Heinrich Ignaz Franz Biber: Marienvesper

Artist	Christopher Robson
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Epoche	()
Label	Ars Musici
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Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		Sonata for violin, 2 violas & continuo No. 8 in B flat major (Fidicinium Sacro-Profanum No. 8), C. 85		4:10
		Komponist: Heinrich Ignaz Franz von Biber Dirigent: Howard Arman Ensemble, Besetzung: Salzburger Barokensemble
2		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97)		29:08
		Komponist: Heinrich Ignaz Franz von Biber Sopranist: Kym Amps Dirigent: Howard Arman Chordirektor: Frater Gottfried Meier Altstimme, Kontratenor: Christopher Robson Tenor, Tenorstimme: Anton Rosner Chor: Salzburger Bachchor Ensemble, Besetzung: Salzburger Barokensemble Chor: Salzburg Schola des Kollegs St. Benedikt Baß: Albert Hartinger
3		Sonata for violin, 2 violas & continuo No. 9 in G major (Fidicinium Sacro-Profanum No. 9), C. 86		7:18
		Komponist: Heinrich Ignaz Franz von Biber Dirigent: Howard Arman Ensemble, Besetzung: Salzburger Barokensemble

Tracks auf diesem Album

#		Titel		Dauer
1		Sonata for violin, 2 violas & continuo No. 8 in B flat major (Fidicinium Sacro-Profanum No. 8), C. 85		4:10
2		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Dum esset rex		:21
3		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Dixit Dominus		3:41
4		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Dum esset rex		:21
5		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Laeva ejus		:19
6		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Laudate pueri		3:59
7		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Laeva ejus		:18
8		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Jam hiems		:21
9		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Laetatus sum		4:20
10		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Jam hiems		:24
11		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Nigra sum		:23
12		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Nisi Dominus		4:00
13		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Nigra sum		:27
14		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Speciosa facta es		:20
15		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Lauda Jerusalem		4:12
16		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Antiphon. Speciosa facta es		:20
17		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Ad Magnificat. Beatam me dicent		:21
18		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Magnificat		4:34
19		Vesperae à 32 (2), for 8 solo voices, double chorus, orchestra & continuo in C major, C. 11-12 (B. III 89/97) - Ad Magnificat. Beatam me dicent		:27
20		Sonata for violin, 2 violas & continuo No. 9 in G major (Fidicinium Sacro-Profanum No. 9), C. 86		7:18

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