| Aiuli vous sola verdura, for keyboard (after Lupus) |  |
Renaissance
Keyboard
|
| Ancol que col partire, for organ | |
Renaissance
Keyboard
|
| Ardenti miei suspiri (after Verdelot) | |
Renaissance
Keyboard
|
| Aspice Domine (after Josquin) | |
Renaissance
Kammermusik
|
| Ave Maria Jusquin (after Josquin) | |
Renaissance
Keyboard
|
| Ave maris stella con 3 diferencias, for keyboard | |
Renaissance
Keyboard
|
| Ave maris stella, de Hernando de Cabeçon. Lleva el canto llano el contrabaxo | |
Renaissance
Kammermusik
|
| Ave, maris stella VI, hymn | |
Renaissance
Kammermusik
|
| Ayme qui Voldra (after Gomberth) | |
Renaissance
Kammermusik
|
| Beata viscera Mariae.Canto llano, con el baxo a tres, for organ | |
Renaissance
Keyboard
|
| Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) | |
Renaissance
Kammermusik
|
| Benedictus de la missa del home arme.Jusquin | |
Renaissance
Kammermusik
|
| Cancion Francesa | |
Renaissance
Kammermusik
|
| Cancion glosade de a cinco: Susana (Orlando) | |
Renaissance
Keyboard
|
| Christe redemptor | |
Renaissance
Keyboard
|
| Clama neceses. Jusquin | |
Renaissance
Kammermusik
|
| Composiciones a dos partes | |
Renaissance
Kammermusik
|
| Cum sancto spiritu de Beata Virgine | |
Renaissance
Keyboard
|
| De la Virgen que parió, villancico | |
Choral
|
| Die Nobis Maria | |
Renaissance
Keyboard
|
| Diferencia Sobre "El Canto Del Caballero" for organ | |
Renaissance
Keyboard
|
| Diferencia Sobre "El Canto la Dama le Demenda" for organ | |
Renaissance
Keyboard
|
| Diferencia Sobre "El Canto Llano de la Alta" for organ | |
Renaissance
Keyboard
|
| Diferencia Sobre "La Gallarda Milanesa" for organ | |
Renaissance
Keyboard
|
| Diferencia Sobre "Las Vacas" for harpsichord | |
Renaissance
Keyboard
|
