice/Firworks   - 3:56
4   Music Tests and Demonstrations Tracks: Hora de la Granicesti Stinga, Paul And His Orcestra Traditional 3:27
6   Music Tests and Demonstrations Tracks: Dear Old Dixie Jazz Grass Ensemble Traditional 2:05
8   Music Tests and Demonstrations Tracks: Jeux Interdits Arnaud Dumond   - 2:12
9   Music Tests and Demonstrations Tracks: 2ème Concerto Pour Trompette Orchestre Philharmonique des Pays de Loire Giocoso, Jolivet, Andrew 3:48
12   Music Tests and Demonstrations Tracks: "O Dulcis Amor" Lasla, Anne-Marie, Nicolas, Jacqueline, William Christie André Campra 3:17
13   Music Tests and Demonstrations Tracks: Ballet des Coqs Musica Antique Ensemble Michael Praetorius 1:41
16   Music Tests and Demonstrations Tracks: Bransle Doubble Musica Antique Ensemble Michael Praetorius 1:01
17   Music Tests and Demonstrations Tracks: Concerto "La Notte" in G ... Concerto Koln Ensemble Antonio Vivaldi   -
20   Music Tests and Demonstrations Tracks: Scheherazade 4th Movements ... Orchestre Philharmonique Des Pays De Loire Nikolai Rimsky-Korsakov 7:03
21   Music Tests and Demonstrations Tracks: Almande Isoi, Andre, Orues De Saint-Guilhem-Le-Desert Soldt, V. 2:01
24   Music Tests and Demonstrations Tracks: 1st Organ Symphony ... Grandes Orgues de La Madeleine, Houbart, Francois Louis Vierne 6:46
26   Maximum Cutting Level: 1 Khz 0 dB Sans Pre-Accentuation/Emphasis off G   - 0:30
28   Left/Right Location and Channel Separation: 1 Khz 0 dB Sans ...   - 0:30
29   Left/Right Location and Channel Separation: 1 Khz 0 dB Sans ...   - 0:30
32   Frequency Response: 20 Hz/20 Khz, 0 dB Sans ...   - 1:00
33   Frequency Response: 20 Hz/20 Khz, -20 dB San Pre-Accentuation/Emphasis   - 1:00
36   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 1 Khz, 0 DB   - 0:15
37   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 20 Hz, 0 DB   - 0:30
40   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 50 Hz, 0 DB   - 0:30
42   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 100 Hz, 0 DB   - 0:30
43   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 200 Hz, 0 DB   - 0:30
45   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 500 Hz, 0 DB   - 0:30
48   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 1 Khz, 0 DB   - 0:30
49   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 2 Khz, 0 DB   - 0:30
52   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 5 Khz, 0 DB   - 0:30
54   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 10 Khz, 0 DB   - 0:30
55   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 12 Khz, 0 DB   - 0:30
57   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 15 Khz, 0 DB   - 0:30
60   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 18 Khz, 0 DB   - 0:30
61   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 20 Khz, 0 DB   - 0:30
64   Harmonic Distortion/Tracks With Emphasis off G + D/L + R: 1 Khz, 0 DB   - 0:15
66   Signal-To-Noise Ratio: Zero Digital Level ("Infinite Zero) /Sans ..."   - 0:30
67   Signal-To-Noise Ratio: Zero Digital Level ("Infinite Zero) /Sans ..."   - 0:30
70   Analogue Desemphasis Circuit Control: Calibration Reference Tone 1 Khz   - 0:15
72   Analogue Desemphasis Circuit Control: Controle du Circuit Analogue ...   - 1:00
74   Analogue Desemphasis Circuit Audible Incidence: Music Recorded ...   - 1:11
75   Analogue Desemphasis Circuit Audible Incidence: Music Recorded ...   - 1:11
78   Transient Signals Response: Square Waves -6 dB, 400 Hz Sans ...   - 0:30
79   Transient Signals Response: Square Waves -6 dB, 1000 Hz Sans ...   - 0:30
82   Transient Signals Response: Tonebursts 400 Hz, -6 dB Sans ...   - 0:30
83   Transient Signals Response: Tonebursts 4 Khz, -6 dB Sans ...   - 0:30
86   Audible Differences in Quantization: Symphonie Number 6 "From the ..." Slovak Philharmonic Orchestra Antonin Dvorák 0:45
88   Audible Differences in Quantization: Symphonie Number 6 "From the ..." Slovak Philharmonic Orchestra Antonin Dvorák 0:45
89   Audible Differences in Quantization: Symphonie Number 6 "From the ..." Slovak Philharmonic Orchestra Antonin Dvorák 0:45
92   Audible Differences in Quantization: Symphonie Number 6 "From the ..." Slovak Philharmonic Orchestra Antonin Dvorák 0:45
93   Intermodulation by Crosstalk: 1000 Hz Left/5 Khz, Right, 0 dB Sans ...   - 0:30
96   Intermodulation by Crosstalk: 5 Khz Left/1000 Hz Right, 0 dB Sans ...   - 0:30
98   Intermodulation Distoration: 50 Hz + 7 Khz, G + D/L + R Snas ...   - 0:30
99   Intermodulation Distoration: 400 Hz + 7 Khz, G + D/L + R Sans ...   - 0:30
101   Intermodulation Distoration: 19 Khz/20 Khz, G + D/L + R Sans ...   - 0:30
104   Digital-Analogue Converter Overload Effect: The Moldau Excerpts/1 ... Slovak Philharmonic Orchestra Bedrich Smetana 0:30
105   Digital-Analogue Converter Overload Effect: The Moldau Excerpts/1 ... Slovak Philharmonic Orchestra Bedrich Smetana 0:30
108   Digital-Analogue Converter Overload Effect: The Moldau Excerpts/1 ... Slovak Philharmonic Orchestra Bedrich Smetana 0:30
109   Digital-Analogue Converter Overload Effect: The Moldau ... Slovak Philharmonic Orchestra Bedrich Smetana 2:06
112   Digital-Analogue Converter Overload Effect: The Moldau ... Slovak Philharmonic Orchestra Bedrich Smetana 2:06
114   Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 40   -   -
116   Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 20   -   -
117   Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 25   -   -
120   Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 30   -   -
122   Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 35   -   -
124   Tests Series #1: Variations of Linear Cutting Velocity of the CD/1, 40   -   -
125   Test Series #2: Combinated Tests; Variations of Velocity - ...   -   -
128   Test Series #2: Combinated Tests; Variations of Velocity - ...   -   -
129   Test Series #2: Combinated Tests; Variations of Velocity - ...   -   -
132   Test Series #2: Combinated Tests; Variations of Velocity - ...   -   -
133   Test Series #2: Combinated Tests; Variations of Velocity - ...   -   -
136   Return to Normal Parameters of This Test CD (See Booklet)   -   -
137   Test Series #3: Variations of Track Pitch/1, 70 µM   -   -
139   Test Series #3: Variations of Track Pitch/1, 65 µM   -   -
142   Test Series #3: Variations of Track Pitch/1, 60 µM   -   -
143   Test Series #3: Variations of Track Pitch/1, 55 µM   -   -
146   Test Series #3: Variations of Track Pitch/1, 50 µM   -   -
147   Return to Normal Parameters of This Test CD (See Booklet)   -   -
150   Test Series #4: CD Player Ability to Detect the Degital Signal (HF ...)   -   -
151   Test Series #4: CD Player Ability to Detect the Degital Signal (HF ...)   -   -
154   Test Series #4: CD Player Ability to Detect the Degital Signal (HF ...)   -   -
155   Test Series #4: CD Player Ability to Detect the Degital Signal (HF ...)   -   -
158   Test Series #4: CD Player Ability to Detect the Degital Signal (HF ...)   -   -
160   Return to Normal Parameters of This Test CD (See Booklet)   -   -
162   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
163   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
166   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
168   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
169   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
172   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
173   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
176   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
178   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
179   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
182   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
183   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
186   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
187   Test Series #5: Drop-Outs Tests (Absence of Datas on the Disc: ...)   -   -
190   Return to Normal Parameters of This Test CD (See Booklet)   -   -
192   Test Series #6: Combined Tests; Drop-Outs Size Variations and ...   -   -
194   Test Series #6: Combined Tests; Drop-Outs Size Variations and ...   -   -
195   Test Series #6: Combined Tests; Drop-Outs Size Variations and ...   -   -
197   Test Series #6: Combined Tests; Drop-Outs Size Variations and ...   -   -
200   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -
201   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -
204   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -
205   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -
208   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -
210   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -
212   Test Series #7: Ability to Correct Successive Drop-Outs/Drop-Outs: 2 X   -   -

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Datum Typ Label Katalog-Nr.
08.11.1994 CD Pierre Verany Records 788031