Mahler: Symphonies Nos. 1-10 (Limited Edition)
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| Artist | Lorin Maazel |
| Bewertung | |
| Epoche | Post-Romatische Musik (1870-1909) |
| Label | Sony Music |
| Erschienen | 2002 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Symphony No. 1 in D major ("Titan") - I. Langsam. Schleppend | 3:48 | ||
| 2 | Symphony No. 1 in D major ("Titan") - I. Immer sehr gemächlich | 12:50 | ||
| 3 | Symphony No. 1 in D major ("Titan") - II. Kräftig bewegt, doch nicht zu schnell | 4:17 | ||
| 4 | Symphony No. 1 in D major ("Titan") - II. Trio: Recht gemächlich | 3:13 | ||
| 5 | Symphony No. 1 in D major ("Titan") - II. Tempo primo | 1:28 | ||
| 6 | Symphony No. 1 in D major ("Titan") - III. Feierlich und gemessen, ohne zu schleppen | 5:42 | ||
| 7 | Symphony No. 1 in D major ("Titan") - III. Sehr einfach und schlicht wie eine Volksweise | 2:18 | ||
| 8 | Symphony No. 1 in D major ("Titan") - III. Wieder etwas bewegter, wie am Anfang | 3:40 | ||
| 9 | Symphony No. 1 in D major ("Titan") - MIV. Stürmisch bewegt - Energisch | 20:35 | ||
| 10 | Symphony No. 2 in C minor ("Resurrection") - I. Allegro maestoso | 23:53 | ||
| 11 | Symphony No. 2 in C minor ("Resurrection") - II. Andante moderato | 11:58 | ||
| 12 | Symphony No. 2 in C minor ("Resurrection") - III. In ruhig fließender Bewegung | 11:52 | ||
| 13 | Symphony No. 2 in C minor ("Resurrection") - IV. "Urlicht". Sehr feierlich, aber schlicht | 5:05 | ||
| 14 | Symphony No. 2 in C minor ("Resurrection") - V. Im Tempo des Scherzos, Wild herausfahrend ("Auferstehn" after the chorale of Friedrich Gottlieb | 36:04 | ||
| 15 | Symphony No. 3 in D minor - I. Kräftig. Entschieden | 7:22 | ||
| 16 | Symphony No. 3 in D minor - I. Langsam. Schwer | 3:08 | ||
| 17 | Symphony No. 3 in D minor - I. Tempo | 5:17 | ||
| 18 | Symphony No. 3 in D minor - I. A tempo | 6:20 | ||
| 19 | Symphony No. 3 in D minor - I. Immer dasselbe Tempo (Marsch) | 3:57 | ||
| 20 | Symphony No. 3 in D minor - I. (Allegro moderato) | 5:23 | ||
| 21 | Symphony No. 3 in D minor - I. Tempo | 5:28 | ||
| 22 | Symphony No. 3 in D minor - II. Tempo di Menuetto. Sehr mäßig | 3:25 | ||
| 23 | Symphony No. 3 in D minor - II. A tempo | 4:20 | ||
| 24 | Symphony No. 3 in D minor - II. Ganz plötzlich gemächlich. Tempo di Menuetto | 3:59 | ||
| 25 | Symphony No. 3 in D minor - III. Comodo. Scherzando. Ohne Hast | 2:45 | ||
| 26 | Symphony No. 3 in D minor - III. Wieder sehr gemächlich, wie zu Anfang | 3:14 | ||
| 27 | Symphony No. 3 in D minor - III. Sehr gemächlich | 4:55 | ||
| 28 | Symphony No. 3 in D minor - III. Tempo I | 3:13 | ||
| 29 | Symphony No. 3 in D minor - III. Wieder sehr gemächlich, beinahe langsam | 4:20 | ||
| 30 | Symphony No. 3 in D minor - IV. Sehr langsam. Misterioso. Durchaus ppp | 4:41 | ||
| 31 | Symphony No. 3 in D minor - IV. Più mosso subito. "O Mesch! Gib acht!" (after the poem of Friedrich Nietsche, "Zarathustras Mit | 4:40 | ||
| 32 | Symphony No. 3 in D minor - V. Lustig im Tempo und Keck im Ausdreck. "Es sungen drei Engel" (Original title: Armer Kinder Bettl | 4:22 | ||
| 33 | Symphony No. 3 in D minor - VI. Langsam. Ruhevoll. Empfunden | 4:23 | ||
| 34 | Symphony No. 3 in D minor - VI. Nicht mehr so breit | 3:41 | ||
| 35 | Symphony No. 3 in D minor - VI. Tempo I. Ruhevoll | 4:39 | ||
| 36 | Symphony No. 3 in D minor - VI. A tempo (Etwas bewegter) | 5:15 | ||
| 37 | Symphony No. 3 in D minor - VI. Tempo I | 3:43 | ||
| 38 | Symphony No. 3 in D minor - VI. Langsam. Tempo I | 8:13 | ||
| 39 | Kindertotenlieder, song cycle for voice & piano (or orchestra) - No. 1 "Nun will sie Sonn' so hell aufgeh'n" | 7:00 | ||
| 40 | Kindertotenlieder, song cycle for voice & piano (or orchestra) - No. 2 "Nun seh' ich wohl, warum so dunkle Flammen" (Ruhig, nicht schleppend) | 5:26 | ||
| 41 | Kindertotenlieder, song cycle for voice & piano (or orchestra) - No. 3 "Wenn dein Mütterlein" (Schwer, dumpf) | 4:27 | ||
| 42 | Kindertotenlieder, song cycle for voice & piano (or orchestra) - No. 4 "Oft denk' ich, sie sind nur ausgegangen!" (Ruhig bewegt, ohne zu eilen) | 3:03 | ||
| 43 | Kindertotenlieder, song cycle for voice & piano (or orchestra) - No. 5 "In diesem Wetter" (Mit ruhelosem Ausdruck) | 7:01 | ||
| 44 | Symphony No. 4 in G major - I. Bedächtig. Nicht eilen | 18:08 | ||
| 45 | Symphony No. 4 in G major - II. In gemächlicher Bewegung. Ohne Hast | 9:32 | ||
| 46 | Symphony No. 4 in G major - III. Ruhevoll | 22:34 | ||
| 47 | Symphony No. 4 in G major - IV. Sehr behaglich | 10:41 | ||
| 48 | Symphony No. 5 in C sharp minor - Teil 1. I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | 5:50 | ||
| 49 | Symphony No. 5 in C sharp minor - Teil 1. I. Plötzlich schneller. Leidenschaftlich. Wild | 2:13 | ||
| 50 | Symphony No. 5 in C sharp minor - Teil 1. I. Tempo I | 6:00 | ||
| 51 | Symphony No. 5 in C sharp minor - Teil 1. II. Stürmich bewegt, mit größter Vehemenz | 4:30 | ||
| 52 | Symphony No. 5 in C sharp minor - Teil 1. II. Langsam aber immer 2/2 | 5:47 | ||
| 53 | Symphony No. 5 in C sharp minor - Teil 1. II. Nicht eilen | 4:45 | ||
| 54 | Symphony No. 5 in C sharp minor - Teil 2. III. Scherzo. Kräftig, nicht zu schnell | 2:29 | ||
| 55 | Symphony No. 5 in C sharp minor - Teil 2. III. Etwas ruhiger | 4:22 | ||
| 56 | Symphony No. 5 in C sharp minor - Teil 2. III. Molto moderato | 4:03 | ||
| 57 | Symphony No. 5 in C sharp minor - Teil 2. III. A tempo I | 4:09 | ||
| 58 | Symphony No. 5 in C sharp minor - Teil 2. III. Tempo I (Subito) | 2:30 | ||
| 59 | Symphony No. 5 in C sharp minor - Teil 3. IV. Adagietto. Sehr langsam | 10:31 | ||
| 60 | Symphony No. 5 in C sharp minor - Teil 3. V. Rondo-Finale. Allegro | 8:13 | ||
| 61 | Symphony No. 5 in C sharp minor - Teil 3. V. Nicht eilen. A tempo | 3:38 | ||
| 62 | Symphony No. 5 in C sharp minor - Teil 3. V. Grazioso | 3:20 | ||
| 63 | Symphony No. 6 in A minor ("Tragic") - I. Allegro energico, ma non troppo | 23:41 | ||
| 64 | Symphony No. 6 in A minor ("Tragic") - II. Scherzo. Wuchtig | 12:49 | ||
| 65 | Symphony No. 6 in A minor ("Tragic") - III. Andante moderato | 16:06 | ||
| 66 | Symphony No. 6 in A minor ("Tragic") - IV. Finale. Allegro moderato - Allegro energico | 30:01 | ||
| 67 | Symphony No. 7 in E minor ("Song of the Night") - I. Langsam (Adagio) | 2:44 | ||
| 68 | Symphony No. 7 in E minor ("Song of the Night") - I. Nicht schleppend | 1:34 | ||
| 69 | Symphony No. 7 in E minor ("Song of the Night") - I. Allegro risoluto, ma non troppo | 1:19 | ||
| 70 | Symphony No. 7 in E minor ("Song of the Night") - I. A tempo (Sempre l'istesso) | 5:03 | ||
| 71 | Symphony No. 7 in E minor ("Song of the Night") - I. Subito allegro - Ziemlich ruhig | 3:49 | ||
| 72 | Symphony No. 7 in E minor ("Song of the Night") - I. Adagio (Tempo der Einleitung) | 3:20 | ||
| 73 | Symphony No. 7 in E minor ("Song of the Night") - I. Maestoso. Allegro moderato | 6:32 | ||
| 74 | Symphony No. 7 in E minor ("Song of the Night") - II. Nachtmusik. Allegro moderato | 3:36 | ||
| 75 | Symphony No. 7 in E minor ("Song of the Night") - II. Sempre l'istesso Tempo. Nicht eilen, seht gemächlich | 6:35 | ||
| 76 | Symphony No. 7 in E minor ("Song of the Night") - II. Tempo | 5:28 | ||
| 77 | Symphony No. 7 in E minor ("Song of the Night") - III. Scherzo. Schattenhaft. Fließend, aber nicht schnell; in den Anfangstakten noch etwas zögernd | 3:31 | ||
| 78 | Symphony No. 7 in E minor ("Song of the Night") - III. Trio | 2:27 | ||
| 79 | Symphony No. 7 in E minor ("Song of the Night") - III. Wieder wie zu Anfang (nicht eilen) | 4:22 | ||
| 80 | Symphony No. 7 in E minor ("Song of the Night") - IV. Nachtmusik. Andante amoroso | 7:01 | ||
| 81 | Symphony No. 7 in E minor ("Song of the Night") - IV. Takt 187 | 8:47 | ||
| 82 | Symphony No. 7 in E minor ("Song of the Night") - V. Rondo-Finale. Tempo I (Allegro ordinario) | 3:10 | ||
| 83 | Symphony No. 7 in E minor ("Song of the Night") - V. Gemessen! Nicht zu schnell! Tempo II (Allegro moderato ma energico) | 6:07 | ||
| 84 | Symphony No. 7 in E minor ("Song of the Night") - V. Tempo I (Halb wie Viertel des Tempo I) | 3:20 | ||
| 85 | Symphony No. 7 in E minor ("Song of the Night") - V. Sempre l'istesso Tempo | 7:26 | ||
| 86 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Veni, creator spiritus! | 1:35 | ||
| 87 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Imple superna gratia | 4:46 | ||
| 88 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Infirma nostri corporis | 2:10 | ||
| 89 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Tempo I (Allegro, etwas hastig) | 1:53 | ||
| 90 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Infirma nostri corporis | 3:01 | ||
| 91 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Accende lumen sensibus | 6:39 | ||
| 92 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Qui Paraclitus diceris | 3:36 | ||
| 93 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil I. Hymnus: Veni, creator spiritus. Gloria Patri Domino | 3:03 | ||
| 94 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. Poco adagio | 6:46 | ||
| 95 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. Più mosso (Allegro moderato) | 3:40 | ||
| 96 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Waldung, sie schwankt heran" - Heilige Anachore | 4:48 | ||
| 97 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Ewiger Wonnebrand" - Pater ecstaticus | 1:52 | ||
| 98 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Wie Felsenabgrund mir zu Füßen" - Pater profund | 4:25 | ||
| 99 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Gerettet ist das edle Glied" - Chor der Engel u | 1:33 | ||
| 100 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Jene Rosen, aus den Händen" - Chor der jüngeren | 2:27 | ||
| 101 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Uns bleibt ein Erdenrest" - Die vollendeteren E | 2:13 | ||
| 102 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Ich spür' soeben" - Die jüngeren Engel | :33 | ||
| 103 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Hier ist die Aussicht frei" - Doctor Marianus . | :46 | ||
| 104 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Höchste Herrscherin der Welt" - Doctor Marianus | 2:23 | ||
| 105 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Jungfrau, ren im schönsten Sinne" - Doctor Mari | 2:19 | ||
| 106 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. Äußerst langsam. Adagissimo | 1:18 | ||
| 107 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Dir, der Unberührbaren" - Chor ... "Du schwebst | 2:56 | ||
| 108 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Bei der Liebe, die den Füßen" - Magna Peccatrix | 1:07 | ||
| 109 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Bei dem Bronn, zu dem schon weiland" - Mulier S | 2:02 | ||
| 110 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Bei dem hochgeweihten Orte" - Maria Aegyptiaca | 1:22 | ||
| 111 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Die du großen Sünderinnen" - Magna Peccatrix, M | 1:47 | ||
| 112 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Neige, neige, du Ohnegleiche" - Una poenitentiu | :57 | ||
| 113 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Er überwächst uns schon" - Selige Knaben | 1:32 | ||
| 114 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Vom edlen Geisterchor umgeben" - Una poenitenti | 2:19 | ||
| 115 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Komm! Komm! Hebe dich zu höhern Sphären!" - Mat | 1:10 | ||
| 116 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Blicket auf" - Doctor Marianus | 6:31 | ||
| 117 | Symphony No. 8 in E flat major ("Symphony of a Thousand") - Teil II. Final Scene from Goethe's Faust, Part II. "Alles Vergängliche" - Chorus mysticus | 5:57 | ||
| 118 | Symphony No. 9 in D major - I. Andante comodo | 29:47 | ||
| 119 | Symphony No. 9 in D major - II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | 16:04 | ||
| 120 | Symphony No. 9 in D major - III. Rondo-Burlesque. Allegro assai. Sehr trotzig | 13:01 | ||
| 121 | Symphony No. 9 in D major - IV. Adagio. Sehr langsam und noch zurückhaltend | 25:21 | ||
| 122 | Symphony No. 10 in F sharp minor (incomplete) | 26:19 |
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