Éva Marton with the New York Harp Ensemble
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| Artist | Eva Marton |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Hungaroton |
| Erschienen |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Meditation on Prelude No. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement) | 3:08 | ||
| 2 | Prelude and Fugue, for keyboard No. 8 in E flat minor (WTC I/8), BWV 853 (BC L87) - Prelude in E flat minor, BWV 853 | 4:09 | ||
| 3 | Serse (Xerxes), opera, HWV 40 - Ombra mai fù | 2:39 | ||
| 4 | Auf Flügeln des Gesanges (On Wings of Song), song for voice & piano, Op. 34/2 | 3:57 | ||
| 5 | Nacht und Träume (Heil'ge Nacht, du sinkest nieder!"), song for voice & piano, D. 827 (Op. 43/2) | 2:37 | ||
| 6 | Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) | 5:01 | ||
| 7 | Wiegenlied ("Guten Abend, gut Nacht"), song for voice & piano, Op. 49/4 | 1:49 | ||
| 8 | Maria Wiegenlied (Mary's Lullaby: "Maria sitzt am Rosenhag"), song for voice & piano (or orchestra), Op. 76/52 | 2:19 | ||
| 9 | Pavane pour une infante défunte, for piano (or orchestra) | 6:03 | ||
| 10 | Suite española No. 1, for piano, Op. 47, B. 7 - Asturias | 7:02 | ||
| 11 | Prelúdio, for guitar No. 3 in A minor, A. 419/3 | 4:47 | ||
| 12 | Bachianas Brasileiras No. 5, for voice & piano, A. 390 - 5. Aria (Cantilena) | 5:13 | ||
| 13 | Partita for piano in C major, Op. 57 - Zarabanda | 4:02 |
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