Henry Purcell
King Arthur, or, The British Worthy, semi-opera, Z. 628
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Sätze in King Arthur, or, The British Worthy, semi-opera, Z. 628
| # | Satz | |
|---|---|---|
| 1 | No. 1a-b. First Music. Chaconne - [Chaconne] | |
| 2 | No. 2a-b. Second Music. Ouverture [Grave] - [Canzona] | |
| 3 | No. 3. Air | |
| 4 | No. 4. Overture [Grave] | |
| 5 | No. 4b. Canzona | |
| 6 | No. 5a. Prelude | |
| 7 | No. 5b. Woden, first to thee | |
| 8 | No. 6a. The white horse neigh'd | |
| 9 | No. 6b. To Woden thanks we render | |
| 10 | No. 6c. To Woden thanks we render | |
| 11 | No. 7a. The lot is cast | |
| 12 | No. 7b. Brave souls | |
| 13 | No. 8. Die and reap | |
| 14 | No. 9a. I call you all to Woden's hall | |
| 15 | No. 9b. To Woden's hall | |
| 16 | No. 10a. Symphony | |
| 17 | No. 10a-c. Come if you dare | |
| 18 | No. 10d-e. Now they charge on amain | |
| 19 | No. 10f. Ritornello | |
| 20 | No. 10g. The fainting Saxons | |
| 21 | No. 10h. Now the victory's won | |
| 22 | No. 11. First Act tune [Air] | |
| 23 | No. 12a. Prelude | |
| 24 | No. 12b-c. Hither this way | |
| 25 | No. 13a. Let not a moon-born elf | |
| 26 | No. 13b. Ritornello | |
| 27 | No. 14a-c. Come follow me | |
| 28 | No. 14d. Ritornello | |
| 29 | No. 14e-f. We brethren of air | |
| 30 | No. 15a. Dance | |
| 31 | No. 15b. How blest are shepherds | |
| 32 | No. 15c. How blest are shepherds | |
| 33 | No. 15d. How blest are shepherds | |
| 34 | No. 16a. Symphony | |
| 35 | No. 16b. Shepherd, leave decoying | |
| 36 | No. 17a. Come, shepherds, lead up a lively measure | |
| 37 | No. 17b. Hornpipe | |
| 38 | No. 18. Second Act tune | |
| 39 | No. 19a. Prelude to 'Frost scene' | |
| 40 | No. 19b. What ho! thou genius of this isle | |
| 41 | No. 20a. Prelude while the Cold Genius rises | |
| 42 | No. 20b. What pow'r art thou | |
| 43 | No. 21. Thou doting fool, forbear | |
| 44 | No. 22. Great Love, I know thee now | |
| 45 | No. 23. No part of my dominion | |
| 46 | No. 24a. Prelude | |
| 47 | No. 24b. See, we assemble | |
| 48 | No. 24c. Dance | |
| 49 | No. 25a. 'Tis I that have warmed ye | |
| 50 | No. 25b. Ritornello | |
| 51 | No. 25c. 'Tis Love that has warmed us | |
| 52 | No. 26a. Prelude | |
| 53 | No. 26b. Sound a parley | |
| 54 | No. 27a. 'Tis I that have warmed ye (same as No. 25a) | |
| 55 | No. 27b. Ritornello (same as No. 25b) | |
| 56 | No. 27c. 'Tis Love that has warmed us (same as No. 25c) | |
| 57 | No. 27d. Ritornello (same as No. 25b) | |
| 58 | No. 28. Third Act tune | |
| 59 | No. 29. Two daughters of this aged stream | |
| 60 | No. 30a. Passacaglia | |
| 61 | No. 30b-c. How happy the lover | |
| 62 | No. 30d. Ritornello | |
| 63 | No. 30e-f. For love ev'ry creature is form'd | |
| 64 | No. 30g. In vain are our graces | |
| 65 | No. 30h. Then use the sweet blessing | |
| 66 | No. 30i. No, no joys are above | |
| 67 | No. 31. Fourth Act tune (Trumpet tune) | |
| 68 | No. 32a. Prelude | |
| 69 | No. 32b. Ye blust'ring brethren | |
| 70 | No. 32c. Serene and calm | |
| 71 | No. 33. Symphony | |
| 72 | No. 34a-b. Round thy coasts, fair nymph | |
| 73 | No. 35a. You say 'tis Love | |
| 74 | No. 35b. 'Tis not my passion | |
| 75 | No. 35c. Love has a thousand | |
| 76 | No. 35d. But one soft moment | |
| 77 | No. 35e. Let us love | |
| 78 | No. 36. For folded flocks | |
| 79 | No. 37a-b. Your hay it is mow'd | |
| 80 | No. 38. Fairest isle | |
| 81 | No. 39a. St. George, the patron of our isle | |
| 82 | No. 39b. Our natives not alone appear | |
| 83 | No. 40. Fifth act tune (Trumpet tune) | |
| 84 | App. 1. Song tune: Come if you dare | |
| 85 | App. 2. Song tune: Round thy coasts | |
| 86 | App. 3. Song tune: Fairest isle | |
| 87 | App. 4. St. George the patron |
Alben mit diesem Werk
[Zeige 1-25 von 338]
| Album | Besetzung | ||
|---|---|---|---|
| Baroque Music for Brass and Organ Empire Brass
Sätze aus diesem Werk Overture and Allegro
Aufnahmeort und Datum Luther College, Decorah, IA [2002] |
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| Baroque Music for Brass and Organ [Hybrid SACD] Empire Brass
Sätze aus diesem Werk Overture and Allegro
Aufnahmeort und Datum Luther College, Decorah, IA [2002] |
| ||
| Baroque Collection Various Artists
Sätze aus diesem Werk Suite: Trumpet Tune/Air/Symphony/Hornpipe/Passacaglia |
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| Purcell: Theatre Music Various Artists
Sätze aus diesem Werk Trumpet Tune
Aufnahmeort und Datum EMI Abbey Road Studios, London, England [1965] |
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| Purcell: Theatre Music Various Artists
Sätze aus diesem Werk Second Music
Aufnahmeort und Datum EMI Abbey Road Studios, London, England [1965] |
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| Purcell: Theatre Music Various Artists
Sätze aus diesem Werk Symphony
Aufnahmeort und Datum EMI Abbey Road Studios, London, England [1965] |
| ||
| Purcell: Theatre Music Various Artists
Sätze aus diesem Werk Passacaglia
Aufnahmeort und Datum EMI Abbey Road Studios, London, England [1965] |
| ||
| Purcell: Theatre Music Various Artists
Sätze aus diesem Werk Aria Of Venus: "Fairest Isle, All Isles Excelling"
Aufnahmeort und Datum EMI Abbey Road Studios, London, England [1965] |
| ||
| Purcell: Theatre Music Various Artists
Sätze aus diesem Werk Second Act Tune
Aufnahmeort und Datum EMI Abbey Road Studios, London, England [1965] |
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| Purcell:King Arthur William Christie
Aufnahmeort und Datum Salle Berthier, Paris, France [1996] |
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| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 1. Overture
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
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| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 2. Aire
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
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| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 3. Aire
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
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| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 4. Song Tune: Fairest isle
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
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| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 5. Hornpipe
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 6. Aire
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 7. Song Tune: How blest are shepherds
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 8. Aire
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
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| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 9. Song Tune: Round thy coast
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 10. Song Tune: Come, if you dare
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 11. Trumpet Tune
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk Trumpet Tune
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
| ||
| Henry Purcell: Ayres for the Theatre Jeanne Lamon
Sätze aus diesem Werk 13. Chacone
Aufnahmeort und Datum Glenn Gould Studio, Toronto, Ontario, Canada [1994] |
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| Henry Purcell: King Arthur Trevor Pinnock
Aufnahmeort und Datum Henry Wood Hall, London, England [1991] |
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| Music for Strings Leopold Stokowski
Sätze aus diesem Werk Hornpipe
Aufnahmeort und Datum Riverside Plaza Hotel, New York, NY [1958] |
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