Repertoire for Women's Voices, Vol. 3
0
 
					TickIt!
				
 | Artist | Sigrid Johnson | 
| Bewertung |  | 
| Epoche | () | 
| Label | St. Olaf Records | 
| Erschienen | 2002 | 
Klassik-Werke auf diesem Album
| # |  | Werk/Besetzung |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Awake and Sing, for women's chorus |  | 3:12 | 
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| 2 |  | A Maid Peerless, for female chorus & strings/piano |  | 4:52 | 
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| 3 |  | God Be in My Head, for women's chorus |  | 3:15 | 
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| 4 |  | How Excellent Thy Name, for chorus & organ, Op. 41 |  | 4:11 | 
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| 5 |  | Songs of Innocence, for women's chorus |  | 7:17 | 
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| 6 |  | Linden Lea, song for voice & orchestra ("In Linden Lea"; "A Dorset Song") |  | 2:32 | 
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| 7 |  | Ah! si mon moine voulait danser!, carol (French) |  | 2:21 | 
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| 8 |  | Missa Brevis in C minor |  | 18:25 | 
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| 9 |  | Come, All Musicians, Come!, for women's chorus (after Hans Leo Hassler) |  | 2:23 | 
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| 10 |  | Ave Maria, for female chorus, Op. 9b, H. 49 |  | 4:13 | 
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| 11 |  | Go Down Moses |  | 4:22 | 
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| 12 |  | Blessing, for women's chorus (after Bach) |  | 2:13 | 
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Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Awake and Sing, for women's chorus |  | 3:12 | 
| 2 |  | A Maid Peerless, for female chorus & strings/piano |  | 4:52 | 
| 3 |  | God Be in My Head, for women's chorus |  | 3:15 | 
| 4 |  | How Excellent Thy Name, for chorus & organ, Op. 41 |  | 4:11 | 
| 5 |  | Songs of Innocence, for women's chorus |  | 7:17 | 
| 6 |  | Linden Lea, song for voice & orchestra ("In Linden Lea"; "A Dorset Song") |  | 2:32 | 
| 7 |  | Ah! si mon moine voulait danser!, carol (French) |  | 2:21 | 
| 8 |  | Missa Brevis in C minor - [Part 1] |  | 11:01 | 
| 9 |  | Missa Brevis in C minor - [Part 2] |  | 3:39 | 
| 10 |  | Missa Brevis in C minor - [Part 3] |  | 3:45 | 
| 11 |  | Come, All Musicians, Come!, for women's chorus (after Hans Leo Hassler) |  | 2:23 | 
| 12 |  | Ave Maria, for female chorus, Op. 9b, H. 49 |  | 4:13 | 
| 13 |  | Go Down Moses |  | 4:22 | 
| 14 |  | Blessing, for women's chorus (after Bach) |  | 2:13 | 
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