| 1 |  | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 - I. Allegro |  | 3:39 | 
  | 2 |  | Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) |  | 5:48 | 
  | 3 |  | Boléro, ballet for orchestra - (Excerpt) |  | 5:14 | 
  | 4 |  | Bagatelle for piano in A minor ("Für Elise"), WoO 59 |  | 2:57 | 
  | 5 |  | Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525 - Allegro |  | 5:54 | 
  | 6 |  | Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon in D |  | 4:59 | 
  | 7 |  | Orchestral Suite No. 3 in D major, BWV 1068 - Air |  | 5:27 | 
  | 8 |  | Suite for Jazz Orchestra No. 2 - Waltz No. 2 |  | 3:49 | 
  | 9 |  | Peer Gynt, incidental music, Op. 23 - Morning |  | 4:14 | 
  | 10 |  | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2 - 1. Adagio sostenuto |  | 3:54 | 
  | 11 |  | Gymnopedie for piano No. 1 |  | 2:48 | 
  | 12 |  | Suite bergamasque, for piano, L. 75 - Clair de Lune |  | 4:54 | 
  | 13 |  | Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2 - [Excerpt] |  | 4:58 | 
  | 14 |  | Concerto for flute, harp & orchestra in C major, K. 299 (K. 297c) - Andantino (Excerpt) |  | 3:57 | 
  | 15 |  | Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) |  | 6:40 | 
  | 16 |  | My Heart Will Go On (from the film "Titanic") |  | 4:19 | 
  | 17 |  | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) |  | 4:28 | 
  | 18 |  | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11 |  | 6:20 | 
  | 19 |  | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Jesu, Joy of Man's Desiring |  | 3:28 | 
  | 20 |  | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) - [Excerpts] |  | 3:43 | 
  | 21 |  | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467 - Andante |  | 5:21 | 
  | 22 |  | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 |  | 5:16 | 
  | 23 |  | Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) - 2nd Movement (Largo) |  | 4:42 | 
  | 24 |  | Suite for solo cello No. 1 in G major, BWV 1007 - Prelude |  | 2:25 | 
  | 25 |  | Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1) |  | 3:11 | 
  | 26 |  | Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437 - Sarabande (beginning) |  | 2:57 | 
  | 27 |  | Concierto de Aranjuez, for guitar & orchestra - 2nd Movement - Adagio |  | 4:44 | 
  | 28 |  | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 |  | 5:05 | 
  | 29 |  | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble - The Swan |  | 2:48 | 
  | 30 |  | Clarinet Concerto in A major, K. 622 - Adagio (Opening) |  | 4:24 | 
  | 31 |  | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov) - Polovsian Dances - Beginning |  | 3:34 | 
  | 32 |  | Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 |  | 2:29 | 
  | 33 |  | Schindler's List, film score - The Theme |  | 5:03 | 
  | 34 |  | Requiem for soloists, chorus, and orchestra, K. 626 - Lacrimosa |  | 2:58 | 
  | 35 |  | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") |  | 4:37 | 
  | 36 |  | Time to Say Goodbye (Con te partirò), song |  | 3:57 |