Henry Purcell: Greatest Works
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| Artist | Deller Consort |
| Bewertung | |
| Epoche | Barock (1600-1749) |
| Label | Harmonia Mundi |
| Erschienen |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Ouverture & Air | 2:22 | ||
| 2 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 1, scene 2 | 2:11 | ||
| 3 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 2, scene 2 | 7:47 | ||
| 4 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 3, scene 2, début | 5:02 | ||
| 5 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, Ye Blust'ring Brethren of the Skies | 1:17 | ||
| 6 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, Symphonie | 4:01 | ||
| 7 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, Song Tune | 4:23 | ||
| 8 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, Fairest Isle | 5:05 | ||
| 9 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, Trumpet Tune | 1:36 | ||
| 10 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, St. George, the Patron of our Isle | 2:55 | ||
| 11 | King Arthur, or, The British Worthy, semi-opera, Z. 628 - Act 5, scene 2, Chaconne | 2:49 | ||
| 12 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 2:41 | ||
| 13 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 16:16 | ||
| 14 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 9:53 | ||
| 15 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 10:58 | ||
| 16 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 3:26 | ||
| 17 | Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & continuo, Z. 331 | 1:56 | ||
| 18 | Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & continuo, Z. 331 | 2:41 | ||
| 19 | Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & continuo, Z. 331 | 3:38 | ||
| 20 | Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & continuo, Z. 331 | :38 | ||
| 21 | Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & continuo, Z. 331 | 3:49 | ||
| 22 | Love's goddess sure was blind (Birthday Ode for Queen Mary), for soloists, chorus, 2 recorders & continuo, Z. 331 | 3:40 | ||
| 23 | Te Deum and Jubilate Deo, for soloists, chorus & instruments in D major, Z. 232 - Te Deum | 15:03 | ||
| 24 | Te Deum and Jubilate Deo, for soloists, chorus & instruments in D major, Z. 232 - Jubilate Deo | 8:22 | ||
| 25 | In guilty night, sacred song, Z. 134 | 9:25 | ||
| 26 | Man that is born of a woman, anthem for soprano, alto, tenor, chorus & organ, Z. 27 | 10:59 |
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