The Symphony of Harmony and Invention
0
TickIt!
| Artist | The Sixteen |
| Bewertung | |
| Epoche | Barock (1600-1749) |
| Label | Linn Records |
| Erschienen | 2000 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Crucifixus, for chorus & organ | 4:56 | ||
| 1 | Crucifixus, for chorus & organ | 4:56 | ||
| 2 | Meine Seele erhebt den Herren, for double chorus & continuo ("German Magnificat," Der Schwanengesang), SWV 494 | 6:34 | ||
| 2 | Meine Seele erhebt den Herren, for double chorus & continuo ("German Magnificat," Der Schwanengesang), SWV 494 | 6:34 | ||
| 3 | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Chorale: Jesus bleibet meine Freude | 2:45 | ||
| 3 | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174) - Chorale: Jesus bleibet meine Freude | 2:45 | ||
| 4 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Magnificat | 2:52 | ||
| 4 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Magnificat | 2:52 | ||
| 5 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Et Exsultavit | 2:24 | ||
| 5 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Et Exsultavit | 2:24 | ||
| 6 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quia Respexit | 2:12 | ||
| 6 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quia Respexit | 2:12 | ||
| 7 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Omnes Generationes | 1:13 | ||
| 7 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Omnes Generationes | 1:13 | ||
| 8 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quai Fecit Mihi Magna | 2:12 | ||
| 8 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Quai Fecit Mihi Magna | 2:12 | ||
| 9 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Et Misericordia | 3:37 | ||
| 9 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Et Misericordia | 3:37 | ||
| 10 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Fecit Poetntiam | 1:51 | ||
| 10 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Fecit Poetntiam | 1:51 | ||
| 11 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Deposuit Potentes | 2:00 | ||
| 11 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Deposuit Potentes | 2:00 | ||
| 12 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Esurientes Implevit Bonis | 2:56 | ||
| 12 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Esurientes Implevit Bonis | 2:56 | ||
| 13 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Suscepit Israel | 2:09 | ||
| 13 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Suscepit Israel | 2:09 | ||
| 14 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Sicut Locutus Est | 1:32 | ||
| 14 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Sicut Locutus Est | 1:32 | ||
| 15 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Gloria Patri | 2:11 | ||
| 15 | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) - Gloria Patri | 2:11 | ||
| 16 | Nacket bin ich vom Mutterleibe kommen, for double chorus & continuo ("Concert...in Form einer teutschen Missa"), SWV 279 (Op. 7/1) | 20:51 | ||
| 16 | Nacket bin ich vom Mutterleibe kommen, for double chorus & continuo ("Concert...in Form einer teutschen Missa"), SWV 279 (Op. 7/1) | 20:51 | ||
| 17 | Herr, wenn ich nur dich, motet for double chorus & continuo, SWV 280 (Op. 7/2) | 2:56 | ||
| 17 | Herr, wenn ich nur dich, motet for double chorus & continuo, SWV 280 (Op. 7/2) | 2:56 | ||
| 18 | Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3) | 4:31 | ||
| 18 | Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3) | 4:31 |
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