Ferruccio Busoni: Transcriptions after J.S. Bach
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 | Artist | John Ogdon | 
| Bewertung |  | 
| Epoche | Post-Romatische Musik (1870-1909) | 
| Label | Altarus | 
| Erschienen | 2005 | 
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Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata in C Major (after J.S. Bach) - 1. Preludio, quasi improvvisando. Tempo moderato |  | 6:58 | 
| 1 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata in C Major (after J.S. Bach) - 1. Preludio, quasi improvvisando. Tempo moderato |  | 6:58 | 
| 2 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata in C Major (after J.S. Bach) - 2. Intermezzo. Adagio |  | 6:36 | 
| 2 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata in C Major (after J.S. Bach) - 2. Intermezzo. Adagio |  | 6:36 | 
| 3 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata in C Major (after J.S. Bach) - 3. Fuga. Moderatamente scherzando, un poco umoristico |  | 4:54 | 
| 3 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata in C Major (after J.S. Bach) - 3. Fuga. Moderatamente scherzando, un poco umoristico |  | 4:54 | 
| 4 |  | Nun komm' der Heiden Heiland, transcription for piano (after J. S. Bach, BWV 659; Ten Chorale Preludes No. 3), KiV B27/3 - Book 1. No. 3. Nun komm' der Heiden Heiland |  | 4:59 | 
| 4 |  | Nun komm' der Heiden Heiland, transcription for piano (after J. S. Bach, BWV 659; Ten Chorale Preludes No. 3), KiV B27/3 - Book 1. No. 3. Nun komm' der Heiden Heiland |  | 4:59 | 
| 5 |  | Ich ruf' zu dir, transcription for piano (after J.S. Bach, BWV 639; Ten Chorale Preludes No. 5), KiV B27/5 |  | 3:31 | 
| 5 |  | Ich ruf' zu dir, transcription for piano (after J.S. Bach, BWV 639; Ten Chorale Preludes No. 5), KiV B27/5 |  | 3:31 | 
| 6 |  | Durch Adams Fall ist ganz verdebt (I), transcription for piano (after J.S. Bach, BWV 637; Ten Chorale Preludes No. 7), KiV B27/7 |  | 2:24 | 
| 6 |  | Durch Adams Fall ist ganz verdebt (I), transcription for piano (after J.S. Bach, BWV 637; Ten Chorale Preludes No. 7), KiV B27/7 |  | 2:24 | 
| 7 |  | Durch Adams Fall ist ganz verdebt (II), transcription for piano (after J.S. Bach, BWV 705; Ten Chorale Preludes No. 8), KiV B27/8 |  | 5:12 | 
| 7 |  | Durch Adams Fall ist ganz verdebt (II), transcription for piano (after J.S. Bach, BWV 705; Ten Chorale Preludes No. 8), KiV B27/8 |  | 5:12 | 
| 8 |  | Jesus Christus, unser Heiland, transcription for piano (after J.S. Bach, BWV 665; Ten Chorale Preludes No. 10), KiV B27/10 |  | 4:15 | 
| 8 |  | Jesus Christus, unser Heiland, transcription for piano (after J.S. Bach, BWV 665; Ten Chorale Preludes No. 10), KiV B27/10 |  | 4:15 | 
| 9 |  | Praeludium & Fuge, transcription for piano in E flat major "St. Anne" (after J. S. Bach, BWV 552), KiV B22 |  | 13:50 | 
| 9 |  | Praeludium & Fuge, transcription for piano in E flat major "St. Anne" (after J. S. Bach, BWV 552), KiV B22 |  | 13:50 | 
| 10 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata and Fugue in d minor (after J.S. Bach) |  | 8:33 | 
| 10 |  | Toccatas, transcriptions (2) for piano in D minor & C major (BWV 564/565; BBGA 7/3), KiV B29 - Toccata and Fugue in d minor (after J.S. Bach) |  | 8:33 | 
| 11 |  | Chaconne, transcription for piano in D minor (after J. S. Bach, BWV 1004), KiV B24 |  | 14:28 | 
| 11 |  | Chaconne, transcription for piano in D minor (after J. S. Bach, BWV 1004), KiV B24 |  | 14:28 | 
| 12 |  | Fantasia contrappuntistica (I), for piano ("Edizione definitiva"), KiV 256 |  | 32:46 | 
| 12 |  | Fantasia contrappuntistica (I), for piano ("Edizione definitiva"), KiV 256 |  | 32:46 | 
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