Virtuoso Chamber Music from the 16th Century
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| Artist | Schola Cantorum Basiliensis Wenzinger Consort... |
| Bewertung | |
| Epoche | () |
| Label | DHM |
| Erschienen | 1995 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Divisions on Frais et Gaillard | 3:12 | ||
| 1 | Divisions on Frais et Gaillard | 3:12 | ||
| 2 | Variations on Palestrina's "Io son ferito" | 6:39 | ||
| 2 | Variations on Palestrina's "Io son ferito" | 6:39 | ||
| 3 | Un Gay Bergier, for recorders | 2:41 | ||
| 3 | Un Gay Bergier, for recorders | 2:41 | ||
| 4 | Ancor che col partire | 3:58 | ||
| 4 | Ancor che col partire | 3:58 | ||
| 5 | Recercada segonda sobre Doulce Mémoire | 3:09 | ||
| 5 | Recercada segonda sobre Doulce Mémoire | 3:09 | ||
| 6 | Recercada tercera | 2:30 | ||
| 6 | Recercada tercera | 2:30 | ||
| 7 | Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore) | 4:03 | ||
| 7 | Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore) | 4:03 | ||
| 8 | Susanne Un Jour | 4:54 | ||
| 8 | Susanne Un Jour | 4:54 | ||
| 9 | Pulchra Es, Amica Mea | 5:41 | ||
| 9 | Pulchra Es, Amica Mea | 5:41 | ||
| 10 | Susanne un jour, diminution after Lassus for chamber ensemble | 3:36 | ||
| 10 | Susanne un jour, diminution after Lassus for chamber ensemble | 3:36 | ||
| 11 | Angelus ad pastores, motet (after de Rore's "Anchor che col partire") | 4:36 | ||
| 11 | Angelus ad pastores, motet (after de Rore's "Anchor che col partire") | 4:36 | ||
| 12 | Ch'io non t'ami cor mio, for voice & continuo | 3:26 | ||
| 12 | Ch'io non t'ami cor mio, for voice & continuo | 3:26 | ||
| 13 | Pour un Plaisir for organ | 2:09 | ||
| 13 | Pour un Plaisir for organ | 2:09 | ||
| 14 | Un gay bergier | 4:22 | ||
| 14 | Un gay bergier | 4:22 | ||
| 15 | Susanne Un Jour | 7:05 | ||
| 15 | Susanne Un Jour | 7:05 | ||
| 16 | Aura soave, for voice and continuo | 2:56 | ||
| 16 | Aura soave, for voice and continuo | 2:56 | ||
| 17 | O Primavera | 2:35 | ||
| 17 | O Primavera | 2:35 |
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