Shostakovich: Romances & Monologues

Artist	Sergei Leiferkus
Bewertung
Epoche	Modern (1910-1949)
Label	Koch Schwann
Erschienen	2001

Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		Preface to the Complete Collection of My Work and Thoughts, song for bass & piano, Op. 123		2:28
		Komponist: Dmitry Shostakovich Baß: Sergei Leiferkus Piano, Klavier: Semion Skigin
2		Songs (5) from the journal Krokodil, for bass & piano, Op. 121		10:55
		Komponist: Dmitry Shostakovich Baß: Sergei Leiferkus Piano, Klavier: Semion Skigin
3		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98		13:35
		Komponist: Dmitry Shostakovich Baß: Sergei Leiferkus Piano, Klavier: Semion Skigin
4		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a)		16:32
		Komponist: Dmitry Shostakovich Baß: Sergei Leiferkus Piano, Klavier: Semion Skigin
5		Monologues (4), for voice & piano, Op. 91		14:02
		Komponist: Dmitry Shostakovich Baß: Sergei Leiferkus Piano, Klavier: Semion Skigin

Tracks auf diesem Album

#		Titel		Dauer
1		Preface to the Complete Collection of My Work and Thoughts, song for bass & piano, Op. 123		-
1		Preface to the Complete Collection of My Work and Thoughts, song for bass & piano, Op. 123		-
2		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 1, "The evidence of one's own manuscript"		-
2		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 1, "The evidence of one's own manuscript"		-
3		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 2, "A desire too difficult to gratify"		-
3		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 2, "A desire too difficult to gratify"		-
4		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 3, "Discretion"		-
4		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 3, "Discretion"		-
5		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 4, "Irinka and the Shepherd"		-
5		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 4, "Irinka and the Shepherd"		-
6		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 5, "Too much delight"		-
6		Songs (5) from the journal Krokodil, for bass & piano, Op. 121 - No. 5, "Too much delight"		-
7		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 1, "The Day of our First Meeting"		-
7		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 1, "The Day of our First Meeting"		-
8		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 2, "The Day of Declaration of Love"		-
8		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 2, "The Day of Declaration of Love"		-
9		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 3, "The Day of Tiffs"		-
9		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 3, "The Day of Tiffs"		-
10		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 4, "The Day of Happiness"		-
10		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 4, "The Day of Happiness"		-
11		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 5, "The Day of Reminiscences"		-
11		Romances (5) to Poems by Dolmatovsky for bass & piano, Op. 98 - No. 5, "The Day of Reminiscences"		-
12		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 1, "The Wood, the Weed, the Wag" (To Son)		-
12		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 1, "The Wood, the Weed, the Wag" (To Son)		-
13		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 2, "O, Wert thou in the Cauld Blast" (In the Fields)		-
13		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 2, "O, Wert thou in the Cauld Blast" (In the Fields)		-
14		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 3, "Macpherson before his Execution" (Macpherson Farewell)		-
14		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 3, "Macpherson before his Execution" (Macpherson Farewell)		-
15		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 4, "Jenny": "Coming thro' the Rye"		-
15		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 4, "Jenny": "Coming thro' the Rye"		-
16		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 5, "Sonnet No. 66": "Tired with all these"		-
16		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 5, "Sonnet No. 66": "Tired with all these"		-
17		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 6, "The King's Campaign" (The Grand Old Duke of York)		-
17		Romances (6) to verses by English poets, for bass & piano, Op. 62 (orchestrated as Op62a) - No. 6, "The King's Campaign" (The Grand Old Duke of York)		-
18		Monologues (4), for voice & piano, Op. 91 - No. 1, Estrangements"		-
18		Monologues (4), for voice & piano, Op. 91 - No. 1, Estrangements"		-
19		Monologues (4), for voice & piano, Op. 91 - No. 2, "What does my name mean to you?"		-
19		Monologues (4), for voice & piano, Op. 91 - No. 2, "What does my name mean to you?"		-
20		Monologues (4), for voice & piano, Op. 91 - No. 3, "In the depths of the Siberian mines"		-
20		Monologues (4), for voice & piano, Op. 91 - No. 3, "In the depths of the Siberian mines"		-
21		Monologues (4), for voice & piano, Op. 91 - No. 4, "Farewell"		-
21		Monologues (4), for voice & piano, Op. 91 - No. 4, "Farewell"		-

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