| Seconde leçon de ténèbres du jeudi saint, motet for 2 voices & continuo, H. 103 (Neuf leçons) |  |
Barock
Choral
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| Seconde leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 97 (Neuf leçons) | |
Barock
Choral
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| Seconde leçon de ténèbres du vendredi saint, motet for tenor & contnuo, H. 140 | |
Barock
Choral
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| Seconde leçon de ténèbres du venredi saint, motet for high soprano & continuo, H. 106 (Neuf leçons) | |
Barock
Vocal Music
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| Seconde répons après la seconde leçon du second nocturne du vendredi saint, motet for high soprano, 2 flutes & continuo, H. 134 | |
Barock
Choral
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| Serve bone, antienne pour les vêpres d'un confesseur non pontife, motet for 2 high sopranos & continuo, H. 35 | |
Barock
Choral
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| Sicut pullus hirundinis, motet for 3 voices & continuo, H. 381 (Méditations pour le Carême) | |
Barock
Choral
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| Sola vivebat in antris, motet for 2 voices, 2 flutes & continuo, H. 373 | |
Barock
Choral
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| Sola vivebat in antris, motet for 3 voices & continuo, H. 388 (Méditations pour le Carême) | |
Barock
Choral
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| Sonata for 2 flutes, strings, harpsichord & theorbo, H. 548 | |
Barock
Kammermusik
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| Stabat mater pour des réligieuses, motet for soprano, chorus & continuo, H. 15 | |
Barock
Choral
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| Stabat mater, motet for 3 voices & continuo, H. 387 (Méditations pour le Carême) | |
Barock
Choral
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| Sub tuum praesidium, motet for 3 voices & continuo, H. 20 | |
Barock
Choral
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| Super flumina Babylonis, motet for 3 voices, 2 flutes & continuo, H. 170 | |
Barock
Choral
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| Super flumina Babylonis, motet for 8 voices, double chorus, strings & continuo, H. 171 | |
Barock
Choral
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| Supplication pro defunctis ad beatam Virginem, motet for 3 voices, 3 flutes & continuo, H. 328 | |
Barock
Choral
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| Sur la naissance de Notre Seigneur Jésus Christ, pastoral for 6 voices, chorus, strings & continuo, H. 482 | |
Barock
Miscellaneous (Classical)
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| Symphonie devant Regina, for 2 treble & a bass instrument, H. 509 | |
Barock
Kammermusik
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| Symphonies pour un reposoir, for strings & continuo, H. 515 | |
Barock
Kammermusik
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| Tanquam ad laronem, 1er répons après la 1ère leçon du 2 nocturne, motet for bass voice, 2 flutes, 2 violins & continuo, H. 133 | |
Barock
Choral
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| Te Deum à 4, motet for 5 voices, chorus & continuo, H. 148 | |
Barock
Choral
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| Te Deum à 4, motet for 5 voices, chorus, strings & continuo, H. 147 | |
Barock
Choral
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| Te Deum à 8, motet for 8 voices, chorus, flute, oboe, strings & continuo, H. 145 | |
Barock
Choral
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| Te Deum, motet for 8 voices, chorus & orchestra, H. 146 | |
Barock
Choral
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| Tenebrae factae sunt, 2e répons 1ère leçon du second nocturne du jeudi saint, motet for bass, strings & continuo, H. 129 | |
Barock
Choral
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