Spoken Word
Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof
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Sätze in Mirjam Wiesemann in Conversation with Prof. Dr. Rainer Bischof
| # | Satz | |
|---|---|---|
| 1 | My Beloved Teacher: Our First Meeting | |
| 2 | First Lesson: "I am a craftsman before I am a genius." | |
| 3 | Contradiction: Between Schoenberg and Berg | |
| 4 | An Introverted, Solitary Man | |
| 5 | His Friendships with Artists | |
| 6 | Skull and Edelweiss | |
| 7 | The Most Talented Lyrical Composer among Schoenberg's Pupils | |
| 8 | Music as a Space to Live - Nature as a Model | |
| 9 | Is the Life of an Artist the Property of the Public? | |
| 10 | The Schoenberg Circle and the Inner Programme | |
| 11 | The Retreat into His Own Armory | |
| 12 | Belief, Discipline and Craftsmanship | |
| 13 | During the Nazi Era, Only Germ Cells for New Works | |
| 14 | Shock Leading to Humanism | |
| 15 | Isolation during the War and Thereafter | |
| 16 | Creative Hiatuses: "I am unable right now." | |
| 17 | His First Marriage: Hans Erich and Erna Apostel | |
| 18 | "Monsieur Apostel" - His Marriage to Madeleine | |
| 19 | Herta and Erna Apostel - On the Sidelines | |
| 20 | His Parents - Negative Relationship with His Father | |
| 21 | What Makes a Good Teacher? | |
| 22 | Artwork as a Living Organism | |
| 23 | Total Men Instead of Demigods | |
| 24 | Apostel and Death | |
| 25 | What Remains with Me: Enduring Love | |
| 26 | Art Originates in Love Alone | |
| 27 | The Durability of Music | |
| 28 | Apostel on How to Live Life | |
| 29 | No Farewell |
Alben mit diesem Werk
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| Album | Besetzung | ||
|---|---|---|---|
| Hans Erich Apostel und das Streichquartett Doelenkwartet
Aufnahmeort und Datum Cybele AV Studio Duesseldorf [2010] |
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