Liszt: Rarities, Curiosities, Album Leaves and Fragments
0
 
					TickIt!
				
 | Artist | Leslie Howard | 
| Bewertung |  | 
| Epoche | Romantische Musik (1820-1869) | 
| Label | Hyperion | 
| Erschienen | 1999 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Orpheus, symphonic poem for piano, S. 511b |  | 10:53 | 
| 1 |  | Orpheus, symphonic poem for piano, S. 511b |  | 10:53 | 
| 2 |  | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fantasia |  | 5:53 | 
| 2 |  | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fantasia |  | 5:53 | 
| 3 |  | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fugue |  | 5:35 | 
| 3 |  | Orgel-Fantasie & Fuge (I & II), for piano in G minor (after J.S. Bach: BWV 542), S. 463 (LW A244) - Fugue |  | 5:35 | 
| 4 |  | Mes Joies, transcription for piano (after Chopin Op. 74/12), S. 480/5bis |  | 4:59 | 
| 4 |  | Mes Joies, transcription for piano (after Chopin Op. 74/12), S. 480/5bis |  | 4:59 | 
| 5 |  | Widmung (Liebeslied), transcription for piano (after Schumann, I & II), S. 566 (LW A133) |  | 2:37 | 
| 5 |  | Widmung (Liebeslied), transcription for piano (after Schumann, I & II), S. 566 (LW A133) |  | 2:37 | 
| 6 |  | Grand Paraphrase de la Marche composée pour le Sultan Abdul Médjid-Khan (I & II), for piano (after Donizetti), S. 403 (LW A137) |  | 6:26 | 
| 6 |  | Grand Paraphrase de la Marche composée pour le Sultan Abdul Médjid-Khan (I & II), for piano (after Donizetti), S. 403 (LW A137) |  | 6:26 | 
| 7 |  | Caritas (I), for piano (after Rossini, La charité), S. 552a |  | 9:58 | 
| 7 |  | Caritas (I), for piano (after Rossini, La charité), S. 552a |  | 9:58 | 
| 8 |  | Il penseroso I, for piano, S. 157b - First version, S157b |  | 4:09 | 
| 8 |  | Il penseroso I, for piano, S. 157b - First version, S157b |  | 4:09 | 
| 9 |  | Canzonetta del Salvator Rosa I, for harpsichord, S. 157c - Firts Version, S. 157c |  | 2:22 | 
| 9 |  | Canzonetta del Salvator Rosa I, for harpsichord, S. 157c - Firts Version, S. 157c |  | 2:22 | 
| 10 |  | En mémoire de Maximilian I (Marcia funèbre), for piano, S. 162d |  | 5:57 | 
| 10 |  | En mémoire de Maximilian I (Marcia funèbre), for piano, S. 162d |  | 5:57 | 
| 11 |  | Album-Leaf: Portugal, for piano in A flat major, S. 166b |  | 1:04 | 
| 11 |  | Album-Leaf: Portugal, for piano in A flat major, S. 166b |  | 1:04 | 
| 12 |  | Album-Leaf: Consolation No. 1, for piano, S. 171b |  | :41 | 
| 12 |  | Album-Leaf: Consolation No. 1, for piano, S. 171b |  | :41 | 
| 13 |  | Schnitterchor aus den entfesseltem Prometheus, for piano, S. 507a - preliminary sketches, unfinished (S. 507a) |  | 5:32 | 
| 13 |  | Schnitterchor aus den entfesseltem Prometheus, for piano, S. 507a - preliminary sketches, unfinished (S. 507a) |  | 5:32 | 
| 14 |  | Künstlerfestzug zur Schillerfeier (I & II), transcription for piano, S. 520 (LW A201) - First version |  | 10:01 | 
| 14 |  | Künstlerfestzug zur Schillerfeier (I & II), transcription for piano, S. 520 (LW A201) - First version |  | 10:01 | 
| 15 |  | Festklänge (I & II), symphonic poem for orchestra, S. 101, (LW G10) |  | 19:59 | 
| 15 |  | Festklänge (I & II), symphonic poem for orchestra, S. 101, (LW G10) |  | 19:59 | 
| 16 |  | Caritas (II), for piano (after Rossini, La charité), S. 552b - First version, 1847, S. 552b |  | 3:34 | 
| 16 |  | Caritas (II), for piano (after Rossini, La charité), S. 552b - First version, 1847, S. 552b |  | 3:34 | 
| 17 |  | La serenata et L'orgia (I & II), grande fantaisie sur des motifs Soirées Musicales (after Rossini), S. 422 (LW A25) |  | 11:09 | 
| 17 |  | La serenata et L'orgia (I & II), grande fantaisie sur des motifs Soirées Musicales (after Rossini), S. 422 (LW A25) |  | 11:09 | 
| 18 |  | Introduction et variations sur une marche du Siège de Corinthe, for piano (after Rossini), S. 421a (LW A13) |  | 4:12 | 
| 18 |  | Introduction et variations sur une marche du Siège de Corinthe, for piano (after Rossini), S. 421a (LW A13) |  | 4:12 | 
| 19 |  | Klavierstück, for piano in F major, S. 695 (LW A100 & Q10) |  | 8:57 | 
| 19 |  | Klavierstück, for piano in F major, S. 695 (LW A100 & Q10) |  | 8:57 | 
| 20 |  | Fantasie uber englische Themen, for piano (performing edition by Leslie Howard), S. 694 (LQ 8) |  | 14:29 | 
| 20 |  | Fantasie uber englische Themen, for piano (performing edition by Leslie Howard), S. 694 (LQ 8) |  | 14:29 | 
| 21 |  | Anfang einer Jugendsonate, for piano in C minor, S. 692b (LW S22) |  | :36 | 
| 21 |  | Anfang einer Jugendsonate, for piano in C minor, S. 692b (LW S22) |  | :36 | 
| 22 |  | Album-Leaf: Andantino in E flat major, for piano, S. 163a/2 |  | 1:22 | 
| 22 |  | Album-Leaf: Andantino in E flat major, for piano, S. 163a/2 |  | 1:22 | 
| 23 |  | Album-Leaf: Ah! vous dirai-je, Maman, for piano, S. 163b |  | - | 
| 23 |  | Album-Leaf: Ah! vous dirai-je, Maman, for piano, S. 163b |  | - | 
| 24 |  | Album-Leaf: Pressburg, for piano in C minor, S. 163c |  | - | 
| 24 |  | Album-Leaf: Pressburg, for piano in C minor, S. 163c |  | - | 
| 25 |  | Album-Leaf: Vienna, for piano in E major, S. 164a |  | :31 | 
| 25 |  | Album-Leaf: Vienna, for piano in E major, S. 164a |  | :31 | 
| 26 |  | Album-Leaf: Leipzig II, for piano in E flat major, S. 164b |  | :38 | 
| 26 |  | Album-Leaf: Leipzig II, for piano in E flat major, S. 164b |  | :38 | 
| 27 |  | Album-Leaf: Exeter Preludio, for piano, S. 164c |  | - | 
| 27 |  | Album-Leaf: Exeter Preludio, for piano, S. 164c |  | - | 
| 28 |  | Album-Leaf: Detmold, for piano in E major, S. 164d |  | :34 | 
| 28 |  | Album-Leaf: Detmold, for piano in E major, S. 164d |  | :34 | 
| 29 |  | Album-Leaf: Magyar II in B flat minor, for piano, S. 164e/2 |  | - | 
| 29 |  | Album-Leaf: Magyar II in B flat minor, for piano, S. 164e/2 |  | - | 
| 30 |  | Album-Leaf: Rákóczi-Marsch, for piano in A minor, S. 164f |  | - | 
| 30 |  | Album-Leaf: Rákóczi-Marsch, for piano in A minor, S. 164f |  | - | 
| 31 |  | Album-Leaf, for piano in E major, S. 166a |  | - | 
| 31 |  | Album-Leaf, for piano in E major, S. 166a |  | - | 
| 32 |  | Album-Leaf, for piano in A flat major, S. 166c |  | 1:04 | 
| 32 |  | Album-Leaf, for piano in A flat major, S. 166c |  | 1:04 | 
| 33 |  | Album-Leaf: Lyon Prelude, for piano, S. 166d |  | - | 
| 33 |  | Album-Leaf: Lyon Prelude, for piano, S. 166d |  | - | 
| 34 |  | Album-Leaf: Prelude omnitonique, for piano, S. 166e |  | - | 
| 34 |  | Album-Leaf: Prelude omnitonique, for piano, S. 166e |  | - | 
| 35 |  | Album-Leaf: Leipzig I, for piano in E major, S. 163d |  | - | 
| 35 |  | Album-Leaf: Leipzig I, for piano in E major, S. 163d |  | - | 
| 36 |  | Album-Leaf: Berlin Preludio, for piano, S.164g |  | - | 
| 36 |  | Album-Leaf: Berlin Preludio, for piano, S.164g |  | - | 
| 37 |  | Album-Leaf: Braunschweig Preludio, for piano, S. 166f/1 |  | - | 
| 37 |  | Album-Leaf: Braunschweig Preludio, for piano, S. 166f/1 |  | - | 
| 38 |  | Album-Leaf: Serenade, for piano in A minor, S. 166g |  | - | 
| 38 |  | Album-Leaf: Serenade, for piano in A minor, S. 166g |  | - | 
| 39 |  | Album-Leaf: Andante religioso, for piano in G major, S. 166h |  | 2:21 | 
| 39 |  | Album-Leaf: Andante religioso, for piano in G major, S. 166h |  | 2:21 | 
| 40 |  | Mazurka, for piano in F minor (spurious), S. 221a |  | 2:51 | 
| 40 |  | Mazurka, for piano in F minor (spurious), S. 221a |  | 2:51 | 
| 41 |  | Gaudeamus igitur (I & II), concert paraphrase for piano, S. 240 (LW A96) |  | 7:25 | 
| 41 |  | Gaudeamus igitur (I & II), concert paraphrase for piano, S. 240 (LW A96) |  | 7:25 | 
| 42 |  | Hungarian Rhapsody, for piano No. 2 (the "original" No. 2) in C sharp minor (I & II), S. 244/2 (LW A132/2) |  | 10:29 | 
| 42 |  | Hungarian Rhapsody, for piano No. 2 (the "original" No. 2) in C sharp minor (I & II), S. 244/2 (LW A132/2) |  | 10:29 | 
| 43 |  | Hungarian Rhapsody, for piano No. 10 in E major (I & II), S.244/10 (LW A132/10) |  | 6:04 | 
| 43 |  | Hungarian Rhapsody, for piano No. 10 in E major (I & II), S.244/10 (LW A132/10) |  | 6:04 | 
| 44 |  | Hungarian Rhapsody, for piano No. 15 in A minor (Rákóczi-Marsch III), S. 244/15 (LW A132/15) |  | 6:02 | 
| 44 |  | Hungarian Rhapsody, for piano No. 15 in A minor (Rákóczi-Marsch III), S. 244/15 (LW A132/15) |  | 6:02 | 
| 45 |  | Hungarian Rhapsody, for piano No. 16 in A minor (I & II), S. 244/16 (LW A132/16) |  | 4:29 | 
| 45 |  | Hungarian Rhapsody, for piano No. 16 in A minor (I & II), S. 244/16 (LW A132/16) |  | 4:29 | 
| 46 |  | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) |  | 3:14 | 
| 46 |  | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) |  | 3:14 | 
| 47 |  | Mephisto-Polka (I & II), for piano, S. 217 (LW A317) |  | 4:12 | 
| 47 |  | Mephisto-Polka (I & II), for piano, S. 217 (LW A317) |  | 4:12 | 
| 48 |  | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) |  | 3:25 | 
| 48 |  | Hungarian Rhapsody, for piano No. 18 in F sharp minor (3 versions), S. 244/18 (LW A132/18) |  | 3:25 | 
| 49 |  | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) - Two further Cadenzas to Un sospiro, S144/3bis |  | :35 | 
| 49 |  | Un sospiro, for piano in D flat major (Grande études de concert No. 3), S. 144/3 (LW A118/3) - Two further Cadenzas to Un sospiro, S144/3bis |  | :35 | 
| 50 |  | Album-Leaf: Poco adagio, for piano (after Beethoven op. 123), S. 167c |  | 1:11 | 
| 50 |  | Album-Leaf: Poco adagio, for piano (after Beethoven op. 123), S. 167c |  | 1:11 | 
| 51 |  | Album-Leaf: from the symphonic poem Orpheus, for piano, S. 167d |  | 1:30 | 
| 51 |  | Album-Leaf: from the symphonic poem Orpheus, for piano, S. 167d |  | 1:30 | 
| 52 |  | Album-Leaf: from Künstlerfestzug zur Schillerfeier, for piano, S. 167e |  | 1:07 | 
| 52 |  | Album-Leaf: from Künstlerfestzug zur Schillerfeier, for piano, S. 167e |  | 1:07 | 
| 53 |  | St. Stanislaus fragment, for piano, S. 688a - St. Stanislaus fragment, for piano, S688a |  | :50 | 
| 53 |  | St. Stanislaus fragment, for piano, S. 688a - St. Stanislaus fragment, for piano, S688a |  | :50 | 
| 54 |  | Winzerchor aus den entfesselten Prometheus, for piano (incomplete), S. 692e |  | :48 | 
| 54 |  | Winzerchor aus den entfesselten Prometheus, for piano (incomplete), S. 692e |  | :48 | 
| 55 |  | La mandragore, ballade de l'opera Jean de Nivelle, transcription for piano (after Delibes; incomplete), S. 698 (LW Q19) |  | 1:53 | 
| 55 |  | La mandragore, ballade de l'opera Jean de Nivelle, transcription for piano (after Delibes; incomplete), S. 698 (LW Q19) |  | 1:53 | 
| 56 |  | Glasgow Fragment, for piano, S. 701f |  | 1:27 | 
| 56 |  | Glasgow Fragment, for piano, S. 701f |  | 1:27 | 
| 57 |  | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 |  | :57 | 
| 57 |  | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 |  | :57 | 
| 58 |  | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 |  | - | 
| 58 |  | Valse infernale and Operatic Aria, for piano (two fragments, after Meyerbeer), S. 701h/1-2 |  | - | 
| 59 |  | Allegro maestoso (Etude No. 13 in F sharp major?, I & II), for piano (incomplete), S. 692c (LW A8/13) |  | :34 | 
| 59 |  | Allegro maestoso (Etude No. 13 in F sharp major?, I & II), for piano (incomplete), S. 692c (LW A8/13) |  | :34 | 
| 60 |  | Rakoczi-Marsch Ia, for piano (first simplification, incomplete) S. 692d |  | 1:49 | 
| 60 |  | Rakoczi-Marsch Ia, for piano (first simplification, incomplete) S. 692d |  | 1:49 | 
| 61 |  | Harmonie nach Rossini's Carita, for piano, S. 701j |  | 1:33 | 
| 61 |  | Harmonie nach Rossini's Carita, for piano, S. 701j |  | 1:33 | 
| 62 |  | Marie-Poeme, for piano (& chamber ensemble; incomplete), S. 701b (LW Q5) |  | 1:00 | 
| 62 |  | Marie-Poeme, for piano (& chamber ensemble; incomplete), S. 701b (LW Q5) |  | 1:00 | 
| 63 |  | Andante sensibilissimo, for piano, S. 701c |  | - | 
| 63 |  | Andante sensibilissimo, for piano, S. 701c |  | - | 
| 64 |  | Melodie in Dorische Tonart (Prose des Morts), for piano, S. 701d |  | :59 | 
| 64 |  | Melodie in Dorische Tonart (Prose des Morts), for piano, S. 701d |  | :59 | 
| 65 |  | Dante fragment, for piano, S. 701e |  | :57 | 
| 65 |  | Dante fragment, for piano, S. 701e |  | :57 | 
| 66 |  | Polnisch, sketch for piano (unfinished), S. 701g (LW A253) |  | 1:26 | 
| 66 |  | Polnisch, sketch for piano (unfinished), S. 701g (LW A253) |  | 1:26 | 
| 67 |  | Korrekturblatt (to La Lugubre Gondola I), for piano, S. 701k |  | :54 | 
| 67 |  | Korrekturblatt (to La Lugubre Gondola I), for piano, S. 701k |  | :54 | 
| 68 |  | Mazeppa, symphonic poem for piano, S. 511c |  | 17:44 | 
| 68 |  | Mazeppa, symphonic poem for piano, S. 511c |  | 17:44 | 
| 69 |  | Valse, for piano in A major, S. 210b (LW A28) |  | 1:03 | 
| 69 |  | Valse, for piano in A major, S. 210b (LW A28) |  | 1:03 | 
| 70 |  | Ländler, for piano in D major, S. 211a (LW A289) |  | 1:21 | 
| 70 |  | Ländler, for piano in D major, S. 211a (LW A289) |  | 1:21 | 
| 71 |  | Dumka, for piano, S. 249b |  | 1:57 | 
| 71 |  | Dumka, for piano, S. 249b |  | 1:57 | 
| 72 |  | Air cosaque, for piano, S. 249c |  | :51 | 
| 72 |  | Air cosaque, for piano, S. 249c |  | :51 | 
| 73 |  | Marche funèbre, for piano, S. 226a (LW A10) |  | 1:58 | 
| 73 |  | Marche funèbre, for piano, S. 226a (LW A10) |  | 1:58 | 
| 74 |  | Magyar Tempo, for piano, S.241b - Magyar tempo, S241b (sketch for No. 1) |  | 1:12 | 
| 74 |  | Magyar Tempo, for piano, S.241b - Magyar tempo, S241b (sketch for No. 1) |  | 1:12 | 
| 75 |  | Pásztor Lakodalmas, Melodies hongroises, elaboration for piano, S. 405a |  | 7:59 | 
| 75 |  | Pásztor Lakodalmas, Melodies hongroises, elaboration for piano, S. 405a |  | 7:59 | 
| 76 |  | Einleitung & Coda zu Raff's Walzer in D flat major, elaboration for piano (after Raff, Op. 54/1) S. 551a (LW V3) |  | 3:51 | 
| 76 |  | Einleitung & Coda zu Raff's Walzer in D flat major, elaboration for piano (after Raff, Op. 54/1) S. 551a (LW V3) |  | 3:51 | 
| 77 |  | Einleitung & Coda sur des notes fausses zu Anton Rubinsteins Etude in C major, elaboration for piano, S. 554a (LW V5) |  | 5:53 | 
| 77 |  | Einleitung & Coda sur des notes fausses zu Anton Rubinsteins Etude in C major, elaboration for piano, S. 554a (LW V5) |  | 5:53 | 
| 78 |  | Einleitung & Coda zu Smetana's Polka, elaboration for piano (after Op. 7/1) S. 570a (LW V16) |  | 5:34 | 
| 78 |  | Einleitung & Coda zu Smetana's Polka, elaboration for piano (after Op. 7/1) S. 570a (LW V16) |  | 5:34 | 
| 79 |  | Einleitung & Schlußtakte zu Tausigs 3. Valse-Caprice, elaboration for piano (after J. Strauss II, op. 250), S. 571a, LW V15 |  | 9:53 | 
| 79 |  | Einleitung & Schlußtakte zu Tausigs 3. Valse-Caprice, elaboration for piano (after J. Strauss II, op. 250), S. 571a, LW V15 |  | 9:53 | 
| 80 |  | Mephisto Waltz, for piano No. 3 (I & II), S. 216 (LW A325) - First Draft, S215a |  | 6:00 | 
| 80 |  | Mephisto Waltz, for piano No. 3 (I & II), S. 216 (LW A325) - First Draft, S215a |  | 6:00 | 
| 81 |  | Petite Valse (Nachspiel zu den drei vergessenen Walzer), for piano, S. 695d or 251a (LW Q21) |  | 2:15 | 
| 81 |  | Petite Valse (Nachspiel zu den drei vergessenen Walzer), for piano, S. 695d or 251a (LW Q21) |  | 2:15 | 
| 82 |  | Grande valse di bravura, for piano ("Le bal de Berne"), S. 209 (LW A32a) |  | 7:33 | 
| 82 |  | Grande valse di bravura, for piano ("Le bal de Berne"), S. 209 (LW A32a) |  | 7:33 | 
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