| Mulieres sedentes, motet for 5 voices |  |
Renaissance
Choral
|
| O Beatum et Sacrosanctum Diem for 5 voices | |
Renaissance
Vocal Music
|
| O bone Jesu, 2 voices & continuo | |
Renaissance
Vocal Music
|
| O crux ave spes unica, for 2 voices & continuo | |
Renaissance
Vocal Music
|
| O Crux Splendidior, motet | |
Renaissance
Choral
|
| O crux splendidior, motet for 5 voices | |
Renaissance
Choral
|
| O Dilecte, for voice & continuo | |
Renaissance
Vocal Music
|
| O fons vitae, for 2 voices & continuo | |
Renaissance
Choral
|
| O Maria Mater, motet for 5 voices | |
Renaissance
Choral
|
| O Mistress Mine | |
Renaissance
Miscellaneous (Classical)
|
| O nomen Jesu, motet for 5 voices | |
Renaissance
Choral
|
| O Pastor aeterne, for 8 voices & continuo | |
Renaissance
Choral
|
| O quam bonus et suavis est Dominus, for 2 voices & continuo | |
Renaissance
Choral
|
| O quam suavis est (i), a 8 (1613) | |
Renaissance
Choral
|
| O quam suavis est, Dominus (i), for 2 voices & continuo | |
Renaissance
Choral
|
| O Quam Suavis Est, Dominus (ii), for 8 voices & continuo | |
Renaissance
Choral
|
| O Si Quando Videbo | |
Renaissance
Miscellaneous (Classical)
|
| Passamezzo Pavan and Galliard | |
Renaissance
Kammermusik
|
| Passamezzo Pavana & Galiarda Passamezzo for keyboard in G minor | |
Keyboard
|
| Pavan | |
Renaissance
Kammermusik
|
| Pavan & Galliard | |
Kammermusik
|
| Pavan & Galliard (after Augustine Bassano) (Tregian No. 8) | |
Renaissance
Kammermusik
|
| Pavan & Galliard (after Thomas Morley) (Tregian No. 4) | |
Renaissance
Kammermusik
|
| Pavan 1580, FVB 16 | |
Renaissance
Keyboard
|
| Pavan and Galliard for consort in 5 parts "Dolorosa" | |
Renaissance
Kammermusik
|
