1
|  | Messiah, oratorio, HWV 56: Part 1. Sinfony Overture |  |
3:35
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2
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. Comfort ye |  |
2:55
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3
|  | Messiah, oratorio, HWV 56: Part 1. Aria. Every Valley |  |
3:18
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4
|  | Messiah, oratorio, HWV 56: Part 1. Chorus. And The Glory Of The Lord Shall Be Revealed |  |
3:04
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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5
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. Thus Saith The Lord |  |
1:23
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6
|  | Messiah, oratorio, HWV 56: Part 1. Aria. But Who May Abide The Day Of His Coming |  |
4:35
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7
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. Behold, A Virgin Shall Conceive |  |
0:25
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8
|  | Messiah, oratorio, HWV 56: Part 1. Aria. O Thou That Tellest Good Tidings To Zion |  |
5:34
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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9
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. For Behold, Darkness Shall Cover The Earth |  |
2:16
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10
|  | Messiah, oratorio, HWV 56: Part 1. Aria. The People That Walked In Darkness |  |
3:48
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11
|  | Messiah, oratorio, HWV 56: Part 1. Chorus. For Unto Us A Child Is Born |  |
3:53
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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12
|  | Messiah, oratorio, HWV 56: Part 1. Pastoral Symphony. Pifa |  |
1:18
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13
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. There Were Shepherds Abiding In The Field |  |
0:15
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14
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. And Lo, The Angel of the Lord |  |
0:24
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15
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. And The Angels Said Unto Them |  |
0:42
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16
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. And Suddenly There Was With The Angel / Chorus. Glory To God |  |
2:16
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Sopranist: Heidi Holcombe
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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17
|  | Messiah, oratorio, HWV 56: Part 1. Aria. Rejoice Greatly, O Daughter Of Zion |  |
4:32
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18
|  | Messiah, oratorio, HWV 56: Part 1. Recitative. Then Shall The Eyes Of The Blind Be Opened |  |
0:25
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19
|  | Messiah, oratorio, HWV 56: Part 1. Aria. And He Shall Feed His Flock Like A Shepherd |  |
5:41
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20
|  | Messiah, oratorio, HWV 56: Part 2. Chorus. Behold The Lamb Of God |  |
2:57
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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21
|  | Messiah, oratorio, HWV 56: Part 2. Aria. Thou Art Gone Up On High |  |
3:06
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22
|  | Messiah, oratorio, HWV 56: Part 2. Recitative. He That Dwelleth In Heaven |  |
0:15
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23
|  | Messiah, oratorio, HWV 56: Part 2. Aria. Thou Shalt Break Them |  |
2:11
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24
|  | Messiah, oratorio, HWV 56: Part 2. Chorus. Hallelujah! |  |
3:38
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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25
|  | Messiah, oratorio, HWV 56: Part 3. Aria. I Know That My Redeemer Liveth |  |
5:26
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26
|  | Messiah, oratorio, HWV 56: Part 3. Chorus. Since By Man Came Death |  |
1:52
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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27
|  | Messiah, oratorio, HWV 56: Part 3. Recitative. Behold, I Tell You a Mystery / Aria. The Trumpet Shall Sound |  |
4:25
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28
|  | Messiah, oratorio, HWV 56: Part 3. Chorus. Worthy Is The Lamb / Amen Chorus |  |
6:58
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- Komponist: George Frederick Handel
- Altstimme, Kontratenor: Morgan S. Aiken
- Sopranist: Susan Arnall
- Baß: Mark Bloom
- Tenor, Tenorstimme: John Boulden
- Baß: Brian Bruder
- Sopranist: Julia Carpenter
- Sopranist: Julie Cording
- Altstimme, Kontratenor: Susan M. Curran
- Baß: Rick Effinger
- Sopranist: Suellen Fagin-Allen
- Tenor, Tenorstimme: Scott Fortes
- Altstimme, Kontratenor: Alice Fortunato
- Altstimme, Kontratenor: Kathleen Gould
- Baß: Linden Gould
- Baß: Jeremy Herrington
- Sopranist: Claire Hodge
- Altstimme, Kontratenor: Dani Janesick
- Altstimme, Kontratenor: Marguerite Krull
- Altstimme, Kontratenor: Sylvia Daniel Kurth
- Dirigent: Andrew Lane
- Sopranist: Holly Loomis
- Tenor, Tenorstimme: William L. Peterson
- Tenor, Tenorstimme: Davis Scholz
- Baß: Michael Trent Shaw
- Baß: Justin White
- Orchester: Orlando Pops Orchestra
- Tenor, Tenorstimme: William Adams
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