Innocence Lost: The Berg-Debussy Project
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| Artist | Nessinger-Golan Duo |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Albany Music |
| Erschienen | 2008 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 1. La flûte de Pan | 2:56 | ||
| 1 | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 1. La flûte de Pan | 2:56 | ||
| 2 | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 2. La Chevelure (Her Hair) | 3:48 | ||
| 2 | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 2. La Chevelure (Her Hair) | 3:48 | ||
| 3 | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 3. La Tombeau des Naiades | 3:03 | ||
| 3 | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 - 3. La Tombeau des Naiades | 3:03 | ||
| 4 | Voyelles ("A noir, E blanc, I rouge"), for voice & piano | 4:50 | ||
| 4 | Voyelles ("A noir, E blanc, I rouge"), for voice & piano | 4:50 | ||
| 5 | La Soga ("Este canto es la soga"), for voice & piano | 4:14 | ||
| 5 | La Soga ("Este canto es la soga"), for voice & piano | 4:14 | ||
| 6 | The Nymphs are Departed ("The river's tent is broken"), for voice & piano (from The Waste Land) | 6:25 | ||
| 6 | The Nymphs are Departed ("The river's tent is broken"), for voice & piano (from The Waste Land) | 6:25 | ||
| 7 | Early Songs (7), for voice & piano (or orchestra) - Nacht (Night) | 3:34 | ||
| 7 | Early Songs (7), for voice & piano (or orchestra) - Nacht (Night) | 3:34 | ||
| 8 | Early Songs (7), for voice & piano (or orchestra) - Schilflied (Song amongst the Reeds) | 2:02 | ||
| 8 | Early Songs (7), for voice & piano (or orchestra) - Schilflied (Song amongst the Reeds) | 2:02 | ||
| 9 | Early Songs (7), for voice & piano (or orchestra) - Die Nachtigall (The Nightingale) | 1:56 | ||
| 9 | Early Songs (7), for voice & piano (or orchestra) - Die Nachtigall (The Nightingale) | 1:56 | ||
| 10 | Early Songs (7), for voice & piano (or orchestra) - Traumegekrönt (A Crown of Dreams) | 2:17 | ||
| 10 | Early Songs (7), for voice & piano (or orchestra) - Traumegekrönt (A Crown of Dreams) | 2:17 | ||
| 11 | Early Songs (7), for voice & piano (or orchestra) - Im Zimmer (Indoors) | 1:04 | ||
| 11 | Early Songs (7), for voice & piano (or orchestra) - Im Zimmer (Indoors) | 1:04 | ||
| 12 | Early Songs (7), for voice & piano (or orchestra) - Liebesode (Lover's Ode) | 1:37 | ||
| 12 | Early Songs (7), for voice & piano (or orchestra) - Liebesode (Lover's Ode) | 1:37 | ||
| 13 | Early Songs (7), for voice & piano (or orchestra) - Sommertage (Summer Days) | 1:32 | ||
| 13 | Early Songs (7), for voice & piano (or orchestra) - Sommertage (Summer Days) | 1:32 | ||
| 14 | On Learning on the Clearest Night Only 6000 Stars Are Visible to the Naked Eye, for voice & piano | 2:42 | ||
| 14 | On Learning on the Clearest Night Only 6000 Stars Are Visible to the Naked Eye, for voice & piano | 2:42 | ||
| 15 | The Rape of Ophelia ("Her clothes spread wide"), for voice & piano | 5:49 | ||
| 15 | The Rape of Ophelia ("Her clothes spread wide"), for voice & piano | 5:49 | ||
| 16 | Distant Heart ("What is the shape made there"), for voice & piano | 2:49 | ||
| 16 | Distant Heart ("What is the shape made there"), for voice & piano | 2:49 | ||
| 17 | Ev'ryfrigginthing, for voice & piano | 2:50 | ||
| 17 | Ev'ryfrigginthing, for voice & piano | 2:50 | ||
| 18 | Soneto de Amor LXXXI ("Ya eres mía"), for voice & piano | 3:45 | ||
| 18 | Soneto de Amor LXXXI ("Ya eres mía"), for voice & piano | 3:45 | ||
| 19 | A White Rose ("The red rose whipsers of passion"), for voice & piano | 2:14 | ||
| 19 | A White Rose ("The red rose whipsers of passion"), for voice & piano | 2:14 | ||
| 20 | She Goes Her Spacious Way ("Summer - we all have seen - "), for voice & piano | 3:49 | ||
| 20 | She Goes Her Spacious Way ("Summer - we all have seen - "), for voice & piano | 3:49 |
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