Copland: Motets; Duruflé: Gregorian Motets; Tavener: Song for Athene; Etc. [Hybrid SACD]

Artist	Atlanta Symphony Orchestra & Chorus
Bewertung
Epoche	Post-Romatische Musik (1870-1909)
Label	Telarc Distribution
Erschienen	2006

Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		O sacrum convivium!, for voices, I/18		3:15
		Komponist: Olivier Messiaen Chor: Atlanta Symphony Orchestra & Chorus Altstimme, Kontratenor: Donna Carter Altstimme, Kontratenor: Pam Elrod Regisseur: Norman MacKenzie Sopranist: Arietha Lockhart Baß: Timothy W. Gunter Tenor, Tenorstimme: Jeffrey Baxter Sopranist: Anne-Marie Spalinger Altstimme, Kontratenor: Branda Pruitt Baß: Gerard Sundberg Sopranist: Rachel Stewart Begleitung: Todd Skrabanek Tenor, Tenorstimme: Charles Redmon Sopranist: Lisa Rader Baß: Stephen Ozcomert Baß: James Morrow Tenor, Tenorstimme: Sean Mayer Altstimme, Kontratenor: Paige Mathis Baß: Robert Lower Sopranist: Celia Jacobs Tenor, Tenorstimme: Nin Hiles Baß: David Hansen Baß: Steven Darst Altstimme, Kontratenor: Christa Joy Chase Tenor, Tenorstimme: David Blalock
2		Song for Athene, for chorus		6:22
		Komponist: John Tavener Chor: Atlanta Symphony Orchestra & Chorus Regisseur: Norman MacKenzie Begleitung: Todd Skrabanek
3		Mass for soloists & chorus in G minor		23:46
		Komponist: Ralph Vaughan Williams Chor: Atlanta Symphony Orchestra & Chorus Altstimme, Kontratenor: Pam Elrod Regisseur: Norman MacKenzie Sopranist: Arietha Lockhart Begleitung: Todd Skrabanek Baß: James Morrow Tenor, Tenorstimme: Nin Hiles
4		Motets (4) on Gregorian Themes, for chorus, Op.10		7:47
		Komponist: Maurice Duruflé Chor: Atlanta Symphony Orchestra & Chorus Regisseur: Norman MacKenzie Begleitung: Todd Skrabanek
5		Motets (4), for chorus		9:49
		Komponist: Aaron Copland Chor: Atlanta Symphony Orchestra & Chorus Altstimme, Kontratenor: Pam Elrod Regisseur: Norman MacKenzie Sopranist: Arietha Lockhart Begleitung: Todd Skrabanek Baß: James Morrow Tenor, Tenorstimme: Nin Hiles
6		O sacrum convivium (also set as "I call and cry to thee" and "O sacred and holy banquet"), motet for 5 voices, P. 210		3:12
		Komponist: Thomas Tallis Chor: Atlanta Symphony Orchestra & Chorus Altstimme, Kontratenor: Donna Carter Altstimme, Kontratenor: Pam Elrod Regisseur: Norman MacKenzie Sopranist: Arietha Lockhart Baß: Timothy W. Gunter Tenor, Tenorstimme: Jeffrey Baxter Sopranist: Anne-Marie Spalinger Altstimme, Kontratenor: Branda Pruitt Baß: Gerard Sundberg Sopranist: Rachel Stewart Begleitung: Todd Skrabanek Tenor, Tenorstimme: Charles Redmon Sopranist: Lisa Rader Baß: Stephen Ozcomert Baß: James Morrow Tenor, Tenorstimme: Sean Mayer Altstimme, Kontratenor: Paige Mathis Baß: Robert Lower Sopranist: Celia Jacobs Tenor, Tenorstimme: Nin Hiles Baß: David Hansen Baß: Steven Darst Altstimme, Kontratenor: Christa Joy Chase Tenor, Tenorstimme: David Blalock

Tracks auf diesem Album

#		Titel		Dauer
1		O sacrum convivium!, for voices, I/18		3:15
2		Song for Athene, for chorus		6:22
3		Mass for soloists & chorus in G minor - I. Kyrie		3:39
4		Mass for soloists & chorus in G minor - II. Gloria		4:14
5		Mass for soloists & chorus in G minor - III. Credo		6:34
6		Mass for soloists & chorus in G minor - IV. Sanctus-Benedictus. Sanctus		1:47
7		Mass for soloists & chorus in G minor - IV. Sanctus-Benedictus. Osanna I		:56
8		Mass for soloists & chorus in G minor - IV. Sanctus-Benedictus. Benedictus		1:50
9		Mass for soloists & chorus in G minor - IV. Sanctus-Benedictus. Osanna II		:33
10		Mass for soloists & chorus in G minor - V. Agnus dei		4:13
11		Motets (4) on Gregorian Themes, for chorus, Op.10 - Ubi caritas		2:22
12		Motets (4) on Gregorian Themes, for chorus, Op.10 - Tota pulchra est		2:10
13		Motets (4) on Gregorian Themes, for chorus, Op.10 - Tu es Petrus		:47
14		Motets (4) on Gregorian Themes, for chorus, Op.10 - Tantum ergo		2:28
15		Motets (4), for chorus - Help Us, O Lord		2:20
16		Motets (4), for chorus - Thou, O Jehovah, Abideth Forever		2:27
17		Motets (4), for chorus - Have Mercy on Us, O My Lord		3:07
18		Motets (4), for chorus - Sing Ye Praises to Our King		1:55
19		O sacrum convivium (also set as "I call and cry to thee" and "O sacred and holy banquet"), motet for 5 voices, P. 210		3:12

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