Guillaume Dufay: Cathedral Sounds (Magnificat, Hymni, Motetti)
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| Artist | Clemencic Consort |
| Bewertung | |
| Epoche | Renaissance (1450-1599) |
| Label | Arte Nova |
| Erschienen | 2002 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Modocomor, chanson (Buxheimer Orgelbuch) (after Dufay) | 2:18 | ||
| 1 | Modocomor, chanson (Buxheimer Orgelbuch) (after Dufay) | 2:18 | ||
| 2 | Gaude virgo, mater Christi, cantilena motet for 4 voices | 3:52 | ||
| 2 | Gaude virgo, mater Christi, cantilena motet for 4 voices | 3:52 | ||
| 3 | Magnificat octavi toni, for 2 or 3 voices | 6:30 | ||
| 3 | Magnificat octavi toni, for 2 or 3 voices | 6:30 | ||
| 4 | Par le regard de vos beaux yeux, rondeau for 3 voices | 1:58 | ||
| 4 | Par le regard de vos beaux yeux, rondeau for 3 voices | 1:58 | ||
| 5 | Letabundus exsultet, sequence for 3 voices | 4:38 | ||
| 5 | Letabundus exsultet, sequence for 3 voices | 4:38 | ||
| 6 | Or me veult bien Esperance mentir, ballade for 3 voices ("Portugaler") (doubtful) | 2:53 | ||
| 6 | Or me veult bien Esperance mentir, ballade for 3 voices ("Portugaler") (doubtful) | 2:53 | ||
| 7 | Flos florum, cantilena motet for 3 voices | 3:29 | ||
| 7 | Flos florum, cantilena motet for 3 voices | 3:29 | ||
| 8 | Se la face ay pale, ballade for 3 voices | 1:36 | ||
| 8 | Se la face ay pale, ballade for 3 voices | 1:36 | ||
| 9 | Conditor alme siderum, hymn for 3 voices | 3:39 | ||
| 9 | Conditor alme siderum, hymn for 3 voices | 3:39 | ||
| 10 | Fulgens iubar ecclesie, isorhythmic motet for 4 voices | 8:03 | ||
| 10 | Fulgens iubar ecclesie, isorhythmic motet for 4 voices | 8:03 | ||
| 11 | Franc cuer gentil, sur toutes gracieuse, rondeau for 3 voices | 1:46 | ||
| 11 | Franc cuer gentil, sur toutes gracieuse, rondeau for 3 voices | 1:46 | ||
| 12 | Ave maris stella, hymn for 3 voices (2 versions) | 4:25 | ||
| 12 | Ave maris stella, hymn for 3 voices (2 versions) | 4:25 | ||
| 13 | Se la face ay pale, ballade for 3 voices | 1:38 | ||
| 13 | Se la face ay pale, ballade for 3 voices | 1:38 | ||
| 14 | Gloria, for 3 voices (also attributed to Hugo de Lantins) | 6:07 | ||
| 14 | Gloria, for 3 voices (also attributed to Hugo de Lantins) | 6:07 | ||
| 15 | Credo, for 3 voices | 6:52 | ||
| 15 | Credo, for 3 voices | 6:52 |
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