| Quatro Kiryes del cuarto tono |  |
Renaissance
Kammermusik
|
| Quatro Kiryes del primer tono | |
Renaissance
Kammermusik
|
| Quatro Kiryes del quinto tono | |
Renaissance
Kammermusik
|
| Quatro Kiryes del séptimo tono | |
Renaissance
Kammermusik
|
| Quatro Kiryes del sexto tono | |
Renaissance
Kammermusik
|
| Quatro Kiryes del sugundo tono | |
Renaissance
Kammermusik
|
| Quatro Kiryes del tercer tono | |
Renaissance
Kammermusik
|
| Queramus. Moton con 2 y 3 parte | |
Renaissance
Kammermusik
|
| Queramus. Moton con differente glosa con segundo parte | |
Renaissance
Kammermusik
|
| Qui la dira, for keyboard (after Antonio Willaert) | |
Renaissance
Keyboard
|
| Quien llamó al partir partir | |
Renaissance
Kammermusik
|
| Ricercare XVII, from the Musique de Ioye | |
Renaissance
Keyboard
|
| Romance: Para Quien Crie Yo Cabellos | |
Renaissance
Kammermusik
|
| Rugier, glosado de Antonio | |
Renaissance
Kammermusik
|
| Salve Regina | |
Renaissance
Keyboard
|
| Sancta Maria Verdelot (after Verdelot) | |
Renaissance
Keyboard
|
| Si bona susceptimus (after Verdelot) | |
Renaissance
Kammermusik
|
| Si par souffrir, for chorus | |
Renaissance
Choral
|
| Stabat mater dolorosa, for keyboard (after Josquin Desprez) | |
Renaissance
Keyboard
|
| Stabat mater No. 1, for keyboard (after Josquin Desprez) | |
Renaissance
Keyboard
|
| Stabat mater No. 2, for keyboard (after Josquin Desprez) | |
Renaissance
Keyboard
|
| Susana un Jur, Glossada De. . . | |
Renaissance
Vocal Music
|
| Susana, for keyboard (after Lassus) | |
Renaissance
Keyboard
|
| Te lucis ante terminum. Lleva el canto llano el tenor | |
Renaissance
Keyboard
|
| Tiento a 4 del 1 Tono | |
Renaissance
Keyboard
|
