Matthew Locke: Consorts in Two Parts
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| Artist | Les Masques |
| Bewertung | |
| Epoche | Barock (1600-1749) |
| Label | Dorian |
| Erschienen | 2001 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Simphonia (from 't Uitnement Kabinet, 1646) | 1:22 | ||
| 1 | Simphonia (from 't Uitnement Kabinet, 1646) | 1:22 | ||
| 2 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:36 | ||
| 2 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:36 | ||
| 3 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:25 | ||
| 3 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:25 | ||
| 4 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :59 | ||
| 4 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :59 | ||
| 5 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :56 | ||
| 5 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :56 | ||
| 6 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
| 6 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
| 7 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg | - | ||
| 7 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg | - | ||
| 8 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:05 | ||
| 8 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:05 | ||
| 9 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :42 | ||
| 9 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :42 | ||
| 10 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :46 | ||
| 10 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :46 | ||
| 11 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Fantazie | 1:06 | ||
| 11 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Fantazie | 1:06 | ||
| 12 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Pavan | 3:07 | ||
| 12 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Pavan | 3:07 | ||
| 13 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Ayre | :58 | ||
| 13 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Ayre | :58 | ||
| 14 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Courante | :45 | ||
| 14 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Courante | :45 | ||
| 15 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Saraband | :34 | ||
| 15 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Saraband | :34 | ||
| 16 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Jigg | 1:08 | ||
| 16 | Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) - Jigg | 1:08 | ||
| 17 | Gallarde Faraboscho (from 't Uitnement Kabinet, 1646) | 1:06 | ||
| 17 | Gallarde Faraboscho (from 't Uitnement Kabinet, 1646) | 1:06 | ||
| 18 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:07 | ||
| 18 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:07 | ||
| 19 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:09 | ||
| 19 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:09 | ||
| 20 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :58 | ||
| 20 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :58 | ||
| 21 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
| 21 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
| 22 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:12 | ||
| 22 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:12 | ||
| 23 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
| 23 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :48 | ||
| 24 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :33 | ||
| 24 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :33 | ||
| 25 | Suite, for consort No. 4 in E minor - Pavan | 4:30 | ||
| 25 | Suite, for consort No. 4 in E minor - Pavan | 4:30 | ||
| 26 | Suite, for consort No. 4 in E minor - Almand | 1:31 | ||
| 26 | Suite, for consort No. 4 in E minor - Almand | 1:31 | ||
| 27 | Suite, for consort No. 4 in E minor - Courante | 1:00 | ||
| 27 | Suite, for consort No. 4 in E minor - Courante | 1:00 | ||
| 28 | Suite, for consort No. 4 in E minor - Ayre | 1:19 | ||
| 28 | Suite, for consort No. 4 in E minor - Ayre | 1:19 | ||
| 29 | Suite, for consort No. 4 in E minor - Saraband | - | ||
| 29 | Suite, for consort No. 4 in E minor - Saraband | - | ||
| 30 | Suite, for consort No. 4 in E minor - Jigg | :53 | ||
| 30 | Suite, for consort No. 4 in E minor - Jigg | :53 | ||
| 31 | La Pertenisse (from 't Uitnement Kabinet, 1646) | :59 | ||
| 31 | La Pertenisse (from 't Uitnement Kabinet, 1646) | :59 | ||
| 32 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:18 | ||
| 32 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 1:18 | ||
| 33 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 2:38 | ||
| 33 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 2:38 | ||
| 34 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:08 | ||
| 34 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | 1:08 | ||
| 35 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :52 | ||
| 35 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :52 | ||
| 36 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Almande | 1:51 | ||
| 36 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Almande | 1:51 | ||
| 37 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
| 37 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | - | ||
| 38 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | 1:08 | ||
| 38 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | 1:08 | ||
| 39 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:36 | ||
| 39 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | 3:36 | ||
| 40 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :45 | ||
| 40 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :45 | ||
| 41 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - [Courante] | :46 | ||
| 41 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - [Courante] | :46 | ||
| 42 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 22:41 | ||
| 42 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Fantazie | 22:41 | ||
| 43 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
| 43 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
| 44 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | - | ||
| 44 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | - | ||
| 45 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | :00 | ||
| 45 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Jigg; Conclude thus | :00 | ||
| 46 | Almande Maschera (from 't Uitnement Kabinet, 1646) | :00 | ||
| 46 | Almande Maschera (from 't Uitnement Kabinet, 1646) | :00 | ||
| 47 | Trio Suite in G major/minor No 7 - Fantazie | :00 | ||
| 47 | Trio Suite in G major/minor No 7 - Fantazie | :00 | ||
| 48 | Trio Suite in G major/minor No 7 - Pavan | :00 | ||
| 48 | Trio Suite in G major/minor No 7 - Pavan | :00 | ||
| 49 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
| 49 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
| 50 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
| 50 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
| 51 | Trio Suite in G major/minor No 7 - Saraband | - | ||
| 51 | Trio Suite in G major/minor No 7 - Saraband | - | ||
| 52 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
| 52 | Trio Suite in G major/minor No 7 - Ayre | :00 | ||
| 53 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
| 53 | Trio Suite in G major/minor No 7 - Courante | :00 | ||
| 54 | Trio Suite in G major/minor No 7 - Saraband | :00 | ||
| 54 | Trio Suite in G major/minor No 7 - Saraband | :00 | ||
| 55 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | :00 | ||
| 55 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Pavan | :00 | ||
| 56 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
| 56 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Ayre | :00 | ||
| 57 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :00 | ||
| 57 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Courante | :00 | ||
| 58 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :00 | ||
| 58 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) - Saraband | :00 | ||
| 59 | Modulatio (from 't Uitnement Kabinet, 1646) | :00 | ||
| 59 | Modulatio (from 't Uitnement Kabinet, 1646) | :00 |
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