Marcos Díaz, Guitarra
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| Artist | Marcos Díaz |
| Bewertung | |
| Epoche | Barock (1600-1749) |
| Label | Opera Tres |
| Erschienen |
Klassik-Werke auf diesem Album
| # | Werk/Besetzung | Dauer | ||
|---|---|---|---|---|
| 1 | Preludium, for lute, P 98 | 1:16 | ||
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| 2 | Fantasia, for lute in D minor, P 5 | 2:17 | ||
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| 3 | Sir John Smith, his Almain, for lute, P 47 | 2:28 | ||
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| 4 | Fantasia, for lute, P 73 (possibly spurious) | 3:27 | ||
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| 5 | Invocación y danza, for guitar ("Homenaje a Manuel de Falla") | 8:34 | ||
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| 6 | Grand Solo for guitar, Op. 14 | 9:32 | ||
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| 7 | Suite for solo cello No. 1 in G major, BWV 1007 | 17:14 | ||
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| 8 | La Catedral (The Cathedral), for guitar | 7:24 | ||
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| 9 | Una Limosna por el Amor de Dios, for guitar ("El Ultimo Trémolo;" "El Ultimo Canto") | 4:02 | ||
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Preludium, for lute, P 98 | 1:16 | ||
| 2 | Fantasia, for lute in D minor, P 5 | 2:17 | ||
| 3 | Sir John Smith, his Almain, for lute, P 47 | 2:28 | ||
| 4 | Fantasia, for lute, P 73 (possibly spurious) | 3:27 | ||
| 5 | Invocación y danza, for guitar ("Homenaje a Manuel de Falla") | 8:34 | ||
| 6 | Grand Solo for guitar, Op. 14 | 9:32 | ||
| 7 | Suite for solo cello No. 1 in G major, BWV 1007 - Prelude | 2:36 | ||
| 8 | Suite for solo cello No. 1 in G major, BWV 1007 - Allemande | 4:19 | ||
| 9 | Suite for solo cello No. 1 in G major, BWV 1007 - Courante | 2:46 | ||
| 10 | Suite for solo cello No. 1 in G major, BWV 1007 - Sarabande | 2:57 | ||
| 11 | Suite for solo cello No. 1 in G major, BWV 1007 - Menuet I / Menuet II | 2:58 | ||
| 12 | Suite for solo cello No. 1 in G major, BWV 1007 - Gigue | 1:38 | ||
| 13 | La Catedral (The Cathedral), for guitar - Preludio (Saudade) | 2:04 | ||
| 14 | La Catedral (The Cathedral), for guitar - Andante religioso | 1:50 | ||
| 15 | La Catedral (The Cathedral), for guitar - Allegro solemne | 3:30 | ||
| 16 | Una Limosna por el Amor de Dios, for guitar ("El Ultimo Trémolo;" "El Ultimo Canto") | 4:02 |
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