Ernst Von Dohnanyi Piano Works, Vol.2

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TickIt!
Artist Jenö Jandó
Bewertung  von 5
Epoche Post-Romatische Musik (1870-1909)
Label Koch Schwann
Erschienen 1995



Klassik-Werke auf diesem Album

# Werk/Besetzung Dauer
1 Pieces (4) for piano, Op. 2 28:53
2 Pastorale on the Hungarian Christmas Song: An Angel from Heaven, for piano 5:51
3 Humoresques in the Form of a Suite, for piano, Op. 17 26:43

Tracks auf diesem Album

# Titel Dauer
1 Pieces (4) for piano, Op. 2 - No. 1, Scherzo in C sharp minor 7:13
1 Pieces (4) for piano, Op. 2 - No. 1, Scherzo in C sharp minor 7:13
2 Pieces (4) for piano, Op. 2 - No. 2, Intermezzo in A minor 5:25
2 Pieces (4) for piano, Op. 2 - No. 2, Intermezzo in A minor 5:25
3 Pieces (4) for piano, Op. 2 - No. 3, Intermezzo in F minor 7:43
3 Pieces (4) for piano, Op. 2 - No. 3, Intermezzo in F minor 7:43
4 Pieces (4) for piano, Op. 2 - No. 4, Capriccio in B flat minor 8:32
4 Pieces (4) for piano, Op. 2 - No. 4, Capriccio in B flat minor 8:32
5 Pastorale on the Hungarian Christmas Song: An Angel from Heaven, for piano 5:51
5 Pastorale on the Hungarian Christmas Song: An Angel from Heaven, for piano 5:51
6 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 1, March 3:42
6 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 1, March 3:42
7 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 2, Toccata 4:18
7 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 2, Toccata 4:18
8 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 3, Pavane with Variations (on a 16th century theme: Gaudeamus Igitur) 6:19
8 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 3, Pavane with Variations (on a 16th century theme: Gaudeamus Igitur) 6:19
9 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 4, Pastorale, canon 4:56
9 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 4, Pastorale, canon 4:56
10 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 5, Introduction & Fugue 7:28
10 Humoresques in the Form of a Suite, for piano, Op. 17 - No. 5, Introduction & Fugue 7:28

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