Fairest Isle
0
 
					TickIt!
				
 | Artist | Barbara Bonney | 
| Bewertung |  | 
| Epoche | Renaissance (1450-1599) | 
| Label | Decca | 
| Erschienen | 2001 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs) |  | 2:44 | 
| 1 |  | Come again, sweet love doth now invite, for 4 voices & lute (First Book of Songs) |  | 2:44 | 
| 2 |  | If my complaints could passions move, for 4 voices & lute (First Book of Songs) |  | 4:39 | 
| 2 |  | If my complaints could passions move, for 4 voices & lute (First Book of Songs) |  | 4:39 | 
| 3 |  | Away with these self-loving lads, for 4 voices & lute (First Book of Songs) |  | 2:05 | 
| 3 |  | Away with these self-loving lads, for 4 voices & lute (First Book of Songs) |  | 2:05 | 
| 4 |  | Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) |  | 4:48 | 
| 4 |  | Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) |  | 4:48 | 
| 5 |  | Never Weather-Beaten Sail for voice, lute & bass viol |  | 2:20 | 
| 5 |  | Never Weather-Beaten Sail for voice, lute & bass viol |  | 2:20 | 
| 6 |  | Sypres Curten of the Night Is Spread, for voice, lute & bass viol |  | 5:30 | 
| 6 |  | Sypres Curten of the Night Is Spread, for voice, lute & bass viol |  | 5:30 | 
| 7 |  | It was a lover and his lass, song for voice with lute & bass viol |  | 3:27 | 
| 7 |  | It was a lover and his lass, song for voice with lute & bass viol |  | 3:27 | 
| 8 |  | O Lord, how vain, sacred song for voice & 4 viols |  | 7:26 | 
| 8 |  | O Lord, how vain, sacred song for voice & 4 viols |  | 7:26 | 
| 9 |  | Fantasia for 4 viols No. 9 |  | 3:36 | 
| 9 |  | Fantasia for 4 viols No. 9 |  | 3:36 | 
| 10 |  | Though Amaryllis dance in green, madrigal for 5 voices (SSATB) |  | 3:11 | 
| 10 |  | Though Amaryllis dance in green, madrigal for 5 voices (SSATB) |  | 3:11 | 
| 11 |  | If music be the food of love, song, Z. 379 (3 settings) - First setting, 1692 |  | 2:06 | 
| 11 |  | If music be the food of love, song, Z. 379 (3 settings) - First setting, 1692 |  | 2:06 | 
| 12 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air, for orchestra |  | 1:40 | 
| 12 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air, for orchestra |  | 1:40 | 
| 13 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air, for orchestra |  | 1:24 | 
| 13 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air, for orchestra |  | 1:24 | 
| 14 |  | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 |  | 7:41 | 
| 14 |  | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 |  | 7:41 | 
| 15 |  | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 |  | 2:31 | 
| 15 |  | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 |  | 2:31 | 
| 16 |  | She loves and she confesses too, song, Z. 413 |  | 2:21 | 
| 16 |  | She loves and she confesses too, song, Z. 413 |  | 2:21 | 
| 17 |  | Dido and Aeneas, opera, Z. 626 - Dido's Lament (Thy hand, Belinda...When I am laid in earth) |  | 4:45 | 
| 17 |  | Dido and Aeneas, opera, Z. 626 - Dido's Lament (Thy hand, Belinda...When I am laid in earth) |  | 4:45 | 
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