Igor Markevitch: The Musical Offering
0
TickIt!
| Artist | Christopher Lyndon-Gee |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Marco Polo |
| Erschienen | 2004 |
Klassik-Werke auf diesem Album
| # | Werk/Besetzung | Dauer | ||
|---|---|---|---|---|
| 1 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet | 51:46 | ||
| ||||
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 1. Ricercare a 3 Voci | 6:34 | ||
| 1 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 1. Ricercare a 3 Voci | 6:34 | ||
| 2 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Tema | :28 | ||
| 2 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Tema | :28 | ||
| 3 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon a 2, Cancrizans | 1:05 | ||
| 3 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon a 2, Cancrizans | 1:05 | ||
| 4 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus super Thema Regium | 1:09 | ||
| 4 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus super Thema Regium | 1:09 | ||
| 5 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium | :38 | ||
| 5 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium | :38 | ||
| 6 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon in Unisono | :35 | ||
| 6 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon in Unisono | :35 | ||
| 7 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium (Quaerendo invenietis) | :32 | ||
| 7 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium (Quaerendo invenietis) | :32 | ||
| 8 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium: Inversus Var. Vae | :31 | ||
| 8 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Motum Contrarium: Inversus Var. Vae | :31 | ||
| 9 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Fuga Canonica in Epidiapente | 2:18 | ||
| 9 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Fuga Canonica in Epidiapente | 2:18 | ||
| 10 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Augmentationem contrario motu | 2:03 | ||
| 10 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Per Augmentationem contrario motu | 2:03 | ||
| 11 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Per Tonos | 3:19 | ||
| 11 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Per Tonos | 3:19 | ||
| 12 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus a 4 | 4:27 | ||
| 12 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 2. Tema e Variazioni. Canon Perpetuus a 4 | 4:27 | ||
| 13 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Largo | 5:04 | ||
| 13 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Largo | 5:04 | ||
| 14 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro (with Orchestral interpolations) | 6:27 | ||
| 14 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro (with Orchestral interpolations) | 6:27 | ||
| 15 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Andante | 3:01 | ||
| 15 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Andante | 3:01 | ||
| 16 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro giusto ('Canon concertante', i.e. Canon Perpetuus) | 1:04 | ||
| 16 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Allegro giusto ('Canon concertante', i.e. Canon Perpetuus) | 1:04 | ||
| 17 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Tempo di Giga | 3:42 | ||
| 17 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 3. Sonata. Tempo di Giga | 3:42 | ||
| 18 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 4. Fuga (Ricercar) a 6 Voci | 8:49 | ||
| 18 | The Musical Offering (after J.S. Bach), for 3 orchestral groups & solo quartet - 4. Fuga (Ricercar) a 6 Voci | 8:49 |
Bewertungen zu Igor Markevitch: The Musical Offering
Es wurde noch kein Kommentar zu diesem Album abgegeben