Ralph Vaughan Williams: Fantasia on a Theme by Thomas Tallis; Five Variants of Dives and Lazarus; etc.

Artist	Norman del Mar
Bewertung
Epoche	Post-Romatische Musik (1870-1909)
Label	EMI
Erschienen	1994

Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		Toward the Unknown Region, for chorus & orchestra		11:52
		Komponist: Ralph Vaughan Williams Chor: City of Birmingham Symphony Chorus Orchester: City of Birmingham Symphony Orchestra Chorvorsteher: Nicholas Cleobury Dirigent: Norman del Mar
2		Norfolk Rhapsody for orchestra No. 1 in E minor		9:45
		Komponist: Ralph Vaughan Williams Orchester: City of Birmingham Symphony Orchestra Dirigent: Norman del Mar
3		Fantasia on a Theme by Thomas Tallis, for 2 string orchestras		14:28
		Komponist: Ralph Vaughan Williams Violine, Geige: Jeremy Ballard Dirigent: Norman del Mar Cello: Michal Kasnowski Violine, Geige: Felix Kok Viola, Bratsche: Peter Cole
4		Variants (5) of 'Dives and Lazarus' for string orchestra & harp (or harps)		11:38
		Komponist: Ralph Vaughan Williams Orchester: City of Birmingham Symphony Orchestra Dirigent: Norman del Mar
5		In Windsor Forest, cantata (adapted from the opera "Sir John in Love")		17:33
		Komponist: Ralph Vaughan Williams Orchester: Bournemouth Sinfonietta Chor: Bournemouth Symphony Chorus Dirigent: Norman del Mar

Tracks auf diesem Album

#		Titel		Dauer
1		Toward the Unknown Region, for chorus & orchestra		11:52
1		Toward the Unknown Region, for chorus & orchestra		11:52
2		Norfolk Rhapsody for orchestra No. 1 in E minor		9:45
2		Norfolk Rhapsody for orchestra No. 1 in E minor		9:45
3		Fantasia on a Theme by Thomas Tallis, for 2 string orchestras		14:28
3		Fantasia on a Theme by Thomas Tallis, for 2 string orchestras		14:28
4		Variants (5) of 'Dives and Lazarus' for string orchestra & harp (or harps)		11:38
4		Variants (5) of 'Dives and Lazarus' for string orchestra & harp (or harps)		11:38
5		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 1, "The Conspiracy" (Sigh no more, ladies) in E minor		2:12
5		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 1, "The Conspiracy" (Sigh no more, ladies) in E minor		2:12
6		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 2, "Drinking Song" (Black and side go bare) in A minor		3:06
6		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 2, "Drinking Song" (Black and side go bare) in A minor		3:06
7		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 3, "Falstaff and the Fairies" (Round about in a fair ring-a) in E flat major		4:59
7		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 3, "Falstaff and the Fairies" (Round about in a fair ring-a) in E flat major		4:59
8		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 4, "Wedding Chorus" (See the Chariot at Hand) in E flat major		4:38
8		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 4, "Wedding Chorus" (See the Chariot at Hand) in E flat major		4:38
9		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 5, "Epilogue" (Whether men do laugh or weep) in B flat major		2:38
9		In Windsor Forest, cantata (adapted from the opera "Sir John in Love") - No. 5, "Epilogue" (Whether men do laugh or weep) in B flat major		2:38

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