| 1 |  | What power art thou ("Prelude while the cold genius rises" from "King Arthur"), bass aria, Z. 628/20 |  | 4:06 | 
  | 2 |  | En Aranjuez con tu amor, for voice & piano (or guitar) (after the second movement of the Concierto de Aranjuez) |  | 5:40 | 
  | 3 |  | Chœur russe |  | 3:47 | 
  | 4 |  | Ave Maria |  | 4:01 | 
  | 5 |  | Les Pêcheurs de perles, opera in 3 acts - Romance de Nadir |  | 3:45 | 
  | 6 |  | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b) - [Excerpt] |  | 7:52 | 
  | 7 |  | Madama Butterfly (Madame Butterfly), opera - Chœur à bouches fermées |  | 2:24 | 
  | 8 |  | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 |  | 5:18 | 
  | 9 |  | Lakmé, opera - Duo des fleurs |  | 1:34 | 
  | 10 |  | Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) |  | 2:43 | 
  | 11 |  | Miserere mei Deus (Psalm 51), motet for chorus |  | 8:19 | 
  | 12 |  | Norma, opera - Casta Diva |  | 5:26 | 
  | 13 |  | Bachianas Brasileiras No. 5, for voice & 8 cellos, A. 389 - [Excerpt] |  | 7:05 | 
  | 14 |  | Vocalise, song for voice & piano, Op. 34/14 |  | 7:08 | 
  | 15 |  | O vis eternitatis, response |  | 7:56 |