Charles Dibdin: The Ephesian Matron; The Brickdust Man; The Grenadier
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TickIt!
| Artist | Peter Holman |
| Bewertung | |
| Epoche | Klassisch (1750-1819) |
| Label | Hyperion |
| Erschienen | 1992 |
Klassik-Werke auf diesem Album
| # | Werk/Besetzung | Dauer | ||
|---|---|---|---|---|
| 1 | The Ephesian Matron; or, The Widow's Tears, a comic serenata | 43:11 | ||
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| 2 | The Brickdust Man, a musical dialogue | 16:24 | ||
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| 3 | The Grenadier, a musical dialogue | 13:32 | ||
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - Overture | 6:15 | ||
| 1 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - Overture | 6:15 | ||
| 2 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Trio. Hence, hence away | 3:06 | ||
| 2 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Trio. Hence, hence away | 3:06 | ||
| 3 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Father's Aria. But more, a monument I'll raise | 3:20 | ||
| 3 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Father's Aria. But more, a monument I'll raise | 3:20 | ||
| 4 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Matron's Mad Aria. And while, grown frantic with my woes | 3:49 | ||
| 4 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Matron's Mad Aria. And while, grown frantic with my woes | 3:49 | ||
| 5 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Maid's First Aria. If I was a wife | 3:46 | ||
| 5 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Maid's First Aria. If I was a wife | 3:46 | ||
| 6 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Centurion's First Aria. What ho! charming dame, what ho! | 5:00 | ||
| 6 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Centurion's First Aria. What ho! charming dame, what ho! | 5:00 | ||
| 7 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Duet. By Venus, mother of desire | 4:09 | ||
| 7 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Duet. By Venus, mother of desire | 4:09 | ||
| 8 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Matron's Second Aria. But before you go away, sir | 4:52 | ||
| 8 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Matron's Second Aria. But before you go away, sir | 4:52 | ||
| 9 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Centurion's Second Aria. Zounds! I'm undone! | 2:08 | ||
| 9 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Centurion's Second Aria. Zounds! I'm undone! | 2:08 | ||
| 10 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Maid's Second Aria. During the first part of this song the Centurion | 4:01 | ||
| 10 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - The Maid's Second Aria. During the first part of this song the Centurion | 4:01 | ||
| 11 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - Vaudeville. Thus old wits in wicked satires | 2:45 | ||
| 11 | The Ephesian Matron; or, The Widow's Tears, a comic serenata - Vaudeville. Thus old wits in wicked satires | 2:45 | ||
| 12 | The Brickdust Man, a musical dialogue - Overture | 3:27 | ||
| 12 | The Brickdust Man, a musical dialogue - Overture | 3:27 | ||
| 13 | The Brickdust Man, a musical dialogue - Air. I am a lad, by fortune's spight | 2:07 | ||
| 13 | The Brickdust Man, a musical dialogue - Air. I am a lad, by fortune's spight | 2:07 | ||
| 14 | The Brickdust Man, a musical dialogue - Air. Oh, Molly, I'm charmed when I come in your sight | 3:14 | ||
| 14 | The Brickdust Man, a musical dialogue - Air. Oh, Molly, I'm charmed when I come in your sight | 3:14 | ||
| 15 | The Brickdust Man, a musical dialogue - Air. Get you gone, you nasty fellow | 2:32 | ||
| 15 | The Brickdust Man, a musical dialogue - Air. Get you gone, you nasty fellow | 2:32 | ||
| 16 | The Brickdust Man, a musical dialogue - Air. In short, dearest Moll, you alone were in fault | 3:52 | ||
| 16 | The Brickdust Man, a musical dialogue - Air. In short, dearest Moll, you alone were in fault | 3:52 | ||
| 17 | The Brickdust Man, a musical dialogue - Duet. Then let us agree | 1:12 | ||
| 17 | The Brickdust Man, a musical dialogue - Duet. Then let us agree | 1:12 | ||
| 18 | The Grenadier, a musical dialogue - Duet. Forever, false Jenny | 2:07 | ||
| 18 | The Grenadier, a musical dialogue - Duet. Forever, false Jenny | 2:07 | ||
| 19 | The Grenadier, a musical dialogue - Duet. Silly Ralph, your Jenny's true | 4:27 | ||
| 19 | The Grenadier, a musical dialogue - Duet. Silly Ralph, your Jenny's true | 4:27 | ||
| 20 | The Grenadier, a musical dialogue - Air. Oh my Jenny, I lie at thy feet | 3:24 | ||
| 20 | The Grenadier, a musical dialogue - Air. Oh my Jenny, I lie at thy feet | 3:24 | ||
| 21 | The Grenadier, a musical dialogue - Air. I'll handle the broom and the mop ever twirl | 1:47 | ||
| 21 | The Grenadier, a musical dialogue - Air. I'll handle the broom and the mop ever twirl | 1:47 | ||
| 22 | The Grenadier, a musical dialogue - Trio. I'll cut you to pieces if ever you dare | 1:47 | ||
| 22 | The Grenadier, a musical dialogue - Trio. I'll cut you to pieces if ever you dare | 1:47 |
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