| Profitez du printemps, air for high soprano & continuo, H. 495c (Malade imaginaire) |  |
Barock
Vocal Music
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| Pulchra est et decora, motet for 3 voices & continuo, H. 52 (Antiennes por le vêpres) | |
Barock
Choral
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| Quam dilecta tabenacula tua, motet for 3 voices, 2 treble instruments & continuo, H. 186 | |
Barock
Choral
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| Quam dilecta tabernacula tua, motet for 5 voices, chorus, 2 flutes, strings & continuo, H. 167 | |
Barock
Choral
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| Quam pulchra es, motet for 3 voices & continuo, H. 322 | |
Barock
Choral
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| Quare fremuerent gentes, motet for 3 voices, 2 treble instruments & continuo, H. 184 | |
Barock
Choral
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| Quatuor anni tempestates, motets (4) for 2 voices & continuo, H. 335-338 | |
Barock
Choral
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| Que je sens de rudes combats, air for alto (countertenor) & continuo, H. 459 (Airs on Stanzas from Le Cid) | |
Barock
Vocal Music
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| Quemadmodum desiderat cervus, motet for 5 voices, 2 treble instruments & continuo, H. 174 | |
Barock
Choral
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| Quoi! je ne verrai plus, air for alto (or countertenor) & continuo, H. 461 | |
Barock
Vocal Music
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| Quoi! rien ne peut vous arrêter, air for voice & continuo, H. 462 | |
Barock
Vocal Music
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| Regina coeli, motet for 2 high sopranos & instruments in B flat major, H. 32 | |
Barock
Choral
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| Regina coeli, motet for 3 voices & continuo, H. 30 | |
Barock
Choral
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| Rendez-moi mes plaisirs, air for alto (or countertenor) & continuo, H. 463 | |
Barock
Vocal Music
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| Rentrez, trop indiscrets soupirs, air for soprano & continuo, H. 464 | |
Barock
Vocal Music
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| Retirons-nous, fuyons, air for soprano & continuo, H. 465 | |
Barock
Vocal Music
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| Ritornelle et Prélude pour les leçons de ténèbres, for strings & continuo, H. 100 | |
Barock
Kammermusik
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| Ruisseau qui nourris ce bois, air for soprano & continuo, H. 466 | |
Barock
Vocal Music
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| Sacrificium Abrahae, histoire sacrée for 10 voices, chorus, strings & continuo, H. 402 | |
Barock
Choral
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| Salut de la veille des O et les 7 O suivant le Romain, motets (8) for 3 voices & continuo, H. 36-43 | |
Barock
Choral
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| Salve Regina à 3 choeurs, motet for for 3 choruses & continuo, H. 24 | |
Barock
Choral
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| Salve Regina à trois voix pareilles, motet for 3 voices & continuo, H. 23 | |
Barock
Choral
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| Salve Regina, motet for tenor & continuo, H. 27 | |
Barock
Choral
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| Sans frayeur dans ce bois, chaconne for soprano & continuo, H. 467 | |
Barock
Vocal Music
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| Second air pour les le tapisseurs, for strings, H. 495b (Malade imaginaire) | |
Barock
Kammermusik
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