| Alma Redemptoris Mater, motet for 5 voices |  |
Renaissance
Choral
|
| Alman Tregian for consort in 5 parts | |
Renaissance
Kammermusik
|
| Almande d'amor for keyboard in G minor | |
Renaissance
Keyboard
|
| Almande for keyboard in D minor | |
Renaissance
Keyboard
|
| Amarilli di Julio Romano (Fitzwilliam Virginal Book) | |
Renaissance
Kammermusik
|
| Amarilli di Julio Romano, keyboard intabulation for keyboard in G minor after Giullio Caccini | |
Barock
Keyboard
|
| Amarilli for keyboard | |
Renaissance
Keyboard
|
| Aria del Gran Duca Ferdinando di Toscana, for consort in 5 parts | |
Renaissance
Kammermusik
|
| Aria, Simpson No 3 | |
Renaissance
Kammermusik
|
| Ascendit Deus for 5 voices | |
Renaissance
Choral
|
| Assumpsit Jesus Petrum, for 2 voices & continuo | |
Renaissance
Choral
|
| Ave gratia plena, motet for 5 voices | |
Renaissance
Choral
|
| Ave Jesu Christe for 8 voices | |
Renaissance
Choral
|
| Ave Maria gratia plena, a 6 | |
Renaissance
|
| Ave Regina Caelorum, antiphon for 5 voices | |
Renaissance
Choral
|
| Ave verum corpus | |
Renaissance
Miscellaneous (Classical)
|
| Ave Verum Corpus, motet for 5 voices | |
Renaissance
Choral
|
| Balla d'amore, Tregian No 7 | |
Renaissance
Kammermusik
|
| Beata Dei Genitrix Maria, for 8 voices & continuo | |
Renaissance
Choral
|
| Benedicam Dominum, for keyboard in G minor (after Orfeo Vecchi) | |
Renaissance
Keyboard
|
| Bon jour mon cueur 1602, FVB 10 (after Lassus) | |
Renaissance
Keyboard
|
| Bon Jour Mon Cueur di Orlando (Fitzwilliam Virginal Book) | |
Renaissance
Kammermusik
|
| Cantabant Sancti, motet for 5 voices | |
Renaissance
Choral
|
| Cantantibus Organis Cecilia, motet for 5 voices | |
Renaissance
Keyboard
|
| Che fa, for keyboard in A minor (after Luca Marenzio) | |
Renaissance
Keyboard
|
