Purcell Miscellany
0
 
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 | Artist | Purcell Quartet | 
| Bewertung |  | 
| Epoche | Barock (1600-1749) | 
| Label | Chandos | 
| Erschienen | 1995 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | If music be the food of love, song, Z. 379 (3 settings) |  | 3:35 | 
| 1 |  | If music be the food of love, song, Z. 379 (3 settings) |  | 3:35 | 
| 2 |  | Lord, what is man?, sacred song for soprano & continuo, Z. 192 |  | 4:57 | 
| 2 |  | Lord, what is man?, sacred song for soprano & continuo, Z. 192 |  | 4:57 | 
| 3 |  | The Fairy Queen, semi-opera, Z. 629 - If love's a sweet passion |  | 2:22 | 
| 3 |  | The Fairy Queen, semi-opera, Z. 629 - If love's a sweet passion |  | 2:22 | 
| 4 |  | Thus the ever grateful spring (from "The Fairy Queen"), soprano aria, Z. 629/33 - Thus the ever grateful Spring |  | 2:11 | 
| 4 |  | Thus the ever grateful spring (from "The Fairy Queen"), soprano aria, Z. 629/33 - Thus the ever grateful Spring |  | 2:11 | 
| 5 |  | See even Night herself is here (from "The Fairy Queen"), soprano aria, Z. 629/11 - See, even Night herself is here |  | 4:24 | 
| 5 |  | See even Night herself is here (from "The Fairy Queen"), soprano aria, Z. 629/11 - See, even Night herself is here |  | 4:24 | 
| 6 |  | Hark how all things in one sound agree (from "The Fairy Queen"), aria, Z. 629/47 - Hark how all things |  | 2:02 | 
| 6 |  | Hark how all things in one sound agree (from "The Fairy Queen"), aria, Z. 629/47 - Hark how all things |  | 2:02 | 
| 7 |  | A New Scotch Tune, for harpsichord in G major, Z. 655 |  | 1:07 | 
| 7 |  | A New Scotch Tune, for harpsichord in G major, Z. 655 |  | 1:07 | 
| 8 |  | A New Irish Tune ("Lilliburlero"), for harpsichord in G major, Z. 646 |  | :44 | 
| 8 |  | A New Irish Tune ("Lilliburlero"), for harpsichord in G major, Z. 646 |  | :44 | 
| 9 |  | Sefauchi's Farewell, for harpsichord in D minor, Z. 656 |  | 2:01 | 
| 9 |  | Sefauchi's Farewell, for harpsichord in D minor, Z. 656 |  | 2:01 | 
| 10 |  | Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 - Prelude |  | :42 | 
| 10 |  | Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 - Prelude |  | :42 | 
| 11 |  | Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 - Almand |  | 3:01 | 
| 11 |  | Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 - Almand |  | 3:01 | 
| 12 |  | Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 - Hornpipe |  | 1:03 | 
| 12 |  | Suite for harpsichord No. 6 in D major (from "A Choice Collection of Lessons"), Z. 667 - Hornpipe |  | 1:03 | 
| 13 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Overture |  | 1:59 | 
| 13 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Overture |  | 1:59 | 
| 14 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Air |  | 1:46 | 
| 14 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Air |  | 1:46 | 
| 15 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Borry |  | 1:00 | 
| 15 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Borry |  | 1:00 | 
| 16 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Minuet |  | 1:30 | 
| 16 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Minuet |  | 1:30 | 
| 17 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Rigadoon |  | :43 | 
| 17 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Rigadoon |  | :43 | 
| 18 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Jigg |  | :39 | 
| 18 |  | Overture and Suite for 2 violins, viola & continuo in G major, Z. 770 (inner parts incomplete) - Jigg |  | :39 | 
| 19 |  | The Staircase Overture, Z. 614 |  | 2:27 | 
| 19 |  | The Staircase Overture, Z. 614 |  | 2:27 | 
| 20 |  | Overture for 2 violins, 2 violas & continuo in G minor, Z. 772 |  | 3:48 | 
| 20 |  | Overture for 2 violins, 2 violas & continuo in G minor, Z. 772 |  | 3:48 | 
| 21 |  | Overture for 2 violins, viola & continuo in D minor, Z. 771 |  | 3:12 | 
| 21 |  | Overture for 2 violins, viola & continuo in D minor, Z. 771 |  | 3:12 | 
| 22 |  | Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 336 |  | 2:29 | 
| 22 |  | Swifter, Isis, swifter flow (Welcome Song for Charles II), for soloists, chorus & instruments, Z. 336 |  | 2:29 | 
| 23 |  | Timon of Athens, semi-opera, Z. 632 - Curtain Tune |  | 2:03 | 
| 23 |  | Timon of Athens, semi-opera, Z. 632 - Curtain Tune |  | 2:03 | 
| 24 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Overture |  | 3:11 | 
| 24 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Overture |  | 3:11 | 
| 25 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Rondeau |  | 1:29 | 
| 25 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Rondeau |  | 1:29 | 
| 26 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:04 | 
| 26 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:04 | 
| 27 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:28 | 
| 27 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:28 | 
| 28 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Minuet |  | 1:01 | 
| 28 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Minuet |  | 1:01 | 
| 29 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:14 | 
| 29 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:14 | 
| 30 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Jig |  | :35 | 
| 30 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Jig |  | :35 | 
| 31 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Hornpipe |  | :43 | 
| 31 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Hornpipe |  | :43 | 
| 32 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:33 | 
| 32 |  | Abdelazer, or, the Moor's Revenge, incidental music, Z. 570 - Air |  | 1:33 | 
| 33 |  | Sonata [Suite] for trumpet, 2 violins, viola & continuo in D major, Z. 850 - I. Allegro |  | 1:20 | 
| 33 |  | Sonata [Suite] for trumpet, 2 violins, viola & continuo in D major, Z. 850 - I. Allegro |  | 1:20 | 
| 34 |  | Sonata [Suite] for trumpet, 2 violins, viola & continuo in D major, Z. 850 - II. Adagio |  | 1:26 | 
| 34 |  | Sonata [Suite] for trumpet, 2 violins, viola & continuo in D major, Z. 850 - II. Adagio |  | 1:26 | 
| 35 |  | Sonata [Suite] for trumpet, 2 violins, viola & continuo in D major, Z. 850 - III. Allegro |  | 1:23 | 
| 35 |  | Sonata [Suite] for trumpet, 2 violins, viola & continuo in D major, Z. 850 - III. Allegro |  | 1:23 | 
| 36 |  | Work(s) |  | 1:20 | 
| 36 |  | Work(s) |  | 1:20 | 
| 37 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Dance Of The Bacchanals |  | 1:29 | 
| 37 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Dance Of The Bacchanals |  | 1:29 | 
| 38 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Canaries |  | - | 
| 38 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Canaries |  | - | 
| 39 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Dance |  | 1:06 | 
| 39 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Dance |  | 1:06 | 
| 40 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Dance |  | :47 | 
| 40 |  | The Masque in Dioclesian (Act 5 from "Prophetess"), semi-opera, Z. 627/26-39 - Dance |  | :47 | 
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