A Night at the Opera
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 | Artist | Anthony Goldstone | 
| Bewertung | |
| Epoche | Romantische Musik (1820-1869) | 
| Label | Divine Art | 
| Erschienen | 2008 | 
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187) | 6:53 | ||
| 1 | Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187) | 6:53 | ||
| 2 | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | 3:23 | ||
| 2 | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") | 3:23 | ||
| 3 | Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Introduction | 4:22 | ||
| 3 | Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Introduction | 4:22 | ||
| 4 | Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Theme and Variations 1 - 4 | 6:05 | ||
| 4 | Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Theme and Variations 1 - 4 | 6:05 | ||
| 5 | Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Variation 5. Adagio - Alla Polacca | 6:29 | ||
| 5 | Variations on "La ci darem" from Mozart's Don Giovanni, for piano & orchestra in B flat major, Op. 2, CT. 225 - Variation 5. Adagio - Alla Polacca | 6:29 | ||
| 6 | The Flight of the Bumble Bee, musical picture for orchestra (from The Tale of Tsar Saltan) | 1:09 | ||
| 6 | The Flight of the Bumble Bee, musical picture for orchestra (from The Tale of Tsar Saltan) | 1:09 | ||
| 7 | Ramble on Love, for piano (after the Love Duet from Richard Strauss' "Der Rosenkavalier;" FS 4) | 6:22 | ||
| 7 | Ramble on Love, for piano (after the Love Duet from Richard Strauss' "Der Rosenkavalier;" FS 4) | 6:22 | ||
| 8 | Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77) - Tempo giusto - Quasi andante - Allegro deciso - Recitativo | 8:08 | ||
| 8 | Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77) - Tempo giusto - Quasi andante - Allegro deciso - Recitativo | 8:08 | ||
| 9 | Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77) - Andante con agitazione - Più lento - Molto più animato - Tempestuoso - Presto con furia - Meno alle | 8:54 | ||
| 9 | Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77) - Andante con agitazione - Più lento - Molto più animato - Tempestuoso - Presto con furia - Meno alle | 8:54 | ||
| 10 | Sonatina super Carmen, for piano (No. 6), KiV 284 | 7:56 | ||
| 10 | Sonatina super Carmen, for piano (No. 6), KiV 284 | 7:56 | ||
| 11 | Tristan und Isolde, opera, WWV 90 - Isoldes Liebestod | 6:56 | ||
| 11 | Tristan und Isolde, opera, WWV 90 - Isoldes Liebestod | 6:56 | ||
| 12 | Fantasy on "The Last Rose of Summer" for piano in E major, Op. 15 | 6:51 | ||
| 12 | Fantasy on "The Last Rose of Summer" for piano in E major, Op. 15 | 6:51 | ||
| 13 | Arrangement for piano of Johann Strauss II's "Soirée de Vienne", Op. 56 | 5:49 | ||
| 13 | Arrangement for piano of Johann Strauss II's "Soirée de Vienne", Op. 56 | 5:49 | 
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